Randall Griffey

Positioning Alice Neel as a champion of civil rights, this book explores how her paintings convey her humanist politics and capture the humanity, strength, and vulnerability of her subjects “One of the most ambitious and thorough collections of Neel’s work to date.”—Allison Schaller, Vanity Fair “For me, people come first,” Alice Neel (1900–1984) declared in 1950. “I have tried to assert the dignity and eternal importance of the human being.” This ambitious publication surveys Neel’s nearly 70-year career through the lens of her radical humanism. Remarkable portraits of victims of the Great Depression, fellow residents of Spanish Harlem, leaders of political organizations, queer artists, visibly pregnant women, and members of New York’s global diaspora reveal that Neel viewed humanism as both a political and philosophical ideal. In addition to these paintings of famous and unknown sitters, the more than 100 works highlighted include Neel’s emotionally charged cityscapes and still lifes as well as the artist’s erotic pastels and watercolors. Essays tackle Neel’s portrayal of LGBTQ subjects; her unique aesthetic language, which merged abstraction and figuration; and her commitment to progressive politics, civil rights, feminism, and racial diversity. The authors also explore Neel’s highly personal preoccupations with death, illness, and motherhood while reasserting her place in the broader cultural history of the 20th century.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (March 22–August 1, 2021) Guggenheim, Bilbao (September 17, 2021–January 30, 2022) de Young Museum, San Francisco (March 12–July 10, 2022)

A new consideration of extraordinary art created by Black artists during the mid-20th centuryMy Soul Has Grown Deep considers the art-historical significance of contemporary Black artists working throughout the southeastern United States. These paintings, drawings, mixed-media compositions, sculptures, and textiles include pieces ranging from the profound assemblages of Thornton Dial to the renowned quilts of Gee’s Bend. Nearly 60 remarkable examples are illustrated alongside insightful texts that situate them in the history of modernism and the context of African American experience in the 20th-century South. This remarkable study simultaneously considers these works on their own merits while also making connections to mainstream contemporary art. Art historians Cheryl Finley, Randall R. Griffey, and Amelia Peck illuminate shared artistic practices, including the novel use of found or salvaged materials and the artists’ interest in improvisational approaches across media. Novelist and essayist Darryl Pinckney provides a thoughtful consideration of the cultural and political history of the American South, during and after the Civil Rights era. These diverse works, described and beautifully illustrated, tell the compelling stories of artists who overcame enormous obstacles to create distinctive and culturally resonant works of art.Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art (05/22/18–09/23/18)