Reyna Reichert

Novedoso concepto que logra crear un libro a partir de la p gina m s din mica de literatura en Facebook (el primero de una serie), publicado en Amazon con la mejor calidad de relatos cortos en espa ol.Libro de Relatos Cortos (in ditos), de no m s de media p gina que marcar un hito en las publicaciones, ya sustentadas con una participaci n tanto de diletantes, quienes son los que abordan la lectura por el gusto mismo, como de quienes pretenden escribir. Y decimos, realmente escribir con la exigencia necesaria que demanda la literatura. De un simple escrito a una composici n literaria, es el gran resultado. Es la primera p gina literaria, instructiva y de conformaci n de un libro, en toda la red. De tal manera que si surgen otras, deber n brindarnos los cr ditos. Incluso, podremos interactuar. Adem s, es la primera p gina de creaci n interactiva literaria en Facebook.Podemos afirmar que el relato corto debe ser suave como un beso o verso, pero con la ferocidad de quien pule un torso escult rico.No es f cil seleccionar nada en la vida, ni a nuestro c nyuge, trabajo o amigos, y mucho menos, un compendio de cuentos que trasciendan al exigente gusto del lector, y luego al tiempo, con la aspiraci n de convertirse en un cl sico. Esto ltimo es lo que aspira todo aut ntico autor: que su esfuerzo narrativo se convierta en un cl sico, aun mudado de este mundo. Como escuchamos de los mejores compiladores de cuentos: un relato, entre m s corto, es un viaje a portentos y prodigios imaginativos. Y tal como anexo: no quedarse en s lo un intento y con los vicios de las malas narraciones con sus lugares comunes. Es entonces que la concisi n y brevedad admirable se traduce en una proeza literaria, donde cada ficci n es una gema que abre con su destello un fascinante universo. S , un universo que provoque al lector una colisi n entre la realidad y la fantas a. Raz n por la cual nos proponemos crear una de esas muy escasas Antolog as de Cuentos que trasciendan al tiempo y a la cr tica. Hemos logrado esa certera concisi n que hizo prevalecer Edmundo Valad s, uno de los m s agudos cr ticos y seleccionadores de cuentos. Los lectores nuestros deber n ser presas de un fulgor de talento inventivo, vers til y sorprendente que trascienda tiempos y g neros futuros. Nos asomamos al arte de s ntesis en tan pocas palabras, pero suficientes para resolver con fulminante ingenio, esa mencionada colisi n entre la realidad y fantas a. Y como Valad s concluye: ir m s all de lo visible y comprensible.No pretendemos, porque realmente es inalcanzable, prevalecer una t cnica definitiva, pues sabemos que la po tica y ret rica representan los dos pilares para la construcci n de una buena historia en su brevedad. El factor sorpresa es el mayor ingrediente de cualquier tensi n narrativa, y debe estar presente cuando seleccionamos un relato que formar parte de una ambiciosa antolog a. Todos los escritores, creadores al final del d a, nos apoyamos en esos sofisticados recursos de la ret rica y la po tica, pero nuestra finalidad es llevarlos a su m ximo nivel de expresi n. El camino m s viable es el poder sugestivo de las im genes bien logradas. Es entonces que toda buena narraci n parte de los siguientes pilares para su bien lograda creaci n final: un poder sugestivo a trav s de la imagen, y el logro de una fuerza expresiva a trav s del lenguaje.Dicho lo anterior, el autor debe ir descubriendo nuevas leyes ret ricas para fascinar a sus lectores. Si sorprendemos a partir de un tema inaudito como inusitado, y todav a m s, con una forma narrativa, igualmente sorprendente, habremos logrado la gran obra literaria.

The unpublished short stories more extraordinaryThe title is extremely ambitious, and we aspire to achieve its level of exigency.Brevity has become the most active ingredient in modern society. Messages that can be enclosed in a few words will extol the dimensions of global expansion if they condense the necessary ingredients to impact the reader.The objective is to create an imprint from words that can become the leitmotiv of an individual's life; words that provoke such imprints and that you will pronounce until the dying minute of your life.After much analysis of the world literature and its attempts to achieve an imprint with the least number of words, we were able to create the basis for evaluation and selection, starting from: The poet's art of synthesis.The genius of the definition of the philosopher.The concretion capability of the scientist.And it is then that the greatest attribute of the short story creator arises: the Relatist writing ability to condense language.In such a way that a new description of the literary creation emerges: the Relatist. In this way, we inaugurated a new genre and named it: Cuentinimio, TinyStory.It is necessary to differentiate the Relatist of the storyteller and a novelist.Who has written in all genres and, moreover, has built images from verses, he understands that each genre demands its own scaffolding.We do not intend to teach, but to show the scaffolding for the construction of a story. It has been called little story or mini fiction. Even: small tale; brief tale, but, in fact, the story of immediacy demands the greatest writing ability to resemble the speed with which we relate us with the world day by day: It is to pave the sheet with the asphalt of the writing ingenuity for the construction of the short story, the tale, or the novel.Being a matter that gives for a much larger essay that we will later share, the objective is to achieve the most accurate selection of the unpublished TinyStories, the most extraordinary.The reader should understand the extensive work of searching for them as if we were miners extracting precious diamonds and in all the range of the literary world.The short story must start from two pages to no more than five.The tale is acceptable with five pages and no more than fifteen.Who has climbed a narrative to more than fifteen pages, he can extend much more since he does not respect the principles of the short story where it must express what is necessary by writing and symbolic transmission of a topic; a theme that necessarily is telling a story.In such a way that the short story should not exceed two pages. In fact, it should be at most a page and a half so there is enough space to allow the eyes to breathe. This synesthetic element is fundamental.Not only content and form matter, but the spatialization is also vitally necessary.Because the visual impact is significant, the narrative begins its banquet when the reader has not yet tasted a single word, precisely, because he has visualized it with all its delicacies, which he cannot appreciate pro tempora. And it is not necessary since the whole allows the imagination to begin to salivate the appetite of reading. In addition, the type of letter is important, even, the jumps of lines and paragraphs.Welcome, then, reader, to the inauguration of this new genre of literature: TinyStory (Cuentinimios in Spanish).And who writes: the Relatis

The unpublished short stories more extraordinary The title is extremely ambitious, and we aspire to attain the level of it's exigence. Brevity has become the most active ingredient in modern society. The messages that can be enclosed in a few words will extol dimensions of global expansion if they condense the necessary ingredients to impact the reader. The objective is to create an imprint from words that can become the leitmotiv of an individual's life; words that provoke such imprints and that you will pronounce until the dying minute of your life. After much analysis of the world literature and it's attempts to achieve an imprint with the least number of words, we were able to create the basis for evaluation and selection, starting from:  The poet's art of synthesis.  The genius of the definition of the philosopher.  The concretion capability of the scientist. And it is than that the greatest attribute of the short story creator arises: the Relatist writhing ability to condense language. Los in