R. Bruce Bickley

This biography and critical study reconstructs Harris's life and career from his humble origins as an illegitimate child and plantation-newspaper printer's devil through his years in Macon, Forsyth, Savannah, and Atlanta. When Harris died in 1908, his national and international popularity rivaled his friend Mark Twain's. A psychologically complex person, Harris became an accomplished Southern local colorist who left multiple legacies as an American humorist, folklorist, New South journalist, children's writer, and author. He helped make the Old South New. Harris's Uncle Remus trickster tales derive primarily from transplanted Senegambian African folklore and are rhetorically and sociologically complex representations of the often predatory world of Old South slave life—where survival depends on trickery, wit, and will pitted against the brute strength of overseers and masters. Controversial today because he was a white man retelling black folk narratives, Harris nevertheless helped preserve the trickster tale-cycle and promote black folk-tale collecting, generally; hundreds of scholars and linguists have studied his works. Harris also made Brer Rabbit, the tar baby, and the briar patch popular-culture icons, and his highly believable animal characters and dialogues influenced the techniques of Rudyard Kipling, A. A. Milne, Beatrix Potter, E. B. White, and other children's authors. Finally, Harris's poor white and African American characters and narratives have left their mark on writers from his time to our times—from Twain to Zora Neale Hurston, William Faulkner, Flannery O'Connor, Ralph Ellison, and Toni Morrison.

Joel Chandler Harris was internationally famous in his own time and has a surprisingly broad scholarly and popular following in ours. His portraits of slaves and former slaves, particularly Uncle Remus and Free Joe, poor whites, and Brer Rabbit, the archetypal trickster hero, have influenced many other writers, including Mark Twain, Charles Chesnutt, William Faulkner, Ralph Ellison, Toni Morrison, and a wide array of children's authors from Beatrix Potter to A. A. Milne. Harris also left a lasting mark on popular culture, most clearly manifested through Disney's ^ISong of the South^R and at Disney World attractions featuring versions of Harris's characters. He singlehandedly preserved and made internationally famous the Brer Rabbit folktales, the largest body of African American oral folklore that the world has ever known. Additionally, Harris was a major New South journalist who accelerated the process of reconciliation between North and South and promoted racial tolerance after the Civil War.This reference book is a complete bibliographic guide to the scholarly response to Harris during the last two decades. The introduction explores such issues as Harris's renderings of black dialect, Southern character, and folklore, and his influence on popular culture. The first part is a supplement to Bickley's earlier bibliography of Harris, which covered the period 1862-1976. The second part provides more than 300 entries for books, articles, and dissertations about Harris published after 1976. Entries are grouped in sections according to year of publication, and then alphabetically within each section. Each entry is fully annotated, and a detailed index concludes the volume.