Richard Kendall

This volume of Facture, a biennial journal that presents the latest conservation research on works of art at the National Gallery of Art, Washington, focuses exclusively on conservation treatment, technical art history, and scientific research related to masterpieces by the beloved French artist Edgar Degas (1834–1917). The National Gallery’s extraordinary collection of sculptures, paintings, and works on paper by Degas, including an incomparable group of his wax sculptures—among them his iconic Little Dancer Aged Fourteen—allows the institution to contribute significantly to understanding the artist’s methods and intentions. This volume features discussions of the notion of “finish” in Degas’s paintings, the complex makeup of his wax sculptures, the casting of posthumous bronzes, his innovative use of multiple layers of pastel and fixative in a late work on paper, and even a sonnet that Degas wrote to his “little dancer.” Distributed for the National Gallery of Art, Washington

A revelatory study of the importance of nature in Van Gogh’s art throughout his life in Holland and France The celebrated painter Vincent van Gogh (1853–1890) had a lifelong fascination with the natural world. He spent his youth in rural Holland, and the country’s flat landscapes, trees, flowers, and birds would feature in his early art. After he moved to Paris, he encountered new radical thinking about art and humanity’s changing relationship with nature. Later, in Provence and Auvers, he discovered unfamiliar terrain, flora, and fauna that further influenced his artistic ideas and subject matter. Van Gogh’s images of such diverse environments reflect not only his immediate surroundings but also the artist’s evolving engagement with nature and art. Van Gogh and Nature is an eye-opening and beautifully produced catalogue, which accompanied the best-attended special exhibition in the Clark Art Institute's history. It chronicles the artist’s ongoing relationship with nature throughout his entire career. Among the featured works are Van Gogh’s drawings and paintings, along with related materials that illuminate his reading, sources, and influences. Vivid color photography and explanatory texts based on new research by the authors clarify a central theme of Van Gogh’s oeuvre. Distributed for the Clark Art InstituteExhibition Schedule:Clark Art Institute (06/14/15–09/13/15)

Develop, Deploy, and Sustain High-Performance Virtual Prototyping for Advanced R&D Organizations must reduce time-to-market, costs, and risks while producing higher-quality products that grow ever more complex. In response, many are turning to advanced software for rapidly creating and analyzing virtual prototypes, and accurately predicting the performance and behavior of the systems they represent. This requires a deep understanding of physics-based digital engineering and high-performance computing, as well as unique organizational and management skills. Now, Douglass Post and Richard Kendall bring together knowledge that engineers, scientists, developers, and managers will need to build, deploy, and sustain these specialized applications—including information previously available only in proprietary environments. Post and Kendall illuminate key issues with a detailed book-length case study based on their work at the U.S. DoD's pioneering Computational Research and Engineering Acquisition Tools and Environments (CREATE) program, which developed eleven of the field's most advanced software tools. You'll find a detailed roadmap for planning, organizing, managing, and navigating complex organizations to successful delivery; as well as detailed descriptions of each step in the process, with clear rationales and concrete examples. The authors share detailed references, a convenient glossary and bibliography, sidebars on overcoming real-world challenges, and more. The book reviews the essentials of computational engineering and science and the pivotal role of virtual prototyping. It helps readers to: Plan and manage the paradigm shift from physical to virtual prototypingEstablish, execute, and evolve Agile processes for developing virtual prototyping softwareUnderstand and implement virtual prototyping tools and workflowsVerify and validate prototyping systems to ensure accuracy and utilityRecruit and retain a specialized workforce, and train and support usersExplore additional emerging roles for virtual prototyping

British artist Euan Uglow (1932–2000) maintained a lower profile than others of his generation, yet his beautiful, intelligent, humane, and often witty landscapes, still lifes, and figure studies are today gaining the recognition they so clearly deserve. Many critics and admirers now consider Uglow one of Britain’s greatest post-war artists. This is the first book devoted to Uglow and his oeuvre. Richard Kendall’s essay explores Uglow’s fundamental attitudes, beliefs, and processes in the years 1950 to 1970, and Catherine Lampert looks at the content and personal nature of the artist’s paintings over a lifetime, emphasizing his growing attention to color and light. The volume reproduces every known oil painting by Uglow—a total of more than 400 works--some 80 of which are here reproduced for the first time. In addition to a chronology, bibliography, and exhibition history for each work, the catalogue entries provide many other details and illuminating notes, including the artist’s own observations.Exhibition Schedule:Marlborough Gallery, London (opens May 2007)

Claude Monet (1840–1926) is one of the best-known and most beloved painters in the history of art, with myriad publications and exhibitions devoted to his oeuvre. And yet there remains a previously undiscovered aspect of his career: his surprisingly significant role as a draftsman. This book is the first to focus on Monet’s pastels, drawings, and sketchbooks, offering a revolutionary new interpretation of the artist’s life and work.Monet has long been seen as an anti-draftsman, an artist who painted his subjects directly and whose rarely seen graphic works were marginal to his artistic process. In an effort to develop his public image, Monet denied the role of drawing in his working method. In actuality, Monet began his career as a caricaturist and as a teenager developed a passion for drawing that was never extinguished. He went on to master the medium of pastel and included seven in the first Impressionist exhibition in 1874.Citing recently discovered, unpublished documents that overturn the accepted image of the artist, The Unknown Monet reveals an extensive group of graphic works created over the course of the artist’s career, many of which are unknown to the general public and to scholars: beautiful pastels, stunning black chalk drawings, and fascinating sketchbooks, which include pencil studies that relate to many of his paintings. The book also shows how Monet exploited the print media to promote his art.The most important publication on Monet to appear in a generation, this illuminating volume is essential to anyone interested in his work, Impressionism, and nineteenth-century French culture.Distributed for the Sterling and Francine Clark Art Institute, Williamstown, MassachusettsExhibition Schedule:Royal Academy of Arts, London (March 17 – June 10, 2007)Sterling and Francine Clark Art Institute, Williamstown, Massachusetts (June 24 – September 16, 2007)