Quentin Bajac

An epic dive into modernist photography by the museum that helped shape its historyThe history of photography has been told many times, but never before through the incomparable collection of photographs at The Museum of Modern Art. As the second volume in a set of three books that together present a new and comprehensive history of photography through works from MoMA's collection, this publication charts the medium during the height of the modernist period, from 1920 to 1960.Only one other volume--Looking at Photographs, published in 1973--highlights the photographic treasures of MoMA's collection; neither Beaumont Newhall's classic History of Photography nor John Szarkowski's Photography Until Now used the Museum collection as a springboard to approach photography's distinctive history. The Museum's significant role in the development of this history, and in the construction of a canon that championed photography as an art form (but also eclipsed certain alternative or unfamiliar practices) requires a reconsidered history for the 21st century. This publication offers a fresh critical lens through which to appreciate works of exceptional significance, surprise and influence, encouraging creative new readings.The book begins with an in-depth introduction followed by eight chapters of full-color plates, each introduced by a short essay. Masterworks by photographers such as Alfred Stieglitz, Dorothea Lange, Man Ray and Aleksander Rodchenko appear alongside lesser-known gems, and diverse notions of modernism enrich classic interpretations, so that the beautiful fictions and messy realities of photography are complicated, refreshed and, above all, enjoyed.

The Museum of Modern Art has one of the greatest collections of 20th-century photography in the world. As one of three volumes dedicated to a new history of photography published by the Museum, this publication comprises a comprehensive catalogue of the collection post-1960s and brings much-needed new critical perspective to the most prominent artists working with the photographic medium of the late 20th and early 21st centuries. At a moment when photography is undergoing fast-paced changes and artists are seeking to redefine its boundaries in new and exciting ways, Photography at MoMA serves as an excellent resource for understanding the expanded field of contemporary photography today. The book begins with an in-depth introduction followed by eight chapters of full-color plates, each introduced by a short essay. Over 250 artists are featured, including Diane Arbus, John Baldessari, Jan Dibbets, Rineke Dijkstra, William Eggleston, Lee Friedlander, Louise Lawler, Zoe Leonard, Helen Levitt, Sigmar Polke, Cindy Sherman, Wolfgang Tillmans, Jeff Wall, Carrie Mae Weems, Hannah Wilke and Garry Winogrand, among many others.

A complete retrospective of one of the most significant photographers of our time, including almost 50 images published here for the very first time.

Examining the revolution in photography that took place across Europe between 1918 and 1945, this enormous and bold survey orients its examination of the era around three cities, each of which served as a nexus for major developments in the medium: Par s, Prague and Barcelona. Until the First World War, photography had largely followed the aesthetics of painting; during and after the war, such movements as Constructivism, Moholy-Nagy's New Vision and Surrealism led photography to new frontiers, developing techniques and styles that took the medium strictly on its own terms. Demonstrating the interconnectedness of these tendencies, this volume assesses the contributions of each of these cities. Photographers based in Paris during these years include Man Ray, Brassai, Emmanuel Sougez, Hans Bellmer, Jacques-Andr Boiffard, Germaine Krull, Andr Kert sz, Fran ois Collar, Claude Cahun, Florence Henri, Andreas Feininger, Eli Lotar, Dora Maar, Roger Parry and Raul Ubac; in Prague, Josef Sudek, Frantisek Drtikol, Jaroslav R ssler, Eugen Wiskovsk, Jarom r Funke, Karel Teige, Ladislav Berka, Jan Lauschmann, Josef Bartuska, Jindrich Styrsky and Karel Kasparik; and in Barcelona, Pere Catal Pic, Josep Masana, Josep Sala, Josep Llad , Emili Godes, Antoni Arissa, Gabriel Casas, Salvador Dal and Joaquim Gomis.