Peter Shaffer

Dr. Martin Dysart, a psychiatrist, is confronted with Alan Strang, a boy who has blinded six horses in a violent fit of passion. This very passion is as foreign to Dysart as the act itself. To the boy's parents, it is a hideous mystery; Alan has always adored horses. To Dysart, it is a psychological puzzle that leads both doctor and patient to a complex and disturbingly dramatic confrontation. This international success reached new acclaim in London and on Broadway when revived in 2008.

In the court of the Austrian Emperor Joseph II Antonio Salieri is the established composer. Enter the greatest musical genius of all time: Wolfgang Amadeus Mozart. Salieri has given himself to God so that he might realize his sole ambition to be a great composer. Mozart is a foul-mouthed graceless oaf who has that which is beyond Salieri's envious grasp: Genius.

The White Liars depicts a fateful encounter between a down-and-out fortune teller a rock musician and his agent. The agent bribes Baroness Lemberg to fake some hocus-pocus over a crystal ball ostensibly to discourage the musician from pursuing his girlfriend. The trickery entangles each of them in a dense web of mendacity. Black Comedy: The fussy neighbor Harold Gorringe returns just as a blown fuse plunges the apartment into darkness and Brindsley is revealed. Unexpected guests aging spinsters errant phone cords and other snares impede his frantic attempts to return the purloined items before light is restored.

Charles and Belinda are an ill-assorted couple yet they were once in love. Insanely jealous, Charles engages a private eye, Julian, to follow her round London. Julian can only report that she is attached to someone. When the three meet it transpires that Belinda has fallen for Julian. Deciding to mend a marriage, rather than break it, Julian banishes Belinda to her wanderings but this time to be followed by Charles.

Bob is a born loser: plain and shy he is no match for Ted whose facile charm impresses "the birds". Bob thinks he has found a different kind of girl and invites her to dinner. Ted bustles about, further reducing Bob's store of confidence. Doreen arrives. Her quiet poise is revealed as foolishness and she finds classical music as tedious as Bob's conversation.1 woman, 2 men

History / Casting: 22m 2f extras / Scenery: Cyc drops inset The Spanish expedition under Pizzaro to the land of the Incas told in dazzling spectacle and moral chiaroscuro. After general absolution for any crimes they may commit against the pagan Incas the conquerors set forth upon the sea. The Inca god is a sun god ruler of the riches and people of Peru and thought to be immortal. But the Spaniards have come in conquest rather than in reverence. There is misunderstanding confusion an

Drama / 3m 2f / Comp. Int. The first stage success from the author of Equus and Amadeus this taut family drama centers on a young German student who coming to England to tutor the daughter of well-to-do family is drawn into the various individual dramas of these fractured isolated people. "A powerful and absorbing drama."- New York Post

In the rich, humid air of sixteenth-century Peru, Atahuallpa, the Sun-God King, meets Pizarro the Conquistador, representative of the Spanish Empire at its most insatiable. While the Inca King is convinced of his own immortality, the Spaniard is cynical and greedy, leading to a collision of power and authority. Soon both men are locked in a struggle for survival; one of them must die and the survivor must face mortality, and the terrible truth of the world he lives in. Moving and atmospheric, The Royal Hunt of the Sun is an unforgettable drama of pride, empire and the conquest of bodies and souls.

Wolfgang Amadeus Mozart is a genius, the most brilliant musician the world will ever see. But the court of eighteenth-century Vienna doesn’t recognize his talents - only Antonio Salieri, the Court Composer, does, and he is tortured by what he hears. Seething with rage at the genius of this flippant buffoon and suddenly aware of his own mediocrity, Salieri declares war and sets out to destroy the man he sees as God’s instrument on earth. Peter Shaffer’s award-winning play is a rich, exuberant portrayal of a God-like man among mortals, and lives destroyed by envy.

