Richard G. Lesure

This monograph reports on large-scale excavations at Paso de la Amada, an archaeological site in the Soconusco region of the Pacific coast of Mexico, which was among the earliest sedentary, ceramic-using villages of Mesoamerica. With an occupation that extended across 140 ha in 1600 BC, it was also one of the largest communities of its era. First settled around 1900 BC, the site was abandoned 600 years later during what appears to have been a period of local political turmoil. The decline of Paso de la Amada corresponded with a rupture in local traditions of material culture and local adoption of the Early Olmec style. Stylistically, the material culture of Paso de la Amada corresponds predominantly to the pre-Olmec Mokaya tradition. Excavations at the site have revealed significant earthen constructions from as early as 1700 BC. Those include the earliest known Mesoamerican ball court and traces of a series of high-status residences. This monograph reports on large-scale excavations in Mounds 1, 12, and 32, as well as soundings in other locations. The volume covers all aspects of excavations and artifacts and includes three lengthy interpretive chapters dealing with the main research questions, which concern subsistence, social inequality, and the organizational history of the site.

This book examines ancient figurines from several world areas to address recurring challenges in the interpretation of prehistoric art. Sometimes figurines from one context are perceived to resemble those from another. Richard G. Lesure asks whether such resemblances play a role in our interpretations. Early interpreters seized on the idea that figurines were recurringly female and constructed the fanciful myth of a primordial Neolithic Goddess. Contemporary practice instead rejects interpretive leaps across contexts. Dr Lesure offers a middle path: a new framework for assessing the relevance of particular comparisons. He develops the argument in case studies that consider figurines from Paleolithic Europe, the Neolithic Near East and Formative Mesoamerica.

This book examines ancient figurines from several world areas to address recurring challenges in the interpretation of prehistoric art. Sometimes figurines from one context are perceived to resemble those from another. Richard G. Lesure asks whether such resemblances play a role in our interpretations. Early interpreters seized on the idea that figurines were recurringly female and constructed the fanciful myth of a primordial Neolithic Goddess. Contemporary practice instead rejects interpretive leaps across contexts. Dr Lesure offers a middle path: a new framework for assessing the relevance of particular comparisons. He develops the argument in case studies that consider figurines from Paleolithic Europe, the Neolithic Near East and Formative Mesoamerica.