Randa Abdel-Fattah

Silence is complicity, but what does it take to speak up? Hannah is a journalist running on empty. Balancing the chaos of new motherhood, her job and her faith, she increasingly feels the judgement of a newsroom that doesn’t value her voice. Ashraf is an academic whose career and personal life are in freefall. As Israel’s bombardment of Gaza intensifies, a teenage student is arrested for protesting a university’s ties to an Israeli arms manufacturer. Both Hannah and Ashraf are pulled into the unfolding drama – but in very different ways. While Hannah fights to tell the true story, risking her place in the newsroom, Ashraf chooses caution, prioritising his reputation as the stakes rise around him. As their paths begin to converge, both must confront what they are willing to stand for – and what their silence might cost them.

A lyrical narrative of a Palestinian family in exile explores universal bonds of family, loyalty, and friendship through the lens of eleven Arabic expressions for love. A family has fled their homeland in search of safety in another country, carrying a single suitcase. As their journey unfolds, the oldest child reflects on the special contents of that suitcase: photo albums that evoke eleven of many names for love in Arabic. From sunshine-warm friendship to the love that dissolves all tears; from the love that makes you swoon to the love that leaves you yearning for the heart's homeland--her family has experienced it all. Illustrated in vibrant watercolor pencil and collage on textured card stock, this moving scrapbook shows a family embracing an unknown future even as they honor the past, casting immigration and the refugee experience in the light of universal human connection.

SHORTLISTED FOR THE 2023 PRIME MINISTER'S LITERARY AWARD FOR CHILDREN'S LITERATUREA CBCA NOTABLE PICTURE BOOK OF THE YEAR 2023SHORTLISTED FOR THE 2023 MULTICULTURAL NSW AWARDThere are eleven words for love, and my family knows them all.A family flees their homeland to find safety in another country, carrying little more than a suitcase full of love.As their journey unfolds, the oldest child narrates 11 meanings for love in Arabic as her family show, and are shown, all different kinds of love in their new home, and they also remember the love they have for their homeland and for those left behind or lost along the way.In the Arabic language, there are over 50 words describing the degrees of love. That's 50 stories, 50 life-worlds. This lyrical and heartwarming book takes you on a journey through 11 of these Arabic expressions for love.'Randa's rich words and Maxine's moving illustrations make this book sing' The Australian Women's Weekly'An uplifting, emotionally charged story . . . matched with bold illustrations that exude deep warmth' Sydney Morning Herald'A beautifully rendered, timely picture book created with heart' Books+Publishing

School is tough enough without throwing a hijab into the mix... Amal is a 16-year-old Melbourne teen with all the usual obsessions about boys, exams, chocolate and magazines. She's also a Muslim, struggling to honour the Islamic faith in a society that doesn't understand it. The story of her decision to "shawl up" and its attendant anxieties (like how much eyeliner to wear) is funny, surprising and touching by turns. Exploring issues of faith and identity with the lightest of touches, this is a joyful exploration of what it means to be a Muslim teenager "...a bright, articulate heroine true to herself and her faith. Abdel-Fattah’s fine first novel offers a world of insight..." Kirkus Reviews Look out for Randa Abdel-Fattah's other books: Ten Things I Hate About Me and Where the Streets had a name

‘One minute you’re a 15-year old girl who loves Netflix and music and the next minute you’re looked at as maybe ISIS.’ The generation born at the time of the 9/11 attacks are turning 18. What has our changed world meant for them? We now have a generation – Muslim and non-Muslim – who have grown up only knowing a world at war on terror. These young people have been socialised in a climate of widespread Islamophobia, surveillance and suspicion. An unparalleled security apparatus around terrorism has grown alongside fears over young people’s radicalisation and the introduction into schools and minority communities of various government-led initiatives to counter violent extremism. In Coming of Age in the War on Terror Randa Abdel-Fattah, a leading scholar and popular writer, interrogates the impact of all this on young people’s trust towards adults and the societies they live in and their political consciousness. Drawing on local interviews but global in scope, this book is the first to examine the lives of a generation for whom the rise of the far-right, the discourse of Trump and Brexit and the growing polarisation of politics seems normal in the long aftermath of 9/11. It’s about time we hear what they have to say.

