Richard Haynes

"Readers will devour this dynamic and informative explanation of the inventiveness to be found within the animal world." --Kirkus Reviews (starred review) Move over, humans We're not the only creatures who can invent and use tools to keep ourselves fed, warm, safe, healthy, comfortable--even entertained. Thanks to the careful observations of biologists working in the field, we now know that elephants use sunscreen, long-tailed macaques floss their teeth, assassin bugs use bait to lure their prey, orangutans make pillows, and crows will go sledding just for fun. Who's the clever one now, eh? Join writer Richard Haynes and illustrator Stephanie Laberis for a walk on the wild side and get ready to be astonished, delighted, and amused by this jam-packed exploration. Interested readers will find a map, an introduction, a glossary, an index, and a bibliography for further investigation.

Take a walk on the wild side and prepare to be entertained by the shenanigans of critters around the globe. Step into the fascinating world of animal playtime to find penguins surfing for the joy of it, primates playing peekaboo, and sneaky keas--the pranksters of the bird world--yanking one another's legs just for kicks. Creatures of all stripes like to play Some play builds strength and teaches survival skills: a game of tug-of-war prepares wolf cubs for hunting and taking down prey, while games of hide-and-seek give mongooses practice at quick escapes, handy for outmaneuvering predators. Some games appear to be played simply for enjoyment: Polar bears love to slide down snowy hills, then climb back up and do it again. Gorilla parents swing, hug, and give bouncy rides to their children. And elephants have been known to lie in wait for a companion to come strolling along, then--BAROOM --roll downhill to bowl them over like a friendly ball. Join Richard Haynes and Stephanie Laberis, creators of Orangutan Hats and Other Tools Animals Use, for another illuminating walk on the wild side. Scientific observations from the natural world, a glossary, and a bibliography combine with colorful and vivacious illustrations to make this guide an extra fun look at--fun

Taking the global sport of Formula 1 (F1) motor racing as a sustained case study, Streaming the Formula 1 Rivalry examines how the relationship between the sport and the media has evolved in this new digital environment. Starting with a map of the political economy of F1 and its complex commercial relationship with sponsors, investors, and the media, shows how new media owners have aimed to use social and digital media strategies to deepen the global reach of a television sport previously thought of by many as in decline. Drawing on original interviews with key stakeholders across the media and sports industry, including journalists, broadcasters, and those working within F1, this book places the sport within its broader historical context, identifying the central role that the media, particularly television has played in its history, structure, and governance. This book also explores the range of media representations and key narratives that the sport offers and how its relationship with other television genres, such as the Netflix series Drive to Survive is impacting the nature of the sport and its audience. As sport enters a new age of digital engagement, this investigation of the intense relationship between F1 and the creative industries shows us not just how the media are changing, but also that what we understand by the term "sport" is also being altered. "This is a penetrating case-study of media-sport relations in the context of major technical, cultural, and economic change. Drawing on a wide range of sources, Boyle and Haynes offer a hugely informative but also enjoyable account of the challenges and the opportunities surrounding Formula 1 as it undergoes inter-related shift s in the terms of its organization and in the scale and character of its media visibility. The authors get ‘inside’ their topic with clarity and depth." — John Corner, Professor of Communications, University of Leeds "Formula 1 has witnessed a huge transformation in recent years. Streaming the Formula 1 Rivalry successfully unpicks the way in which the changing global media landscape has both shaped and communicated the sport’s growth. Whether through the Netflix Effect or social media’s ability to turn any fan into a pundit, influencer or content creator, this book explores the complex factors impacting the way in which the narratives and storylines around Formula 1 are built. Streaming the Formula 1 Rivalry makes essential reading for any student of global sports media or Formula 1. Uniquely, it explains the media revolution which has taken place in one of world most sophisticated sporting competitions." — Mark Gallagher, Formula 1 Executive and Managing Director, Performance Insights

