Ruth Fine

Frank Stewart s Nexus presents an overview of the career of this noted photographer, who since the 1960s has captured spontaneous and sensitive portrayals of African American culture in many forms, including art, food, dance, and music especially jazz. Best known for his work as senior photographer for Jazz at Lincoln Center, Stewart captured energetic street scenes and profound landscapes on his worldwide travels with the orchestra. The intimate and subtle relations between and among people are at the heart of Stewart s art, whether shot at a Manhattan jazz concert, in the studio of artist Romare Bearden, or during a sacred rite in an African village. This sweeping survey of 103 images, with an artist interview and texts by multiple critical voices, illuminates the evolution of a remarkable career.

Larry Day (1921-1998) was a distinguished painter and a dominant force in American art from the 1950s through the 1990s. Referred to as "the dean of Philadelphia painters," he was a charismatic teacher to several generations of artists, many of whom are important figures in the arts today. This celebratory catalogue will explore his contributions to the art of his time, and the lasting power of his observations and imagination. Day's first successes were with abstracted views of nature, but he is perhaps best known for figurative portraits and architectural landscapes, which he continued to develop for the rest of his career. The driving force behind Day's paintings was an intense engagement with earlier art and a deep classicism that governed his views of human interactions and the built environment. In the last decades of his life, he made several series of haunting and mysterious figure com-positions that mix everyday scenes with earlier works of art, fully integrating past and present. Day's art tells us that life is deeply imbricated with the past, and that reality is not a matter of simple observation, but is made up of memories and experience of all kinds of images—from art, literature, film, television, and fashion magazines. This fully illustrated catalogue will focus on Day's working process and relationships between his paintings and drawings. It will include a selection of Day's writings along with scholarly articles that will affirm Day's singular place within midcentury American art and his equally important legacy.

This collection of articles deals with the notion of Eros from a broad range of historical, literary and cultural perspectives. One of the primary aims of the collection is to comprehend both the power and the problematic aspects of Eros and its contribution to the formation of family and community. Considering the concept of Eros textually and theoretically, the variety of topics raised reflects the different disciplines of the authors as well as their interdisciplinary approach. Special emphasis was given to the historical aspect of Eros, its temporal location and contextualization. Ruth Fine is Salomon and Victoria Cohen Professor of Iberian and Latin American Studies at the Hebrew University of Jerusalem. Her recent publications include Lo converso: orden imaginario y realidad en la cultura espanola (with M. Guillemont and J.D. Vila) (Madrid/ Frankfurt 2013) and Reescrituras biblicas cervantinas (Madrid/Frankfurt, 2014). Yosef Kaplan is the Bernard Cherrick Emeritus Professor of Jewish History at the Hebrew University of Jerusalem. His most recent publications include The Religious Cultures of Dutch Jewry (with Dan Michman, Leiden-Boston 2017) and Early Modern Religious and Ethnic Communities in Exile (Cambridge 2017). Shimrit Peled is a Lecturer at the Department of Hebrew Literature at the Hebrew University of Jerusalem. Among her publications: The Israeli sovereign: discourse and the novel 1967-1973 (Jerusalem, 2014), "Constructing Sexual Feminine Subjectivity in Victoria by Sami Michael" (Jerusalem, 2014). Yoav Rinon is a Renee Lang professor in the Department of Comparative Literature and the Department of Classics at the Hebrew University of Jerusalem. His publications include: Sadian Reflections (Madison, 2005), Homer and the Dual Model of the Tragic (Ann Arbor, 2008), a verse translation of and commentary (with Luisa Ferretti-Cuomo) on Dante's Inferno (Jerusalem, 2013), and The Crisis in the Humanities (Tel Aviv, 2014).

Created in close collaboration with the artist, this beautiful new book not only presents Michael Heizer s first exhibition with Gagosian Gallery in New York, but also firmly establishes the artist s reputation as a legendary sculptor.

William Daley's geometric ceramic vessels explore the synthesis between interior and exterior, volume and surface, form and symbol. Their unglazed surfaces echo architectural spaces and rhythms. Daley is an innovative artist-educator who helped revolutionize arts education post World War II. Success in his explorations led to many commissions for large-scale public and private screens and sculptures, executed in both bronze and ceramics. This retrospective of the ceramic art of William Daley spans two centuries, from the 1950s through the early 2000s. The text includes an essay by Ruth Fine, Curator of Special Projects for Washington's National Gallery of Art and a foreword by Daley's gallery representative Helen Drutt English. Over 300 brilliant images reveal the ceramic vessels Daley has created, including commissioned work. Also included in the text are William Daley's essays and articles on transforming mud to fired stoneware, his use of "sacred geometry," descriptions of his process in building pots and sculptural commissions, as well as his thoughts on teaching.