Rachel Feder

A narrative-poetic retelling of The Great Gatsby from the perspective of a 1990s teen poet Daisy: Poems is a captivating and imaginative take on The Great Gatsby that puts F. Scott Fitzgerald's 1925 classic in the hands of a messy, ambitious, and possibly devious teen poet. From her privileged yet precarious perch in the roaring 1990s, Daisy navigates the expectations of her parents, boyfriend, and lover, alongside her own artistic ambitions, as she explores whether freedom is what she truly desires - and wonders if it's even possible. Rachel Feder puts a new spin on beloved characters: Jay, longtime and secret lover Nick, somewhat mysterious and always meddling cousin and Jordyn, best friend and companion in doomed relationships. A meditation on juvenilia, constructions of femininity, the purity myth, and canonical literary silences, Daisy is told in sparse, evocative verse that pulsates with youthful passion and offers a new elegy for our lost American dreams.

A contemporary gothic delving into the power of unmoored lust and familial bonds When Baxter, a young writer and recent college graduate, accepts a live-in nanny position for an affluent professor's family in the foothills of the Rocky Mountains, she rapidly becomes aware of strange happenings orbiting the family and their children, Quinn and Thebes. After the father becomes estranged and the mother disappears into the night with only one child, Baxter is left utterly lost and in charge of the baby, Thebes, even as she struggles to make sense of the bizarre occurrences within the family, the house, and even her own body. But the unnatural occurrences are far from over, and as Baxter stumbles in the dark to protect the child, something sinister stalks the night, looking to sink in its teeth. For fans of gothic classics such as The Turn of the Screw and Carmilla, The Turn is an eerie and magnificent modern gothic tale about the monstrous bond of love between caregiver and child.

From a Robert Frost poem on her debut album to the myth of Cassandra on The Tortured Poets Department, Taylor Swift s lyrics are filled with literary connections. Make sure you're catching them all with this expert guide to the novels, poems, and plays that influence her songwriting. Let a literature professor and a musical theater artist guide you through the Taylor Swift canon from Shakespeare to the Bronte sisters to Daphne du Maurier! Learn what 'New Romantics' has to do with the old Romantics. Get to know the Gothic monsters haunting Midnights. Spot Taylor's many Great Gatsby references. Discover what Taylor Swift and Emily Dickinson have in common. And find your new favorite tortured poet! Packed with fun facts, entertaining analysis, and literary-themed playlists that fans will love, Taylor Swift by the Book will turn anyone from a Taylor Swift lover into a Taylor Swift scholar. With full-color illustrations highlighting the literary eras of Dr. Swift (yes, she has an honorary PhD), it s a perfect gift for the Swiftie in your life.

A unique, illustrated introduction to astrology that explores the zodiac through a literary lens, drawing lessons from celebrated authors including Jane Austen, Charlotte Bront , W.E.B. Du Bois, Nella Larsen, Oscar Wilde, and dozens more. AstroLit is a cosmic voyage through the lives and works of literary giants from the eighteenth, nineteenth, and early twentieth centuries. Renowned literary history scholars McCormick Templeman and Rachel Feder bring the twelve signs of the zodiac to glimmering life by analyzing the astrological influence of over fifty illustrious writers' sun signs on the shape and depth of their work. Each of the twelve sections focuses on a particular zodiac sign, featuring profiles of three celebrated authors, analyzing their works and lives through the prism of their astrological sign. You'll uncover connections between writers' signs and their realms of creative influence, including the Capricornian ambition of Edgar Allan Poe and Zora Neale Hurston, the Sagittarian influence on William Blake's The Marriage of Heaven and Hell, and the Taurean gothiness evident in Mary Wollstonecraft's work. Each chapter also includes writing advice and reading recommendations for readers, no matter your sign. A delight for both astrology and book lovers, AstroLit is a gratifying exploration of classic literature and a playful way for readers and astrology lovers to learn something new about their favorite authors.