Taking the global sport of Formula 1 (F1) motor racing as a sustained case study, Streaming the Formula 1 Rivalry examines how the relationship between the sport and the media has evolved in this new digital environment. Starting with a map of the political economy of F1 and its complex commercial relationship with sponsors, investors, and the media, shows how new media owners have aimed to use social and digital media strategies to deepen the global reach of a television sport previously thought of by many as in decline. Drawing on original interviews with key stakeholders across the media and sports industry, including journalists, broadcasters, and those working within F1, this book places the sport within its broader historical context, identifying the central role that the media, particularly television has played in its history, structure, and governance. This book also explores the range of media representations and key narratives that the sport offers and how its relationship with other television genres, such as the Netflix series Drive to Survive is impacting the nature of the sport and its audience. As sport enters a new age of digital engagement, this investigation of the intense relationship between F1 and the creative industries shows us not just how the media are changing, but also that what we understand by the term "sport" is also being altered. "This is a penetrating case-study of media-sport relations in the context of major technical, cultural, and economic change. Drawing on a wide range of sources, Boyle and Haynes offer a hugely informative but also enjoyable account of the challenges and the opportunities surrounding Formula 1 as it undergoes inter-related shift s in the terms of its organization and in the scale and character of its media visibility. The authors get ‘inside’ their topic with clarity and depth." — John Corner, Professor of Communications, University of Leeds "Formula 1 has witnessed a huge transformation in recent years. Streaming the Formula 1 Rivalry successfully unpicks the way in which the changing global media landscape has both shaped and communicated the sport’s growth. Whether through the Netflix Effect or social media’s ability to turn any fan into a pundit, influencer or content creator, this book explores the complex factors impacting the way in which the narratives and storylines around Formula 1 are built. Streaming the Formula 1 Rivalry makes essential reading for any student of global sports media or Formula 1. Uniquely, it explains the media revolution which has taken place in one of world most sophisticated sporting competitions." — Mark Gallagher, Formula 1 Executive and Managing Director, Performance Insights

Elephants that remove ticks with sticks? Otters that crack open their lunch with rocks? Crows that slide down a roof on a jar lid--over and over? Take a fascinating look at the use of tools by animals around the world. Move over, humans We're not the only creatures who can invent and use tools to keep ourselves fed, warm, safe, healthy, comfortable--even entertained. Thanks to the careful observations of biologists working in the field, we now know that elephants use sunscreen, long-tailed macaques floss their teeth, assassin bugs use bait to lure their prey, orangutans make pillows, and crows will go sledding just for fun. Who's the clever one now, eh? Join writer Richard Haynes and illustrator Stephanie Laberis for a walk on the wild side and get ready to be astonished, delighted, and amused by this jam-packed exploration. Interested readers will find a map, an introduction, a glossary, an index, and a bibliography for further investigation.

Selected Verse: by Richard Haynes: poetry and verse

Wordsworth: 'Tintern Abbey'; discussion of a neglected source in Akenside's 'Pleasures of Imagination'? The author argues that passages from the revised version of Akenside's 1744 work were a direct influence on the form, structure, themes and style of one of Wordsworth's most important texts.

This book provides the first detailed account of the formative decades of BBC televised sport when it launched its flagship programmes Sportsview, Grandstand and Match of the Day. Based on extensive archival research in the BBC’s written archives and interviews with leading producers, editors and commentators of the period, it provides a ‘behind-the-scenes’ narrative history of this major institution of British cultural life. In 2016 the BBC celebrated the fiftieth anniversary of its television coverage of England’s World Cup victory. Their coverage produced one of the most oft-played moments in the history of television, Kenneth Wolstenholme’s famous line: ‘Some people are on the pitch, they think it’s all over … it is now!’ as Geoff Hurst scored England’s fourth goal, securing England’s 4-2 victory. It was a landmark in English football as well as a watershed in the BBC’s highly professionalised approach to televised sport. How the BBC reached this peak of television expertise, and who was behind their success in developing the techniques of televised sport, is the focus of this book.

.....wonderful powers of reading the text....students who want to get close to the poetry could still hardly do better'. Keith Hanley, Lancaster.'..newly published work by a major critic;...a necessary volume, one that should be in all university libraries.' Michael O'Neill, Durham.'The Invisible World' contains ten chapters on important aspects of Romantic Poetry. There are detailed assessments of the poetry of Blake, Wordsworth, Coleridge and Keats with references to Shelley and Byron. Central 'Romantic' questions are addressed such as: What did Romanticism consist of? What was the Romantic Imagination? How did Wordsworth engage with the French Revolution? How did Wordsworth engage with women? What was the importance of Ossian and Burns? How does an eccentric writer like Blake fit into 'Romanticism'? What do the great Romantic poets have in common? How far is Coleridge indebted to Cowper in 'Frost at Midnight' and how does his own poem aspire beyond the limits of Cowper's vision? What was the Excursion and why is it important? How is Wordsworth's poetry 'transformative'? What was particular about Keats's Imagination? How can Blake be said to have had the first theory of Imagination?

