Richard Wilbur

For the 400th anniversary of Moliere's birth, all of Richard Wilbur's unsurpassed translations of Moli re's plays--themselves towering achievements in English verse--are brought together for the first time in this two-volume gift set. One of the most accomplished American poets of his generation, Richard Wilbur (1921-2017) was also a prolific translator of French and Russian literature. His verse translations of Moli re's plays are especially admired by readers and are still performed today around the world. Wilbur, the critic John Simon wrote, makes Moli re into as great an English verse playwright as he was a French one. Now, for the first time, all ten of Wilbur's unsurpassed translations of Moli re's plays are brought together in two-volume boxed set, fulfilling the poet's vision for the translations. The first volume comprises Moli re's delightful early farces The Bungler, Lover's Quarrels, and The Imaginary Cuckhold, or Sganarelle; the comedies The School for Husbands and The School for Wives, about the efforts of middle-aged men to control their young wives or fianc s, which so delighted female theater goers in Moliere's seventeenth-century France; and Don Juan, Moli re's retelling of the timeless story, performed only briefly in the playwright's lifetime before pious censure forced it to close and not part of the repertoire of the Com die-Fran aise until 1847. The second volume includes the elusive masterpiece, The Misanthrope, often said to occupy the same space in comedy as Shakespeare's Hamlet does in tragedy; the fantastic farce Amphitryon, about how Jupiter and Mercury commandeer the identities of two mortals; Tartuffe, Moli re's biting satire of religious hypocrisy; and The Learned Ladies, like Tarfuffe, a drama of a household turned suddenly upside down. These volumes include the original introductions by Richard Wilbur and an introduction by Adam Gopnik on the exquisite art of Wilbur's translations.

For the 400th anniversary of Moliere's birth, Richard Wilbur's unsurpassed translations of Moli re's plays--themselves towering achievements in English verse--are brought together by Library of America in a two-volume edition One of the most accomplished American poets of his generation, Richard Wilbur (1921-2017) was also a prolific translator of French and Russian literature. His verse translations of Moli re's plays are especially admired by readers and are still performed today in theaters around the world. Wilbur, the critic John Simon once wrote, makes Moli re into as great an English verse playwright as he was a French one. Now, for the first time, all ten of Wilbur's unsurpassed translations of Moli re's plays are brought together in two-volume Library of America edition, fulfilling the poet's vision for the translations. This first volume comprises Moli re's delightful early farces The Bungler, Lover's Quarrels, and The Imaginary Cuckhold, or Sganarelle; the comedies The School for Husbands and The School for Wives, about the efforts of middle-aged men to control their young wives or fianc s, which so delighted female theater goers in Moliere's seventeenth-century France; and Don Juan, Moli re's retelling of the Don Juan story, performed only briefly in the playwright's lifetime before pious censure forced it to close and not part of the repertoire of the Com die-Fran aise until 1847. This volume includes the original introductions by Richard Wilbur and an introduction by Adam Gopnik on the exquisite art of Wilbur's translations.

For the 400th anniversary of Moliere's birth, Richard Wilbur's unsurpassed translations of Moli re's plays--themselves towering achievements in English verse--are brought together by Library of America in a two-volume edition One of the most accomplished American poets of his generation, Richard Wilbur (1921-2017) was also a prolific translator of French and Russian literature. His verse translations of Moli re's plays are especially admired by readers and are still performed today in theaters around the world. Wilbur, the critic John Simon once wrote, makes Moli re into as great an English verse playwright as he was a French one. Now, for the first time, all ten of Wilbur's unsurpassed translations of Moli re's plays are brought together in two-volume Library of America edition, fulfilling the poet's vision for the translations. The second volume includes the elusive masterpiece, The Misanthrope, often said to occupy the same space in comedy as Shakespeare's Hamlet does in tragedy; the fantastic farce Amphitryon, about how Jupiter and Mercury commandeer the identities of two mortals; Tartuffe, Moli re's biting satire of religious hypocrisy; and The Learned Ladies, like Tarfuffe, a drama of a household turned suddenly upside down. This volume includes the original introductions by Richard Wilbur and an introduction by Adam Gopnik on the exquisite art of Wilbur's translations.

