Ross Macdonald

Private Detective Lew Archer doesn’t believe in coincidences…A forest fire has mysteriously broken out in the hills above southern California. Meanwhile, Lew Archer has been asked by a desperate mother to find her six-year-old son. Instead, he discovers the boy’s wealthy father, murdered, and buried in a hole in the ground. The mystery will lead Archer to unearth a tragic, years-old history of abandonment, obsession and illusion, where the past won’t let go of the present – and everything is connected.

'The new crime and espionage series from Penguin Classics makes for a mouth-watering prospect' Daily TelegraphMaude Slocum is in trouble. But luckily trouble is Investigator Lew Archer's business.A well-dressed, wealthy woman has arrived at Archer's L.A. office, having intercepted a poison pen letter accusing her of adultery. Reluctantly agreeing to help her find the culprit, he dives into the Slocums' moneyed, oil-rich California world. But when Maude's mother-in-law is found dead in the swimming pool, secrets come to the surface too. For the urbane, world-weary Archer, a case of blackmail soon becomes murder.

In the colorful and letter-filled Capital City, there's never a moment's rest for Private I, the city's best investigator. Trouble seems to always have a way of finding him-trouble with a capital T. On this particular day, T tells Private I that his watch is missing. And T isn't alone-the citizens of Capital City have lost track of timepieces all over town! Can Private I catch the perp and make up for lost time before it's too late?

When Maude Slocum - beautiful, frightened and angry - comes to Lew Archer's office with a poison pen letter intended for her husband, he reluctantly agrees to help her. As he follows the Slocums around, Archer finds that Mrs Slocum might have the least of the family's troubles: her teenage daughter is desolate, her husband is in the closet and her mother-in-law has just come to an unpleasant end in the swimming pool. But why is their handsome ex-chauffeur still hanging around? And what does the sinister Pacific Refinery Company have to do with the all the bloodshed? The Drowning Pool is Ross Macdonald's gripping tale of adultery, jealousy, murder and lies.Ross Macdonald's Lew Archer mysteries rewrote the conventions of the detective novel with their credible, humane hero, and with Macdonald's insight and moral complexity won new literary respectability for the hardboiled genre previously pioneered by Dashiell Hammett and Raymond Chandler. They have also received praise from such celebrated writers as William Goldman, Jonathan Kellerman, Eudora Welty and Elmore Leonard.

When a chance encounter makes him a witness to the abduction of a child, private detective Lew Archer can't help but be drawn into the case, pursuing a trail that leads all too quickly to murder. While forest fires rage in the hills around Los Angeles, threatening the homes of some of the city's wealthiest families, Archer unearths a hidden history of failed marriages, runaway children, and a man's life consumed by a search for the father who abandoned him.Ross Macdonald's Lew Archer mysteries rewrote the conventions of the detective novel with their credible, humane hero, and with Macdonald's insight and moral complexity won new literary respectability for the hardboiled genre previously pioneered by Dashiell Hammett and Raymond Chandler. They have also received praise from such celebrated writers as William Goldman, Jonathan Kellerman, Eudora Welty and Elmore Leonard.

Private detective Lew Archer has better things to do than take on an investigation for Alex Kincaid, a young man claiming that his new bride, Dolly, has gone missing. Snapped by a hotel photographer on the day of their wedding, the beautiful girl vanished only hours after and Alex has heard nothing since. But when Archer begins digging, he finds evidence that links Dolly to brutal murders that span two decades, and a terrible secret. In this byzantine and compelling tale, Ross Macdonald explores the darkest experiences that can bind a family together - and tear it apart.Ross Macdonald's Lew Archer mysteries rewrote the conventions of the detective novel with their credible, humane hero, and with Macdonald's insight and moral complexity won new literary respectability for the hardboiled genre previously pioneered by Dashiell Hammett and Raymond Chandler. They have also received praise from such celebrated writers as William Goldman, Jonathan Kellerman, Eudora Welty and Elmore Leonard.

It was a long way from the million-dollar Foothill Club to Pelly Street, where grudges were settled in blood and Spanish and a stolen diamond ring landed a girl in jail. Defense lawyer Bill Gunnarson was making the trip--fast. He already knew a kidnapping at the club was tied to the girl's hot rock, and he suspected that a missing Hollywood starlet was the key to a busy crime ring. But while Gunnarson made his way through a storm of deception, money, drugs, and passions, he couldn't guess how some big shots and small-timers would all end up with murder in common...

In The Goodbye Look, Lew Archer is hired to investigate a burglary at the mission-style mansion of Irene and Larry Chalmers. The prime suspect, their son Nick, has a talent for disappearing, and the Chalmerses are a family with money and memories to burn. As Archer zeros in on Nick, he discovers a troubled blonde, a stash of wartime letters, a mysterious hobo. Then a stiff turns up in a car on an empty beach. And Nick turns up with a Colt .45. In The Goodbye Look, Ross Macdonald delves into the world of the rich and the troubled and reveals that the past has a deadly way of catching up to the present. If any writer can be said to have inherited the mantle of Dashiell Hammett and Raymond Chandler, it is Ross Macdonald. Between the late 1940s and his death in 1983, he gave the American crime novel a psychological depth and moral complexity that his pre-decessors had only hinted at. And in the character of Lew Archer, Macdonald redefined the private eye as a roving conscience who walks the treacherous frontier between criminal guilt and human sin.

Like many Southern California millionaires, Ralph Sampson keeps odd company. There's the sun-worshipping holy man whom Sampson once gave his very own mountain; the fading actress with sidelines in astrology and S&M. Now one of Sampson's friends may have arranged his kidnapping.As Lew Archer follows the clues from the canyon sanctuaries of the megarich to jazz joints where you get beaten up between sets, The Moving Target blends sex, greed, and family hatred into an explosively readable crime novel.

From his vantage point in Southern California--and through the eyes of his great creation, private eye Lew Archer--Ross Macdonald (the pseudonymn of Kenneth Millar) fashions a haunting, startlingly immediate vision of modern America: a swirling mix of sexual exploitation, intergenerational conflict, racial animosities, and ecological disaster. In Black Money, Archer is hired to find a wealthy man gone missing and soon finds himself investigating a suspicious seven-year-old suicide. The case becomes a peeling away of many levels of deception, delusion, and false identity. Exploring themes of immigration and border-crossing central to Macdonald's own life, Black Money also pays homage to The Great Gatsby, one of his favorite books. The Instant Enemy begins with Archer's search for a runaway teenage daughter and her troubled, possibly murderous boyfriend, a search that uncovers a morass of hidden wrongs. In an emotionally intense work that reflects the chaos and conflicts of his family's troubled past, Macdonald gives indelible and ultimately tragic expression to the generational conflict and drug culture of the DJHCs. An investigation into "a rather peculiar burglary" takes a drastic turn with the discovery of a body in an abandoned car on a beach in The Goodbye Look, the book that sealed Macdonald's reputation as the preeminent crime novelist of his time. Tracking a stolen heirloom, Archer follows a trail of violence that lays bare a miasma of buried secrets and unforgotten traumas. "In our day," wrote Eudora Welty, "it is for such a novel as The Underground Man that the detective form exists." A raging wildfire stirred by the Santa Ana winds serves as prelude to a chain of kidnapping and murder. Youthful rebellion is pitted against the hypocrisies of the older generation in a novel, in Welty's estimation, "not only exhilaratingly well done; it is also very moving." LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.