Praise for the first edition: 'An excellent book that tries to come to grips with the ever-increasing role of sport in the media as a particular phenomenon of 20th-century popular culture.' European Journal of Communication (2000) 'Excellent, well written and informative! of interest and use to a wider constituency.' Times Higher Education Supplement (May 2000) The fully revised and updated version of this classic text examines the link between three key obsessions of the 21st century: the media, sport and popular culture. Gathering new material from around the 2007 Rugby World Cup, the Beijing Olympics and the rise of new sports stars such as boxing's Amir Khan and cycling's Victoria Pendleton, the authors explore a wide range of sports, as well as issues including nationalism, gender, race, political economy and the changing patterns of media sport consumption. For those interested in media and sport the second edition combines new and original material with an overview of the developing field of media sport, and examines the way in which the media has increasingly come to dominate how sport is played, organized and thought about in society. It traces the historical evolution of the relationship between sport and the media and examines the complex business relationships that have grown up around television, sponsors and sport. Covers the following topics: the history of media in sport; television, sport and sponsorship; why sport matters to television; sports stars; sports journalism; fans and the audience; sport in the digital media economy.

Praise for the first edition: 'An excellent book that tries to come to grips with the ever-increasing role of sport in the media as a particular phenomenon of 20th-century popular culture.' European Journal of Communication (2000) 'Excellent, well written and informative! of interest and use to a wider constituency.' Times Higher Education Supplement (May 2000) The fully revised and updated version of this classic text examines the link between three key obsessions of the 21st century: the media, sport and popular culture. Gathering new material from around the 2007 Rugby World Cup, the Beijing Olympics and the rise of new sports stars such as boxing's Amir Khan and cycling's Victoria Pendleton, the authors explore a wide range of sports, as well as issues including nationalism, gender, race, political economy and the changing patterns of media sport consumption. For those interested in media and sport the second edition combines new and original material with an overview of the developing field of media sport, and examines the way in which the media has increasingly come to dominate how sport is played, organized and thought about in society. It traces the historical evolution of the relationship between sport and the media and examines the complex business relationships that have grown up around television, sponsors and sport. Covers the following topics: the history of media in sport; television, sport and sponsorship; why sport matters to television; sports stars; sports journalism; fans and the audience; sport in the digital media economy.

This critical study of intellectual property in the new media environment highlights the ways in which issues of intellectual property are driving the contemporary media economy, from disputes over downloading music from the Internet to negotiations over David Beckham's image rights. Taking an interdisciplinary approach, the book provides the media student with a clear understanding of how intellectual property laws shape and are shaped by the needs of the media industry. As Richard Haynes demonstrates, the media industry exploits copyright and trademarks in new and seemingly boundless ways whether it's the blockbuster movie Harry Potter or successful children's television programme Bob the Builder. The book focuses on: *The underlying importance of intellectual property rights to the media industry *The impact of digitalisation on the protection of copyright *The response of the music industry to digital distribution and copyright piracy *The strategic decisions of broadcasters to acquire sports rights *The importance of tertiary rights and their role in the television marketplace *The emergence of celebrity image rights *Issues of copyright and the Internet. Through case studies, chapter-by-chapter exercises, further reading and selected Internet links Media Rights and Intellectual Property fills the need for a clear and concise guide for the media student not versed in the finer details of media law.

Football in the New Media Age analyzes the impact of media change on the football industry, drawing on extensive interviews with key people in the media and football industry. It examines the finances of the game; the rising importance of rights and rights management in the industry; and attempts by clubs to develop their own media capacity. At the core of the book is an examination of the battle for control of the game as media, business and fans all seek to redefine the sport in the twenty-first century.Football is rarely out of the headlines, with stories about star players misbehaving, clubs facing financial meltdown, or TV companies battling over broadcast rights dominating much of the mainstream news and current affairs agenda.The impact of the vast amounts of money paid to elite footballers, and the inability of young men to cope with this when combined with their media-fuelled celebrity status, have frequently made headlines. At the core of this process is the battle to control a game that has exploited its position as a key 'content provider' for new media over the last decade, and this book provides the examiniation and analysis to study this problem.

Football in the New Media Age analyzes the impact of media change on the football industry, drawing on extensive interviews with key people in the media and football industry. It examines the finances of the game; the rising importance of rights and rights management in the industry; and attempts by clubs to develop their own media capacity. At the core of the book is an examination of the battle for control of the game as media, business and fans all seek to redefine the sport in the twenty-first century.Football is rarely out of the headlines, with stories about star players misbehaving, clubs facing financial meltdown, or TV companies battling over broadcast rights dominating much of the mainstream news and current affairs agenda.The impact of the vast amounts of money paid to elite footballers, and the inability of young men to cope with this when combined with their media-fuelled celebrity status, have frequently made headlines. At the core of this process is the battle to control a game that has exploited its position as a key 'content provider' for new media over the last decade, and this book provides the examiniation and analysis to study this problem.