Philip Roberts

Collected together for the first time, the best weird fiction from Morpheus Tales, the UK's most controversial weird fiction magazine! Only the very best weird fiction has been hand-picked from the Morpheus Tales archives to create the seventh collected volume of the magazine Christopher Fowler calls "edgy and dark." Featuring fiction by Philip Roberts, Brent Pilkey, C. E. Zacherl, Todd Outcalt, Jessica Lilien, Clay Waters, Tyler Bowler, Jude-Marie Green, Paul Michael Moreau, Tim Foley, Charles Austin Muir, Benjamin Blake, Morgan Duchesney, Nate Jacobs, Richard Farren Barber, Jason Sturner, Jared Bernard, Edward A. Taylor, Paul L. Howard, Steven Lee Climer, Meredith Doench. Established horror best-sellers rub shoulders with rising stars and newcomers in this diverse collection of short weird fiction.

The English Stage Company at the Royal Court Theatre is the longest running specialist production organization in the history of British theatre. Philip Roberts’s account, which was first published in 1986, covers the period 1965-1972 in the Company’s life, beginning in 1965 with the appointment of William Gaskill as Artistic Director. It is not simply about the critical triumphs of these years of the Royal Court’s work, but also about the day-to-day workings of a busy and often turbulent organization. The result of the book is both scholarly and entertaining. This book will be of interest to students of the theatre and drama.

Written specifically for GCSE students by academics in the field, the Methuen Drama GCSE Student Guides conveniently gather indispensable resources and tips for successful understanding and writing all in one place, preparing students to approach their exams with confidence.Key features include a critical commentary of the play with extensive, clearly labelled analyses on themes, characters and context. They take studying drama even further with sections on dramatic technique, critical reception, related works, fascinating behind-the-scenes interviews with playwrights, directors or actors, and a helpful glossary of dramatic terms.An English theatre classic, J. B. Priestley’s An Inspector Calls is as much about today as it is about the 20th century. On a night in 1912, Inspector Goole’s unexpected arrival at the Birling family’s home turns a dinner party into a murder investigation with some shattering conclusions. Closely following the requirements of GCSE English Literature assessment objectives, these studies include expert advice on how to write about modern drama. With featured activities for group study and independent work, they are versatile and valuable to students and teachers alike.

The English Stage Company at the Royal Court Theatre is the longest running specialist production organization in the history of British theatre. Philip Roberts’s account, which was first published in 1986, covers the period 1965-1972 in the Company’s life, beginning in 1965 with the appointment of William Gaskill as Artistic Director. It is not simply about the critical triumphs of these years of the Royal Court’s work, but also about the day-to-day workings of a busy and often turbulent organization. The result of the book is both scholarly and entertaining. This book will be of interest to students of the theatre and drama.

In the past ten years, brazing technology has undergone sweeping changes. Yet because there are so few practitioners who understand the finer points of the technology, many of the companies that use brazing as their preferred metal-joining procedure are failing to use it to best effect. Fully updated to reflect the latest practices, this second edition of Industrial Brazing Practice helps you develop the most effective brazing procedure for your particular needs. It reveals the six simple rules of brazing and explains how they impact essential brazing procedures. These rules effectively form the bedrock of problem-solving procedures in this field.Written by an expert with more than 50 years of experience, the book combines fundamental principles with practical, hands-on advice. The author highlights the intrinsic versatility of the brazing process and covers a wide range of conditions and technical possibilities. He walks you through the nine stages of the process audit, from identifying service conditions, to selecting materials and design, to assessing process complexity. A chapter answers frequently asked questions such as "is it possible to braze ceramics" and "what is MIG brazing?"New in This EditionInformation on new ISO specifications for brazing filler materialsNew alloy and flux codesNew production developments in available fuel-gases for brazing, such as SafeFlameNew sections on carbon potential of furnace atmosphere and quality control parameters for vacuum brazingNew production methods in aluminum brazingExpanded coverage of interfacial corrosion in stainless steelsMore case studiesThis comprehensive book contains the information needed to enable you to develop best-practice solutions to the daily brazing problems you may encounter in the production shop. Packed with flowcharts, illustrations, and case studies, it is an invaluable reference for anyone involved in industrial brazing.

Inside accounts of the making of some of the most influential theatre productions of the last four decades. Max Stafford-Clark has been at the cutting edge of theatre in Britain for more than thirty years. Taking Stock draws on diaries, photos and interviews to recreate the evolution of nine of his most famous and influential productions: Fanshen by David Hare Epsom Downs by Howard Brenton Cloud Nine by Caryl Churchill Rita, Sue and Bob Too by Andrea Dunbar Serious Money by Caryl Churchill Our Country's Good by Timberlake Wertenbaker The Steward of Christendom by Sebastian Barry Some Explicit Polaroids by Mark Ravenhill Macbeth by William Shakespeare The result is one of the richest, most intimately informative books on the making of theatre.

The Royal Court Theatre is one of the primary forums in the development of post-war drama. Under the title of the English Stage Company the theatre's house actors and dramatists commissioned and produced some of the most influential plays in modern theatre history, including the works of Brenton, Churchill, Bond and Osborne. The story of the Royal Court is also the history of the contemporary stage. In this absorbing account of the theatre's history from 1956 to 1998, Philip Roberts draws on previously unpublished archives in both public and private collections and a series of interviews with people prominent in the Court's life. The book also includes a Foreword by the former Director of the Royal Court, Max Stafford-Clark. The result is an intimate account of the working of the foremost house of modern drama and its relationships to the world of the theatre in Britain and abroad.

The Royal Court Theatre is one of the primary forums in the development of post-war drama. Under the title of the English Stage Company the theatre’s house actors and dramatists commissioned and produced some of the most influential plays in modern theatre history, including the works of Brenton, Churchill, Bond and Osborne. The story of the Royal Court is also the history of the contemporary stage. In this absorbing account of the theatre’s history from 1956 to 1998 Philip Roberts draws on previously unpublished archives in both public and private collections and a series of interviews with people prominent in the Court’s life. The book also includes a Foreword by the former Director of the Royal Court, Max Stafford-Clark. The result is an intimate account of the working of the foremost house of modern drama and its relationships to the world of the theatre in Britain and abroad.