Self-consciously staging itself in the psychotherapy sessions of a disturbed young man, Peter Shaffer's Equus is a shocking exploration of the limits of faith, of the intersecting worlds of the sacred and profane, and of the paltry value of a 'mundane' life, published in Penguin Modern Classics.When a deranged boy, Alan Strang, blinds six horses with a metal spike he is sentenced to psychiatric treatment. Dr Dysart is the man given the task of uncovering what happened the night Strang committed his crime, but in doing so will open up his own wounds. Dysart struggles in secret to define sanity, to justify his marriage, to account for his career, and finds himself questioning the 'normality' of his way of life. Ultimately, he must ask himself: is it patient or psychiatrist whose life is being laid bare? The most shocking play of its day, Equus uses an act of violence to explore faith, insanity and how the materialism of modern life can destroy humanity's capacity for pain and passion.Peter Shaffer (b. 1926), born in Liverpool, is an English playwright. Among his plays are The Salt Land (1954), Equus (1973) which won Shaffer the 1975 Tony Award for Best Play, as well as the New York Drama Critics Circle Award and Amadeus (1979) which won the Evening Standard Drama Award and the Theatre Critics Award for the London production, as well as being adapted into a 1984 film starring F. Murray Abraham and Simon Callow.If you enjoyed Equus, you might like Tennessee Williams's A Streetcar Named Desire, also available in Penguin Modern Classics.'Sensationally good'Guardian'A very important play'The New York Times

Vom Psychogramm bis zur Komödie: In diesem Taschenbuch sind alle Facetten von Peter Shaffers dramatischem Werk zu entdecken. "Equus", "Amadeus", "Laura und Lotte" und weitere bekannte Stücke - fast 50 Jahre Theater von einem der bedeutendsten britischen Dramatiker erstmals in einem Band.

*Winner of the Tony Award for Best Play* *A Broadway production starring Richard Griffiths and Daniel Radcliffe* An explosive play that took critics and audiences by storm, Equus is Peter Shaffer's exploration of the way modern society has destroyed our ability to feel passion.​ Alan Strang is a disturbed youth whose dangerous obsession with horses leads him to commit an unspeakable act of violence. As psychiatrist Martin Dysart struggles to understand the motivation for Alan's brutality, he is increasingly drawn into Alan's web and eventually forced to question his own sanity. "Remarkable...a psychiatric detective story of infinite skill" (The New York Times) Equus is a timeless classic and a cornerstone of contemporary drama that delves into the darkest recesses of human existence.

For use as a supplemental text for conceptual recitation/tutorial sections of introductory undergraduate physics courses. Tutorials in Introductory Physics present a series of physics tutorials designed by a leading physics education research group. Emphasizing the development of concepts and scientific reasoning skills, the tutorials focus on the specific conceptual and reasoning difficulties that students tend to encounter.

When Edward Damson, English playwright, dies in his Aegean home, his son Philip, whom he never acknowledged, begs permission from his stepmother to write his biography. She warns that he will find it painful. Edward's life is mirrored in the Greek myth of Athena and Perseus who slays the Gorgon.

0riginating at the National Theatre of Great Britain, Amadeus was the recipient of both the Evening Standard Drama Award and the Theatre Critics Award. In the United States, the play won the coveted Tony Award and went on to become a critically acclaimed major motion picture winning eight Oscars, including Best Picture.Now, this extraordinary work about the life of Wolfgang Amadeus Mozart is available with a new preface by Peter Shaffer and a new introduction by the director of the 1998 Broadway revival, Sir Peter Hall. Amadeus is a must-have for classical music buffs, theatre lovers, and aficionados of historical fiction.

Teenager Alan, fought over by a religious mother and an atheist father, finds release in horses, until he is driven to blind them with a spike. Why?

Lettice Duffet, an expert on Elizabethan cuisine and medieval weaponry, is an indefatigable but daffy enthusiast of history and the theatre. As a tour guide at Fustian House, one of the least stately of London's stately homes, she theatrically embellishes its historical past, ultimately coming up on the radar of Lotte Schon, an inspector from the Preservation Trust. Neither impressed or entertained by Lettice's freewheeling history lessons, Schon fires her. Not one however, to go without a fight, Lettice engages the stoic, conventionial Lotte in battle to the death of all that is sacred to the Empire and the crown.

This provocative work weaves a confrontation between mediocrity and genius into a tale of breathtaking dramatic power. In the court of the Austrian Emperor Josef, Antonio Salieri is the established composer. Enter the greatest musical genius of all time: Wolfgang Amadeus Mozart. Salieri has given himself to God so that he might realize his sole ambition to be a great composer. Mozart is a foul-mouthed, graceless oaf who has that which is beyond Salieri's envious grasp: Genius.

Two pop singers, Frank and Tom, visit Sophie, a fortune-teller, for consultation. Frank says Tom is trying to lure away his girl; Tom says Frank's attitude rests on lies. Tom leaves Frank and reveals to Sophie the secret of his true relationship with his friend. Sophie herself reveals that her supposed high connections are lies. Lies surround the seedy trio.1 woman, 2 men