What if we've been reading Jane Austen and romantic classics all wrong? A literary scholar offers a funny, brainy, eye-opening take on how our contemporary love stories are actually terrifying. Covering cultural touchstones ranging from Normal People to Taylor Swift and from Lord Byron to The Bachelor, The Darcy Myth is a book for anyone who loves thinking deeply about literature and culture whether it s Jane Austen or not. You already know Mr. Darcy at least you think you do! The brooding, rude, standoffish romantic hero of Pride and Prejudice, Darcy initially insults and ignores the witty heroine, but eventually succumbs to her charms. It s a classic enemies-to-lovers plot, and one that has profoundly influenced our cultural ideas about courtship. But what if this classic isn t just a grand romance, but a horror novel about how scary love and marriage can be for women? In The Darcy Myth, literature scholar Rachel Feder unpacks Austen s Gothic influences and how they ve led us to a romantic ideal that s halfway to being a monster story. Why is our culture so obsessed with cruel, indifferent romantic heroes (and sometimes heroines)? How much of that is Darcy s fault? And, now that we know, what do we do about it?

A collection of poems weaving together astrology, motherhood, music, and literary history.In Birth Chart, a collection of heartfelt, ruthless poetry, Rachel Feder rethinks the relationship between astrology and motherhood. She asks, if astrology constellates the universe around the moment of one's birth, then how might it serve as shorthand for a vast number of personal experiences and cultural phenomena? How might it speak to and of friendship, motherhood, authorship, the mysteries of literary history, and the wonders of watching a child come into language? Across four sections, including a serial poem in sustained conversation with the modernist poet H.D., Feder's references range from group texts to the Talmud to '90s song lyrics. In her hands-and her inimitable yet familiar, often straight-up funny voice-astrology is less a means of explaining the world than of communicating, of capturing a feeling, of sealing a bond. The result is an equally sentimental and sardonic collection in which "the language of explanation is a heart emoji. It means you know what I mean." And we do.

In the period between 1815 and 1820, Mary Shelley wrote her most famous novel, Frankenstein; or, The Modern Prometheus, as well as its companion piece, Mathilda, a tragic incest narrative that was confiscated by her father, William Godwin, and left unpublished until 1959. She also gave birth to four—and lost three—children.In this hybrid text, Rachel Feder interprets Frankenstein and Mathilda within a series of provocative frameworks including Shelley’s experiences of motherhood and maternal loss, twentieth-century feminists’ interests in and attachments to Mary Shelley, and the critic’s own experiences of pregnancy, childbirth, and motherhood. Harvester of Hearts explores how Mary Shelley’s exchanges with her children—in utero, in birth, in life, and in death—infuse her literary creations. Drawing on the archives of feminist scholarship, Feder theorizes “elective affinities,” a term she borrows from Goethe to interrogate how the personal attachments of literary critics shape our sense of literary history. Feder blurs the distinctions between intellectual, bodily, literary, and personal history, reanimating the classical feminist discourse on Frankenstein by stepping into the frame.The result—at once an experimental book of literary criticism, a performative foray into feminist praxis, and a deeply personal lyric essay—not only locates Mary Shelley’s monsters within the folds of maternal identity but also illuminates the connections between the literary and the quotidian.

In the period between 1815 and 1820, Mary Shelley wrote her most famous novel, Frankenstein; or, The Modern Prometheus, as well as its companion piece, Mathilda, a tragic incest narrative that was confiscated by her father, William Godwin, and left unpublished until 1959. She also gave birth to four—and lost three—children.In this hybrid text, Rachel Feder interprets Frankenstein and Mathilda within a series of provocative frameworks including Shelley’s experiences of motherhood and maternal loss, twentieth-century feminists’ interests in and attachments to Mary Shelley, and the critic’s own experiences of pregnancy, childbirth, and motherhood. Harvester of Hearts explores how Mary Shelley’s exchanges with her children—in utero, in birth, in life, and in death—infuse her literary creations. Drawing on the archives of feminist scholarship, Feder theorizes “elective affinities,” a term she borrows from Goethe to interrogate how the personal attachments of literary critics shape our sense of literary history. Feder blurs the distinctions between intellectual, bodily, literary, and personal history, reanimating the classical feminist discourse on Frankenstein by stepping into the frame.The result—at once an experimental book of literary criticism, a performative foray into feminist praxis, and a deeply personal lyric essay—not only locates Mary Shelley’s monsters within the folds of maternal identity but also illuminates the connections between the literary and the quotidian.