Robert Murphy

Department of Defense policies, procedures, and organizations for program management and oversight of defense acquisition programs do not align well with shipbuilding. Ship acquisition programs have characteristics that deviate from the normal framework in significant ways, resulting in disconnects and some confusion. The authors examine these differences and suggest policies that can better account for them.

The star pieces from fashion designer Yves Saint Laurent's art collection includes works by Cezanne, Picasso, Mondrian and Matisse. Yves Saint Laurent and Pierre Berge amassed the collection together before the designers death in June 2008. This book shows the collection in situ in the pairs homes.

The more accurately a cost index captures a shipbuilder's risk, the less the Navy should have to pay its shipbuilders. The Navy uses such indexes to correct for significant cost risks outside its shipbuilders' control. A longtime material-cost index in Navy shipbuilding is the steel-vessel index, but it is outdated and volatile. The authors urge the Navy to develop a modern-vessel index that more appropriately represents the materials used today.

The Second World War was such a cataclysmic event that its echoes still reverberate over fifty years after it ended. One of the prime means of exploring the impact of the war has been the feature film. From In Which We Serve, Millions Like Us and The Way to the Stars, made during the war, to Above Us the Waves and the Dam Busters made in the 1950s, the war film became a staple of British cinema- but popular success was not paralleled by critical approval. Most criticism of British war films has been negative and sometimes derogatory, partly because of an intellectual preference for European and Hollywood cinema, and partly as a reaction against films which seemed to celebrate war. However, sufficient historical distance has now opened up to allow a more judicious view. From modestly budgeted, small-scale dramas like Sea of Sand to expensive and ambitious recreations of famous battles like A Bridge Too Far, these films show an impressive attention to truth and authenticity, while films such as The Cruel Sea stand out as unequalled explorations of the bleak reality of war. This unique book covers the whole range of British films about the Second World War, right up to The Land Girls (1998). It deals extensively with films made during the war but also offers detailed analysis of the huge numbers of films made after the war. Cinema reflected the all-pervasive nature of the war, and there are chapters devoted to war comedies, the representation of women and romance in relation to the war, and the disturbing legacy of the war on society. Complete with 25 black and white film stills and a comprehensive filmography and bibliography, British Cinema and the Second World War is an important resource for historians and film students alike. Robert Murphy is Professor in Film Studies at De Montfort University. He is the editor of British Cinema of the 90s (BFI Publications) and co-editor of British Crime Cinema (Routledge).

When it originally appeared, this groundbreaking ethnography was one of the first works to focus on gender in anthropology. The thirtieth anniversary edition of Women of the Forest reconfirms the book's importance for contemporary studies on gender and life in the Amazon. The book covers Yolanda and Robert Murphy's year of fieldwork among the Mundurucu people of Brazil in 1952. The Murphy's ethnographic analysis takes into account the historical, ecological, and cultural setting of the Mundurucu, including the mythology surrounding women, women's work and household life, marriage and child rearing, the effects of social change on the female role, sexual antagonism, and the means by which women compensate for their low social position. The new foreword-written collectively by renowned anthropologists who were all students of the Murphys-is both a tribute to the Murphys and a critical reflection on the continued relevance of their work today.

When it originally appeared, this groundbreaking ethnography was one of the first works to focus on gender in anthropology. The thirtieth anniversary edition of Women of the Forest reconfirms the book's importance for contemporary studies on gender and life in the Amazon. The book covers Yolanda and Robert Murphy's year of fieldwork among the Mundurucu people of Brazil in 1952. The Murphy's ethnographic analysis takes into account the historical, ecological, and cultural setting of the Mundurucu, including the mythology surrounding women, women's work and household life, marriage and child rearing, the effects of social change on the female role, sexual antagonism, and the means by which women compensate for their low social position. The new foreword-written collectively by renowned anthropologists who were all students of the Murphys-is both a tribute to the Murphys and a critical reflection on the continued relevance of their work today.

Social, economic, and market conditions have posed a serious threat to the survival of small schools. This book focuses on the adaptation of small, private, and predominantly liberal arts colleges to the changing conditions and demands of higher education. The ability of small schools to remain a force in the American system of higher education is a compelling story and an example of the strategic management of academic organizations. The history and accomplishments of one school in particular, Keuka College in New York State, is profiled in detail, with emphasis on the role of the administration and the faculty in institutional decision-making. The study found that the increasing pressures to respond quickly to external conditions require a willingness to make decisions that often challenge traditional norms in the relationship between administration and faculty. The book also examines recent initiatives of other schools to competitively position themselves Accepting the reality that all colleges and universities compete for students, small schools have demonstrated an extraordinary ability to apply new and creative management practices, many of which are examined in the book. In addition to academic leaders, other audiences such as boards, faculty, historians and scholars of higher education will find the book a valuable reference.

With themes ranging from passion and romance to murder and psychological disturbance, popular British film in the 1940s found little favour with the critics, but provided thrills and entertainment for millions of people during a time of austerity and danger. Realism and Tinsel looks beyond the established histories of Ealing Comedies and realist classics to excavate a rich but neglected tradition of melodrama, gangster films, morbid thrillers, and costume pictures. Discussing cinema in the context of the major social, economic, and political changes that were taking place, Robert Murphy examines the period's most popular films, including Madonna of the Seven Moons, The Way Ahead, and The Wicked Lady. The picture that emerges challenges the reassuring, cosy view of Britain presented in realist cinema, and throws new light on the British film industry of the time, and on our idea of the war era itself.

The biography of Paul Ricard—whose eponymous company Pernod Ricard produced and popularized pastis, an anise aperitif from his native Marseille—embodies a wonderfully rich business success story of the 20th century. Overcoming significant adversity amid the turmoil of the 1930s, Ricard built a renowned premium spirits brand, parlaying the beauty and mystique of Provence into a worldwide libation. A savvy marketer and maverick, Paul Ricard started a company in Marseille, France, to introduce pernod, the beloved local aperitif, to the world. With its striking, colorful branding that evoked sunny Provence, the company thrived until the arrival of World War II, when Ricard was forced to close down operations. Ever the entrepreneur, he pivoted to agriculture and built up a successful rice farm from scratch. After the war, Ricard rebuilt his brand anew and lay the groundwork for the global leader it is today. This is the story of Ricard’s extraordinary life, a timeless tale of adventure, business prowess, and endless adaptability. In addition to his successful spirits company, Ricard opened a popular racecar circuit; transformed Mediterranean islands into vacation destinations; and pursued his lifelong love of painting. With endless optimism, strategic acumen, and unwavering determination, Ricard navigated his way through turbulent political and economic times to create a successful business that has stood the test of time and now includes more than 35 international brands, from Absolut Vodka to Chival Regal.