Plautus

Plautus’ Amphitruo is the sole specimen of mythological burlesque in ancient comedy to come down to us in nearly complete form. This sex farce delighted Roman audiences and readers for centuries and continues to inspire adaptations to this day. Dr Christenson utilizes recent work in performance criticism in conjunction with traditional philological analysis to provide new insights into the play in performance. The edition aims to recover the essence of Plautine spectacle from the most concrete details of staging to the complex performative dynamics played out among the actors themselves and the actors and the audience. Included in the Introduction is an account of the mythic and dramatic background to Plautus’ play as well as of its influence in post-classical drama. Plautus’ metres are explained in a manner students will find helpful and instructive. Dr Christenson presents a new text that includes stage directions in English.

Miles Gloriosus or “Braggart Warrior” is one of the best-known and liveliest Roman comedies. It shows Plautus at his ablest in ingenious plot construction, vivid characterization, fast-moving action, and humorous dialogue.This edition of the Latin text is fully and very helpfully annotated. The substantial introduction considers the antecedents of Plautus’s drama in Greek New Comedy and in Italic farce, his mixture of Greek and Roman both in language and in the life portrayed, and his stagecraft, language, and meter.

Menaechmi is one of Plautus’ liveliest and most entertaining comedies, the main inspiration for Shakespeare’s The Comedy of Errors. Dr Gratwick’s edition brings new light to bear on the interpretation of the play and on Plautus’ place in the development of European comedy. Central to his treatment is the fact that Plautus was a dramatist who wrote to be heard rather than to be read. The various metres which he subtly and flexibly exploited for musical and dramatic effect are here explained in a way that challenges many received views but also offers the student practical assistance in grappling with the technical problems involved both on stage and in performance. The text has been newly constituted on the basis of a complete reappraisal of the manuscript tradition in the light of scholarship since the Renaissance.

A major comic artist in Republican Rome, Plautus left a legacy of twenty extremely inventive comedies. Ostensibly Latin versions of Greek plays staged in Athens several generations earlier, they display an exuberance and zany sense of humor that are distinctly Roman. Peter L. Smith here offers lively and colloquial English verse translations of three plays: Miles Gloriosus (The Braggart Warrior), Pseudolus (The Cheat), and Rudens (The Rope). In their quality and variety, the three plays represent an ideal sampling of Plautus' work, and the translations themselves are meant to be enjoyed as living theater. Miles Gloriosus is a comic assault on human vanity and self-importance, as manifested in the persona of an absurdly swaggering military officer. Pseudolus features a scheming slave of quick wit and fertile imagination, who assists his well-born but dim-witted young master in pursuing a seemingly hopeless love affair. Rudens is a romantic comedy set on the North African coast, in which a pathetic young woman (kidnapped in infancy) survives a shipwreck, escapes the clutches of a villainous pimp, and discovers her parents. Smith has written a substantial general introduction on the background of ancient Roman comedy, including various aspects of theater production, and brief critical essays introducing the plays. Notes and bibliographical information are also included. Although Plautus created popular entertainment for a general audience, he was a literary artist of remarkable dexterity. His plays have become classics of the Western tradition, and their direct influence has extended from Shakespeare and Moliere through Stephen Sondheim. These masterly new translations will be welcomed by anyone with an interest in the development of comedy and in classical drama and its performance.

Plautus' Casina is a lively and well composed farce. The plot, which concerns the competition of a father and his son for the same girl and the various scurrilous tricks employed in the process, gives full scope to Plautus' inventiveness and richly comic language. The editors' aim is to establish the play as one of the liveliest of ancient comedies, and in their introduction and notes to make the reader continually aware of the conditions of an actual stage performance. They discuss the background and conventions of Roman comedy and by offering a complete metrical analysis they help the reader to appreciate the original musical structure of the play. The edition is intended primarily for use by students at school and university but will be of value to anyone interested in reading the play in the original.