Robert Browning

This revised edition presents the history of the Byzantine Empire from the 6th to the 15th century, not merely in terms of political events, but also through the art, literature, and thought of Byzantine society. It emphasizes the constant tension between continuity and change, between conservation of the traditions of the Roman Empire of Augustus and Trajan and the Christian Roman Empire of Constantine and his successors on the one hand, and on the other, the need to react positively to the loss of the Latin-speaking west and the successive challenges offered by the Arab conquests, the Crusades, and the inexorable expansion of the Ottoman Empire. Browning rejects the almost traditional concept of decline and fall - an empire whose decline lasted a thousand years must have had an inner strength of its own - in favour of that of a changing and developing state that at some periods was the ""superpower"" of Europe. But great power status is always fragile, and the story of the Byzantines' response to being overtaken by others is not without its lessons for today. The complex problems of relations between the Christian and Muslim worlds, and between the Catholic/Protestant western Europe and Orthodox eastern Europe (including Russia), cannot be understood without some acquaintance of Byzantine history. Addressed to the general reader as well as to students and scholars, this volume encourages readers to be wary of unconscious prejudice and to reject hasty and superficial solutions.

The first complete edition of the works of Robert Browning with variant readings and annotations contains: 1. The entire contents of the first editions of Browning's work; 2. All prefaces and dedications which Browning wrote for his own works and for those of Elizabeth Barrett Browning and others; 3. The two prose essays: The Essay on Chatterton and The Essay on Shelley; 4. The front matter and tables of contents of each of the collected editions (1849, 1863, 1865, 1868, 1888–1889) which Browning himself saw through the press; 5 Poems by Browning published during his lifetime but not collected by him; 9. Poems not published during Browning's lifetime which have come to light since his death; 7. John Forster's Thomas Wentworth, Earl of Strafford to which Browning contributed significantly, though to what precise extent has not been determined. The edition provides a full apparatus, including variant readings and annotations.

To speakers of modern Greek the Homeric poems of the 7th century BC are not written in a foreign language. The Greek language has enjoyed a continuous tradition from earliest times until now. This book traces its history from the immediately post-classical or Hellenistic period to the present day. The aim is both to analyse the changing structure of a language stabilised by a peculiarly long and continuous literary tradition, and to show how changing historical circumstances are reflected in its development. In particular the historical roots of modern Greek’s internal bilingualism are traced.

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning's known writing. The series encompasses autobiography as well as influences bearing on Browning's life and career and aspects of Victorian thought and culture. Volume III contains Browning's dramatic piece, Pippa Passes (1841), which Arthur Symons said was "Browning's most perfect work"; another play King Victor and King Charles; A Tragedy, which Browning described as "the first artistic consequence of what Voltaire termed 'a terrible event without consequences'"; the "Essay on Chatterton," which appeared anonymously in the Foreign Quarterly Review in July, 1842; the play The Return of the Druses: A Tragedy (1843); and the short pieces of Dramatic Lyrics, which contain some of Browning's finest and most popular works such as "My Last Duchess," "The Soliloquy of the Spanish Cloister," and "The Pied Piper of Hamelin." As always in this acclaimed series, a complete record of textual variants is provided, as well as extensive explanatory notes.

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning's known writing. The series encompasses autobiography as well as influences bearing on Browning's life and career and aspects of Victorian thought and culture. Volume II contains Browning's play, Strafford: An Historical Tragedy (1837), and the long poem, Sordello (1840). Strafford was Browning's first play, based on the tragic life of Thomas Wentworth, Earl of Strafford. The editors note that the play had only four performances, "undoubtedly due… to its esoteric subject and bad acting." Sordello is a fictionalized version of the life of Sordello da Goito, a 13th century Italian troubadour. The poem itself was famously known for being "difficult." As always in this acclaimed series, a complete record of textual variants is provided, as well as extensive explanatory notes.

"With this book, M. H. Abrams has given us a remarkable study, admirably conceived and executed, a book of quite exceptional and no doubt lasting significance for a number of fields--for the history of ideas and comparative literature as well as for English literary history, criticism and aesthetics." –Harry Bergholz, Modern Language Journal

In reproducing sixty-six letters in the Carl H. Pforzheimer Library, plus eight letters or portions of letters previously published, this book offers one of the best sources available for the last fourteen years of Browning's life. Written to a dear friend who was also a "learned lady," the letters deal with Browning's poetry, his social life, and his friendships. They also give some of his views on the nature of poetry, of art, and of religion. The editor's introduction offers the reader a view of Mrs. Fitzgerald and her family, of the social background with which many of the letters are concerned, and of Browning, his sister, and his son. Notes clarify the many allusions that appear in the letters. An appendix by Marcelle Thiebaux includes careful bibliographical descriptions of the manuscripts and a classified list of the writing paper Browning used, information which should enable future editors to assign at least approximate dates to some of the letters Browning himself left undated.

Robert Browning's friendship for Isabella Blagden was almost as remarkable as was his love for Elizabeth Barrett. After Elizabeth's death (June 1861), Browning went to England to educate their son, but he hoped eventually to return to Italy, principally so that he might be near his friend "Isa." He asked her to write to him once a month on the twelfth, promising to answer her letter on the nineteenth. The fulfillment of this obligation resulted in a correspondence which is remarkable from the standpoint of continuity. Most collections of letters suffer from their fragmentary form; there are no continuing threads of interest which hold them together. Not so the letters which Browning wrote to Miss Blagden. They are not in the great English letter writing tradition, being obviously written for Isa rather than for posterity, but they are filled with the most intimate and interesting sort of gossip and informal exchanges of ideas which give them a character all their own. One hundred and fifty-four letters from Browning to Isabella Blagden are known to be in existence; all of them are included in the present volume, together with copious explanatory notes and an illuminating introduction. Edward C. McAleer has approached every detail of his editorial task with thoroughness, imagination, and skill. His notes will add immeasurably to the pleasure of reading the letters, in addition to making a substantial contribution to the world's knowledge of Browning and his associates.