R. Eli Paul

In 1981 the suspended walkways-or “skywalks”-in Kansas City’s Hyatt Regency hotel fell and killed 114 people. It was the deadliest building collapse in the United States until the fall of New York’s Twin Towers on 9/11. In Skywalks R. Eli Paul follows the actions of attorney Robert Gordon, an insider to the bitter litigation that followed. Representing the plaintiffs in a class action lawsuit against those who designed, built, inspected, owned, and managed the hotel, Gordon was tenacious in uncovering damaging facts. He wanted his findings presented before a jury, where his legal team would assign blame from underlings to corporate higher-ups, while securing a massive judgment in his clients’ favor. But when the case was settled out from under Gordon, he turned to another medium to get the truth out: a quixotic book project that consumed the rest of his life. For a decade the irascible attorney-turned-writer churned through a succession of high-powered literary agents, talented ghost writers, and New York trade publishers. Gordon’s resistance to collaboration and compromise resulted in a controversial but unpublishable manuscript, “House of Cards,” finished long after the public’s interest had waned. His conclusions, still explosive but never receiving their proper attention, laid the blame for the disaster largely at the feet of the hotel’s owner and Kansas City’s most visible and powerful corporation, Hallmark Cards Inc. Gordon gave up his lucrative law practice and lived the rest of his life as a virtual recluse in his mansion in Mission Hills, Kansas. David had fought Goliath, and to his despair, Goliath had won. Gordon died in 2008 without ever seeing his book published or the full truth told. Skywalks is a long-overdue corrective, built on a foundation of untapped historical materials Gordon compiled, as well as his own unpublished writings.

In previous accounts, the U.S. Army's first clashes with the powerful Sioux tribe appear as a set of irrational events with a cast of improbable characters - a Mormon cow, a brash lieutenant, a drunken interpreter, an unfortunate Brulé chief, and an incorrigible army commander. R. Eli Paul shows instead that the events that precipitated General William Harney's attack on Chief Little Thunder's Brulé village foreshadowed the entire history of conflict between the United States and the Lakota people.Today Blue Water Creek is merely one of many modest streams coursing through Sioux country. The conflicts along its margins have been overshadowed by later, more spectacular confrontations, including the Great Sioux War and George Custer's untimely demise along another modest stream. The Blue Water legacy has gone largely underappreciated - until now. Blue Water Creek and the First Sioux War, 1854-1856 provides a thorough and objective narrative, using a wealth of eyewitness accounts to reveal the significance of Blue Water Creek in Lakota and U.S. history.

On a wintry day in December 1890, near a creek named Wounded Knee on the Pine Ridge Reservation in South Dakota, the Seventh Cavalry of the U.S. Army opened fire on an encampment of Sioux Indians. This assault claimed more than 250 lives, including those of many Indian women and children. The tragedy at Wounded Knee has often been written about, but the existing photographs have received little attention until now.Eyewitness at Wounded Knee brings together and assesses for the first time some 150 photographs that were made before and immediately after the massacre. Present at the scene were two itinerant photographers, George Trager and Clarence Grant Morelodge, whose work has never before been published. Accompanying commentaries focus on both the Indian and the military sides of the story. Richard E. Jensen analyzes the political and economic quagmire in which the Sioux found themselves after 1877. R. Eli Paul considers the army's role at Wounded Knee. John E. Carter discusses the photographers and also the reporters and relic hunters who were looking to profit from the misfortune of others. For this Bison Books edition each image has been digitally enhanced and restored, making the photographs as compelling as the event itself. Heather Cox Richardson tells the story behind the endeavor to present a meaningful account of this significant historical event.