Robin Bright

Mayan and Greek architecture blend with Medieval Manse and 21st century glass and steel as the screen captures the names, Chemystery, Bo-atechnology, Liebury, Jeanius, His Story Centre, Her Story Centre, Eco-gnomey, Mini Stairs For Red Chalk Asians, Care My Girl Engineering Complex, Marine Biology, Space Marine Biology, Mythemaddicts, Count And See, Fizzeeks, and Fair O s. The flying eye of the camera zooms towards a building that has so far only been visible from the rear, and the eye flies over what resembles something built by the architect Christopher Wren who was responsible for St Paul s Cathedral in London, before turning to reveal the legend above the portico, Pooh Corner, Mill, N.E.

Fact and Fiction V contains revelations of how teachers in foreign climes are targeted by students seeking to use their explosive consonants as terrorists to induce heart failure in 'Voiced and Unvoiced'; Britney Spears' 'If You Seek Amy' (2008) promo video release from the album, Circus, is actuallly about amyl nitrate, 'poppers', abuse, and the espionage circuit; Kylie Minogue's 'All You Lovers' video from her Aphrodite album is reminiscent of the Indian temple sculptures of carnal knowledge at Khajuraho, Chhatarpur, Madhya Pradesh state, India, where the Hindu god of death, Chitragupta, was worshipped, because men are demons; was Led Zeppelin drummer John Bonham murdered, and what did the band have to do with 9/11? All this, and much, much less, in Fact and Fiction V Read on ...

In the movie, The Song Remains The Same (1976), Robert Plant emerges from a motorized longboat, with the flag of the Welsh, as much Arthurian myth is found in their Mabinogion (c.1350-1410), a book containing the earliest prose stories in British history. With his sword, symbolic of the paganism of Norse mythology, Plant disembarks, as a representative bard, in sympathy with 'Immigrant Song', as Vikings invaded, and remained, becoming later generations of Britons, but also with Scandinavia's 13th century Edda, a written text recording a much earlier hypnotic oral tradition, which wasn't Arthurian Christianity, but did rely on a similarly expert tongue's lilting sounds to program an audience enthralled. Bonham called his sticks 'trees', and in Norse mythology, Thor, with his hammer, mj lnir, was 'the hammer of the gods', that is, god of lightning, thunder, storms, sacred groves, and trees. The lilting hypnotic lyrics of Led Zeppelin's pastorale, 'Immigrant Song', were hammered in by Bonham's 'trees', which weren't the nailing of the coffin of Viking paganism, but rather the hammering of the band into Satanism's 'eternal unendurable pain', which is God's punishment for the evil.

Scene XI: A futuristic scene of flying cars and floating buildings. At the forefront, a uniformed group on a float, approximating to level 3 of the structure, judging by the positioning of the windows on the external frontage of the triangular edifice. The ear police begin to sing their song; like it's from the production, The Yeomen Of The Guard (1888), a nineteenth century Gilbert and Sullivan 'comic opera', "Ear police: 'We, the ear police, are the coercive agents of the beast in the future, who is our master, and all obey the commands of the ear police when they hear us."'

Trunco and Trink enjoyed a good chop at the dinner table, as anywhere does. However, after being kidnapped by the Chopper Gang, who'd appeared at the Buttos front door on Shameless Croak Avenue, one sunny Sunday forenoon, with a seizedly soldered gray flail of sharpened edges of 'bike chain joints, dangling from the hairy wrist of its lathered and be-studded leader, Pig, whose aim of violating Trink in a speakable way was already so much a part of the evidence that would be against him that Trunco, who later would want to kill Trink to stop her from telling everybody what'd happened, and so being 'that Trink's running off at the mouth again' to his neighbors, had been put off his bowl of chop suey out of a motor scooter's pannier from an earlier Lung Qing Quizene deliverer of the hungry from evil. Licking their chops as salivating wolves; pushing on, and in over the threshold to disturb Butto's Chinese brunch, the teethful bangerz waisted time was unbuttoning their belly's put ons before thrusting moanfully into Trink's meat production facilities.

At least since the days of the Greek Empire the human futanarian race of women's seed had been pogromed, so that the killer of the race could manufacture men and women as a single male brained creature wearing each other's clothes in TV transvestism and ultimately transmit pictures promoting death and war, through the television machine invented by John Logie Baird in 1926: 'The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.' (Rev: 13. 15) Empire was a parasitoid phenomenon in Satanism, and the Roman amphitheaters, built to kill people inside, for the entertainment of the crowd, were transposed in the 20th century into the propaganda theaters of 20th century cinema.

Having the crew of the Discovery regularly jumped by Stamets is just the tip of the iceberg for Starfleet, which has an Olympic class of research ships, like Old Earth's Titanic was a member of the Olympic class of ocean going liner, launched in 1912, and sunk on its maiden voyage, while crossing the Atlantic from Southampton to New York on April 15th, after being hit by an iceberg, Starfleet had the NCC Corona, for example, an echo of the name of the severe acute respiratory syndrome (SARS) coronavirus, launched in China's Wuhan city, Hubei Province, in December 2019, which killed almost a million people globally by September 2020. Starfleet, primarily for American dads, and their sons, rather than women, who don't want AIDS, but do want suns, and planets, as their species is for the colonization of the universe, men are their virus, rather embarrassing for the race for the stars, because misogyny's persecution of women has concomitantly weakened the strain for humanity's collective breaths.

Lt. Paul Stamets who, as its homosexual navigator, during instantaneous jumps across the unimaginable gulfs of space, interfaces with the USS Discovery's spore drive, in Episode 5, Season 1, 'Choose Your Pain', moved away from his mirror, while being regarded by his mirror image from the rear, so communicating to TV watchers that the homosexual Stamets behind is always, and that although the Klingons represent AIDS in universe prime, Klingons with Vulcans are the slaves of the Terran Empire in the mirrorverse, that is, as homosexuals cling on to their full cans, AIDS is a tool of the enslaver.

In a particularly noxious piece of writing, Arthur Seyss-Inquart, who fought for the Austro-Hungarian Empire in support of Germany in World War One (1914-18), and became Chancellor of Austria during the Anschluss of 1938 in which, annexed by invasion of the Wehrmacht (army), Austria became a German province, Ostmark, at the outset of World War Two (1939-45), while Seyss-Inquart afterwards became Reichsstatthalter (governor) of the German occupied Netherlands, and as he there oversaw the extermination of Dutch Jews and other minorities, in US' science fiction writer Philip K. Dick's alternative history in which the Nazis won WWII, The Man In The High Castle (1962), Seyss-Inquart oversees the extermination of the peoples of Africa, and their skulls are used as bowls for the devouring of their brains.