Ros Schwartz

Mireille Gansel grew up in the traumatic aftermath of her family losing everything-including their native languages-to Nazi Germany. In the 1960s and 70s, she translated poets from East Berlin and Vietnam to help broadcast their defiance to the rest of the world. In this half memoire, half philosophical treatise Gansel's debut illustrates the estrangement every translator experiences for the privilege of moving between tongues, and muses on how translation becomes an exercise of empathy between those in exile.

It's 1987. Two prisoners, both Italian, break out of prison in a rubbish lorry. One heads for Paris, the other to Milan. The first Carlo, is killed in a shoot-out during a bank robbery - under suspicious circumstances. Frightened by the manhunt launched by Interpol, the second prisoner, Filippo, returns to Paris where he becomes a security guard. He spends his nights writing the story of a Red Brigadier, as recounted to him in prison by Carlo. His landlady Cristina finds him a publisher and the book becomes a bestseller. Filippo, carefully coached by his publishers press office, steadfastly refuses to own the story, insisting that all his stories are fiction and that this is a work of imagination. The public don t buy it, neither do the police, and dogged investigations begin to produce the reasons why. Ultimately Filippo cannot escape his fate: that of a man with an assumed identity that carries far greater risks than his own.