This book explores Islamophobia in Australia, shifting attention from its victims to its perpetrators by examining the visceral, atavistic nature of people’s feelings and responses to the Muslim ‘other’ in everyday life. Based on ethnographic fieldwork, Islamophobia and Everyday Multiculturalism sheds light on the problematisations of Muslims amongst Anglo and non-Anglo Australians, investigating the impact of whiteness on minorities’ various reactions to Muslims. Advancing a micro-interactional, ethnographically oriented perspective, the author demonstrates the ways in which Australia’s histories and logics of racial exclusion, thinking and expression produce processes in which whiteness socializes, habituates and ‘teaches’ ‘racialising’ behaviour, and shows how national and global events, moral panics, and political discourse infiltrate everyday encounters between Muslims and non-Muslims, producing distinct structures of feeling and discursive, affective and social practices of Islamophobia. As such, it will be of interest to social scientists with interests in race and ethnicity, migration and diaspora and Islamophobia.

A remarkable story about the power of tolerance from one of the most important voices in contemporary Muslim literature, critically acclaimed author Randa Abdel-Fattah.Michael likes to hang out with his friends and play with the latest graphic design software. His parents drag him to rallies held by their anti-immigrant group, which rails against the tide of refugees flooding the country. And it all makes sense to Michael.Until Mina, a beautiful girl from the other side of the protest lines, shows up at his school, and turns out to be funny, smart -- and a Muslim refugee from Afghanistan. Suddenly, his parents' politics seem much more complicated.Mina has had a long and dangerous journey fleeing her besieged home in Afghanistan, and now faces a frigid reception at her new prep school, where she is on scholarship. As tensions rise, lines are drawn. Michael has to decide where he stands. Mina has to protect herself and her family. Both have to choose what they want their world to look like.

This book explores Islamophobia in Australia, shifting attention from its victims to its perpetrators by examining the visceral, atavistic nature of people’s feelings and responses to the Muslim ‘other’ in everyday life. Based on ethnographic fieldwork, Islamophobia and Everyday Multiculturalism sheds light on the problematisations of Muslims amongst Anglo and non-Anglo Australians, investigating the impact of whiteness on minorities’ various reactions to Muslims. Advancing a micro-interactional, ethnographically oriented perspective, the author demonstrates the ways in which Australia’s histories and logics of racial exclusion, thinking and expression produce processes in which whiteness socializes, habituates and ‘teaches’ ‘racialising’ behaviour, and shows how national and global events, moral panics, and political discourse infiltrate everyday encounters between Muslims and non-Muslims, producing distinct structures of feeling and discursive, affective and social practices of Islamophobia. As such, it will be of interest to social scientists with interests in race and ethnicity, migration and diaspora and Islamophobia.

A remarkable story about the power of tolerance from one of the most important voices in contemporary Muslim literature, critically acclaimed author Randa Abdel-Fattah.Michael likes to hang out with his friends and play with the latest graphic design software. His parents drag him to rallies held by their anti-immigrant group, which rails against the tide of refugees flooding the country. And it all makes sense to Michael.Until Mina, a beautiful girl from the other side of the protest lines, shows up at his school, and turns out to be funny, smart -- and a Muslim refugee from Afghanistan. Suddenly, his parents' politics seem much more complicated.Mina has had a long and dangerous journey fleeing her besieged home in Afghanistan, and now faces a frigid reception at her new prep school, where she is on scholarship. As tensions rise, lines are drawn. Michael has to decide where he stands. Mina has to protect herself and her family. Both have to choose what they want their world to look like.

It is a truth universally acknowledged ... Esma is a modern Muslim woman with an age-old dilemma. She is well-educated, well-travelled and has excellent taste in music, but the hunt for Mr Right leads her to a number of Mr Wrongs. Together with wild-haired Ruby, principled Lisa, and drop-dead gorgeous Nirvana, Esma forms the No Sex in the City Club. Her quest for The One (or Mr Almost-Perfect) was never going to be easy, but soon enough it takes an unexpected and thrilling detour.

When sixteen-year-old Amal decides to wear the hijab full-time, her entire world changes, all because of a piece of cloth...Sixteen-year-old Amal makes the decision to start wearing the hijab full-time and everyone has a reaction. Her parents, her teachers, her friends, people on the street. But she stands by her decision to embrace her faith and all that it is, even if it does make her a little different from everyone else.Can she handle the taunts of "towel head," the prejudice of her classmates, and still attract the cutest boy in school? Brilliantly funny and poignant, Randa Abdel-Fattah's debut novel will strike a chord in all teenage readers, no matter what their beliefs.