Peter Simpson

Working in uncertainty has become the new normal, but what do leaders have to draw upon when lacking the requisite knowledge? In this book, the authors make a case for Negative Capability, which enables leaders to work in a state of not knowing without simply reaching for old ideas or resorting to habitual behaviours. It is not a practice that can be measured, but its impact in leadership practice is immense and tangible. Offering fresh insights for leadership students, researchers, and practitioners on the challenges of working in uncertainty, the book offers a novel perspective on Negative Capability as a way of being. Each chapter explores an aspect of Negative Capability through the accounts of leaders and managers who had the courage to explore this way of being and share the stories about its powerful impact. Ultimately, this book explores how a practice of attention can lead to new ways of understanding the role of purpose, leisure, and passion in leadership practice.

Following on from the popular first book in this series covering the Norman period, "The Angevins" traces the establishment and growth of the English nation state. Covering the reigns of Henry II, Richard I and the infamous King John, the narrative flows from the ending of the civil war known as the Anarchy to the First Baron's War and the Magna Carta. With over 190 illustrations and maps, the format has been designed to enable the reader to absorb the essence of the period. This is a serious history book with easy readability. The author's encyclopedic knowledge of the English Middle Ages has enabled him to delve into fascinating details of the time and the links with England today to be found in language, institutions and places. "England in the Middle Ages: The Angevins" is ideal for scholars, students, visitors to England, and for the general history reader.

Following on from the popular first book in this series covering the Norman period, "The Angevins" traces the establishment and growth of the English nation state. Covering the reigns of Henry II, Richard I and the infamous King John, the narrative flows from the ending of the civil war known as the Anarchy to the First Baron's War and the Magna Carta. With over 190 illustrations and maps, the format has been designed to enable the reader to absorb the essence of the period. This is a serious history book with easy readability. The author's encyclopedic knowledge of the English Middle Ages has enabled him to delve into fascinating details of the time and the links with England today to be found in language, institutions and places. "England in the Middle Ages: The Angevins" is ideal for scholars, students, visitors to England, and for the general history reader.

Colin McCahon (1919-1987) was New Zealand's greatest twentieth-century artist. Through landscapes, biblical paintings and abstraction, the introduction of words and Maori motifs, McCahon's work came to define a distinctly New Zealand modernist idiom. Collected and exhibited extensively in Australasia and Europe, McCahon's work has not been assessed as a whole for thirty-five years. In this richly illustrated two-volume work, written in an accessible style and published to coincide with the centenary of Colin McCahon's birth, leading McCahon scholar, writer and curator Dr Peter Simpson chronicles the evolution of the artist's work over McCahon's entire forty-five-year career. Simpson has enjoyed unprecedented access to McCahon's extensive correspondence with friends, family, dealers, patrons and others. This material enables us to begin to understand McCahon's work as the artist himself conceived it. Each volume includes over three-hundred illustrations in colour, with a generous selection of reproductions of McCahon's work (many never previously published), plus photographs, catalogue covers, facsimiles and other illustrative material. These books will be the definitive work on New Zealand's leading artist for many years to come.

Colin McCahon (1919-1987) was New Zealand's greatest twentieth-century artist. Through landscapes, biblical paintings and abstraction, the introduction of words and Maori motifs, McCahon's work came to define a distinctly New Zealand modernist idiom. Collected and exhibited extensively in Australasia and Europe, McCahon's work has not been assessed as a whole for thirty-five years. In this richly illustrated two-volume work, written in an accessible style and published to coincide with the centenary of Colin McCahon's birth, leading McCahon scholar, writer and curator Peter Simpson chronicles the evolution of McCahon's work over the artist's entire forty-five-year career. Simpson has enjoyed unprecedented access to McCahon's extensive correspondence with friends, family, dealers, patrons and others. This material enables us to begin to understand McCahon's work as the artist himself conceived it. Each volume includes over three hundred illustrations in colour, with a generous selection of reproductions of McCahon's work (many never previously published), plus photographs, catalogue covers, facsimiles and other illustrative material. This will be the definitive work on New Zealand's leading artist for many years to come.

