Rob McKenzie

A young man wakes up in a college dormitory with no idea who he is, where he is or how he got there. Soon he discovers a secret within himself that marks him as an outcast and places him in danger. He tries to solve the riddle of his nature - and whether it means he has a special purpose for good or ill. After the loss of the one person he loves, cryptic clues steer him toward a quest to the ends of the Earth, from Peru to Kyrgyzstan to Tasmania. A time is coming when he will be called on to summon what courage he has for the sake of the humans.Inspirations: Frankenstein by Mary Shelley, Pinocchio by Carlo Collodi and Definitely Maybe by Arkady and Boris Strugatsky.Tone: Darkly humorous outsider fiction.Ideal for whom? Introverts. The hero is not by nature a man of action - his fate was thrust upon him. He is insular, observant and barely social. He feels the pull of the humans yet flees them as a mortal peril.

'Early in my research, a friend with excellent knowledge of the United Auto Workers internal operations told me, "Don't give up. They are hiding something"…' It’s 1990, and US labour is being outsourced to Mexico. Rumours of a violent confrontation at the Mexican Ford Assembly plant on January 8 reach the United Auto Workers (UAW) union in the US: nine employees had been shot by a group of drunken thugs and gangsters, in an act of political repression which changed the course of Mexican and US workers’ rights forever. Rob McKenzie was working at the Ford Twin Cities Assembly plant in Minnesota when he heard of the attack. He didn’t believe the official story, and began a years-long investigation to uncover the truth. His findings took him further than he expected – all the way to the doors of the CIA. Virtually unknown outside of Mexico, the full story of ‘El Golpe’, or ‘The Coup’, is a dark tale of political intrigue that still resonates today.

'Early in my research, a friend with excellent knowledge of the United Auto Workers internal operations told me, "Don't give up. They are hiding something"…' It’s 1990, and US labour is being outsourced to Mexico. Rumours of a violent confrontation at the Mexican Ford Assembly plant on January 8 reach the United Auto Workers (UAW) union in the US: nine employees had been shot by a group of drunken thugs and gangsters, in an act of political repression which changed the course of Mexican and US workers’ rights forever. Rob McKenzie was working at the Ford Twin Cities Assembly plant in Minnesota when he heard of the attack. He didn’t believe the official story, and began a years-long investigation to uncover the truth. His findings took him further than he expected – all the way to the doors of the CIA. Virtually unknown outside of Mexico, the full story of ‘El Golpe’, or ‘The Coup’, is a dark tale of political intrigue that still resonates today.

Distributed by the University of Nebraska Press for Whale and Star Press Modeled after the famed TV sci-fi series The X-Files, The &-Files gathers together a covert body of documents following the long and often controversial career of Art & Text, one of the landmark contemporary art magazines of the 1980s and 1990s. Founded in Melbourne, Australia, in 1981 by Paul Taylor (1957–92), who soon moved to New York City to make his mark as an art critic, the magazine went on to become one of a handful of international art magazines that succeeded in capturing the turmoil and passing brilliance of that period of postmodernism. Perceived through the eyes and ears of its longtime publisher and editor Paul Foss, The &-Files is comprised of an open letter, a lengthy interview, two questionnaires, and other commentaries and bibliographies, offering a unique insider account of the extraordinary advantages and pitfalls of publishing an art magazine.