Robert William Chambers

A pastor's daughter is inadvertently involved the heist of the famous Dark Star gem. Is there a prince who can save her from ruin and recover the stone?

"Arm yourselves and be Valiant Men, and see that ye rise up in readiness against the Dawn, that ye may do Battle with These that are Assembled against us... . "For it is better to die in Battle than live to behold the Calamities of our own People... ." "Lord, we took not the Land into Possession by our own Swords; neither was it our own Hands that helped us; but Thy Hand was a Buckler; and Thy right Arm a Shield, and the Light of Thy Countenance hath conquered forever."

Robert William Chambers (May 26, 1865 - December 16, 1933) was an American artist and fiction writer, best known for his book of short stories entitled The King in Yellow, published in 1895. Robert was first educated at the Brooklyn Polytechnic Institute, and then entered the Art Students' League at around the age of twenty, where the artist Charles Dana Gibson was his fellow student.

The book is named after a fictional play with the same title which recurs as a motif through some of the stories. The first half of the book features highly esteemed weird stories, and the book is described by S.T. Joshi as a classic in the field of the supernatural. There are 10 stories, the first four of which, ""The Repairer of Reputations,"" ""The Mask,"" ""In the Court of the Dragon"" and ""The Yellow Sign,"" mention The King in Yellow, a forbidden play which induces despair or madness in those who read it. ""The Yellow Sign"" inspired a film of the same name released in 2001. Robert William Chambers (May 26, 1865 - December 16, 1933) was an American artist and fiction writer, best known for his book of short stories entitled The King in Yellow, a collection of Art Nouveau short stories published in 1895. This included several famous weird short stories which are connected by the theme of a fictitious drama of the same title, which drives those who read it insane.

No undue liberties with history have been attempted in this romance. Few characters in the story are purely imaginary. Doubtless the fastidious reader will distinguish these intruders at a glance, and very properly ignore them. For they, and what they never were, and what they never did, merely sugar-coat a dose disguised, and gild the solid pill of fact with tinselled fiction. But from the flames of Poundridge town ablaze, to the rolling smoke of Catharines-town, Romance but limps along a trail hewed out for her more dainty feet by History, and measured inch by inch across the bloody archives of the nation.

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