This book describes an approach based on attention that can help individuals and groups to cooperate more effectively. It presents the first book-length reassessment of Wilfred Bion's ideas on groups. Every group has a purpose or purposes - or, as Bion put it, "every group, however casual, meets to 'do' something." The approach described here shows how individual group members' use of attention - both broad or "evenly suspended" and focused - can promote a better understanding of purpose, making it possible for them to do what they have met to do. This work of attention enables group members to maintain a clear sense of their purpose and also to recognise how easily they can become distracted, losing focus and dispersing their energies into activities that are off task. The approach builds on the authors' experience of using Bion's insights into group dynamics over twenty-five years in different contexts, formal and informal, as group members, managers, leaders, teachers, consultants, researchers, family members, and friends.

In this book Pastor Peter Simpson surveys key factors in the English Reformation, and looks into why it was so necessary. He then analyses graciously the errors in the current teachings of the Roman Catholic Church.

This book describes an approach based on attention that can help individuals and groups to cooperate more effectively. It presents the first book-length reassessment of Wilfred Bion's ideas on groups. Every group has a purpose or purposes - or, as Bion put it, "every group, however casual, meets to 'do' something." The approach described here shows how individual group members' use of attention - both broad or "evenly suspended" and focused - can promote a better understanding of purpose, making it possible for them to do what they have met to do. This work of attention enables group members to maintain a clear sense of their purpose and also to recognise how easily they can become distracted, losing focus and dispersing their energies into activities that are off task. The approach builds on the authors' experience of using Bion's insights into group dynamics over twenty-five years in different contexts, formal and informal, as group members, managers, leaders, teachers, consultants, researchers, family members, and friends.

Thomas T. Wilson is described in the preface of this book as "probably the best-known unknown painter in the Northwest." Most of his early paintings still hang within the houses of his original buyers. Very few of his paintings are in public spaces, and the artist has never sought or received formal gallery representation. Thomas T. Wilson: Paintings brings the hidden career and life of a masterful Pacific Northwest artist to light.The bold lyricism and originality of Wilson's work is revealed in the lush farmlands of his native Illinois, his fascination with light and space in his tree compositions, and his vibrant landscapes and cloudscapes inspired by the dramatic environment of the Pacific Northwest. Wilson is also a prolific portraitist. He captured Seattle society after the dramatic impact of the 1962 World's Fair, a period which saw significant growth in the city's theater, opera, dance, music, and visual arts. Many of the people who were a part of this pre-Microsoft flourishing are Wilson's subjects. Even multiple generations within single families are represented in the painter's career. The artist also painted several self-portraits, and his works are unsparing progress reports of his life.Thomas Wilson's work is a valuable record of a society within the cultural world it helped to create. This collection of portraits, self-portraits, and landscapes promises to be a revelation to all those unfamiliar with the artist and his work.

Challenges the orthodox account of Hegelian phenomenology as hyper-rationalism, arguing that Hegel's insistence on the primacy of experience in the development of scientific knowledge amounts to a kind of empiricism, or inductive epistemology. Hegel's Transcendental Induction challenges the orthodox account of Hegelian phenomenology as a hyper-rationalism, arguing that Hegel's insistence on the primacy of experience in the development of scientific knowledge amounts to a kind of empiricism, or inductive epistemology. While the inductive element does not exclude an emphasis on deductive demonstration as well, Hegel's phenomenological description of knowledge demonstrates why knowing becomes scientific only to the extent that it recognizes its dependence on experience. Simpson's argument closely parallels Hegel's own in the Phenomenology of Spirit, highlighting those sections, like Hegel's analysis of mastery and slavery, that contribute to the argument that knowing is both vulnerable and responsive to the way in which experience resists our attempts to make sense of things. Simpson's argument connects his account of Hegelian phenomenology with traditional accounts of induction, and with a number of other commentators.