Rania Mamoun

In this powerful, debut collection of stories, Rania Mamoun expertly blends the real and imagined to create a rich, complex and moving portrait of contemporary Sudan. From painful encounters with loved ones to unexpected new friendships, Mamoun illuminates the breadth of human experience and explores, with humour and compassion, the alienation, isolation and estrangement that is urban life.

Banthology will showcase and celebrate new writing from the region, including work by previously unplatformed writers from Iran, Iraq, Libya, Somalia, Sudan, Syria and Yemen.

A exquisitely wrought, deeply personal collection of short stories from a remarkable new voice from Sudan A young girl grows jealous of her mother's lemon tree, which may be more sentient than she knows. A college student confronts tragedies past and present when police attack a university protest. A lawyer desperately searches the city for a woman claiming to have been sent from the Hereafter. In her second collection of stories after Thirteen Months of Sunrise, which was named a finalist for the 2020 Warwick Prize for Women in Translation, the unique voice of Sudanese writer and poet Rania Mamoun is on full display. Under the Neem Tree, her first collection to be published in the United States, now in a wonderful translation by Elisabeth Jaquette, is a powerful and intimate collection that blends fiction with memoir to create a rich, multifaceted portrait of Sudanese women-one with a magical edge. From unexpected love to political defiance, Mamoun brings tenderness and a poetic sensibility to tales of human connection. Grounded in the reality of life and politics in Sudan, while also laced with elements of the surreal and uncanny, these twelve stories will be embraced by fans of Claire Keegan and Marie NDiaye, and by English-language readers eager for emotionally intimate characters, deeply human stories, and a striking, unique voice.

Khartoum, according to one theory, takes its name from the Beja word hartooma, meaning ‘meeting place’. Geographically, culturally and historically, the Sudanese capital is certainly that: a meeting place of the Blue and White Niles, a confluence of Arabic and African histories, and a destination point for countless refugees displaced by Sudan’s long, troubled history of forced migration. In the pages of this book – the first major anthology of Sudanese stories to be translated into English – the city also stands as a meeting place for ideas: where the promise and glamour of the big city meets its tough social realities; where traces of a colonial past are still visible in day-to-day life; where the dreams of a young boy, playing in his father’s shop, act out a future that may one day be his. Diverse literary styles also come together here: the political satire of Ahmed al-Malik; the surrealist poetics of Bushra al-Fadil; the social realism of the first postcolonial authors; and the lyrical abstraction of the new ‘Iksir’ generation. As with any great city, it is from these complex tensions that the best stories begin.