The image is so well known it is practically iconic: The reclusive poet, feminine and fragile, weaving verse of beguiling complexity from the room in which she kept herself sequestered from the world. The Belle of Amherst, the distinctive American voice, the singer of the soul’s mysteries: Emily Dickinson. Yet that image scarcely captures the fullness and vitality of Dickinson’s life, most notably her many connections—to family, to friends, to correspondents, to the literary tastemakers of her day, even to the unnamed, and perhaps unknowable, “Master” to whom she addressed three of her most breathtaking works of prose. Through an exploration of a relatively small group of items from Dickinson’s vast literary remains, this volume—an accompaniment to an exhibition on Dickinson mounted at The Morgan Library & Museum in New York—demonstrates the complex ways in which these often humble objects came into conversation with other people, places, and events in the poet’s life. Seeing the network of connections and influences that shaped Dickinson’s life presents us with a different understanding of this most enigmatic yet elegiac poet in American letters, and allows us more fully to appreciate both her uniqueness and her humanity. The materials collected here make clear that the story of Dickinson’s manuscripts, her life, and her work is still unfolding. While the image of Dickinson as the reclusive poet dressed only in white remains a popular myth, details of Dickinson’s life continue to emerge. Several items included both in the exhibit and in this volume were not known to exist until the present century. The scrap of biographical intelligence recorded by Sarah Tuthill in a Mount Holyoke catalogue, or the concern about Dickinson’s salvation expressed by Abby Wood in a private letter to Abiah Root, were acquired by Amherst College in the last fifteen years. What additional pieces of evidence remain to be uncovered and identified in the attics and basements of New England? Published to accompany The Morgan Library & Museum’s pathbreaking exhibit I’m Nobody! Who are You? The Life and Poetry of Emily Dickinson—part of a series of exhibits at the Morgan celebrating and exploring the creative lives of significant women authors—The Networked Recluse offers the reader an account of the exhibit itself, together with a series of contributions by curators, scholars of Dickinson, and poets whose own work her words have influenced.

In this classic text, the distinguished poet and critic John Hollander surveys the schemes, patterns, and forms of English verse, illustrating each variation with an original and witty self-descriptive example. In new essays for this revised edition, J. D. McClatchy and Richard Wilbur each offer a personal take on why Rhymes’s Reason has played an integral role in the education of young poets and student scholars. “[Hollander] put everything he knew about the structures of poetry—those fabled magic tricks—into a sort of guidebook for those starting out on the trail up Mount Parnassus. . . . There are astonishments on every page.”—from the Foreword by J. D. McClatchy “This book’s wit and inventive spirit, its self-describing embodiments of form, now offer the beginning poet a happy chance to discover the technician in himself.”—from the Afterword by Richard Wilbur “How lucky the young poet who discovers this wisest and most lighthearted of manuals.”—James Merrill “What the E. B. White–William Strunk The Elements of Style is to the writing of prose, Rhyme’s Reason could very easily become to the writing of verse. . . . Marvelously comprehensive, clarifying and useful, [and] a delight to read.”—John Reardon, Los Angeles Times Review of Books “A virtuoso performance and a mandatory text for poetry readers and practitioners alike.”—ALA Booklist

Candide: A Comic Operetta Based On Voltaire's Satire is a musical adaptation of the classic satirical novella by French philosopher Voltaire. The book was written by American playwright Lillian Hellman and features music by composer Leonard Bernstein. The story follows the journey of the naive and optimistic Candide as he travels the world, encountering a series of misfortunes and tragedies that challenge his beliefs and worldview. The operetta is known for its witty and irreverent commentary on religion, philosophy, and society, and is considered a landmark work of musical theater. With its catchy tunes, clever lyrics, and biting humor, Candide has become a beloved classic of the stage, entertaining audiences for generations.Additional Contributors Are John Latouche And Dorothy Parker.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Richard Wilbur's translations of the great French dramas have been a boon to acting troupes, students of French literature and history, and theater lovers. He continues this wonderful work with two plays from Pierre Corneille: Le Cid is Corneille's most famous play, a tragedy set in Seville that illuminates the dangers of being bound by honor and the limits of romantic love; The Liar is a farce, set in France and dealing with love, misperceptions, and downright falsifications, which ends, of course, happily ever after. These two plays, together in one volume, work in perfect tandem to showcase the breadth of Corneille's abilities. Taking us back to the time he portrays as well as the time of his greatest success as a playwright, they remind us that the delights to be found on the French stage are truly ageless.

A comprehensive collection of works written throughout the course of the National Book Award and two-time Pulitzer Prize-winning poet's more than sixty-year career includes "In Trackless Woods" and several new and previously unpublished pieces. Reprint.

Spanning four decades of work and encompassing the poet's six previously published volumes of poetry, twenty-seven new poems, and a cantata, this volume represents the lifetime work of the man invested as Poet Laureate of the United States, October 1987

The renowned French playwright Molière's most masterful and most frequently performed play, skillfully translated into English by the Pulitzer Prize–winning translator Richard Wilbur. The rich bourgeois Orgon has become a bigot and prude. The title character, a wily opportunist and swindler, affects sancity and gains complete ascendancy over Ogron, who not only attemps to turn over his fortune but offers his daughter in marriage to his "spiritual" guide. Translated and with an Introduction by Richard Wilbur.