S. Y. Agnon

"Uniformly excellent."--The Jewish StandardThis rich medley of stories, poems, and essays features evocations of Chanukah by classic and contemporary authors including Sholom Aleichem, Nobel laureates S. Y. Agnon and Elie Wiesel, I. L. Peretz, Emma Lazarus, Theodor Herzl, Chaim Potok, Mark Strand, A. B. Yehoshua, Emma Green, Joanna Rakoff, and Rebecca Newberger Goldstein. There are humorous as well as meditative tales from Israel, Central Europe, and the United States--works that capture the Festival of Lights as observed on Manhattan's Upper West Side alongside accounts of celebrations in shtetls of the Old Country and far reaches of the Diaspora including Africa. The writings underscore what it means to be Jewish in a world that's not always welcoming and include intriguing commentary about Chanukah's origins and what it means now.

The Bridal Canopy, Nobel laureate S.Y. Agnon's mock epic novel, is an elaborate frame story encompassing dozens of Hassidic tales. Set in early nineteenth-century Galicia, the plot is part quest, part comedy of errors, progressively departing from its opening tone of realism. It is the tale of poor Reb Yudel of Brody (in today's western Ukraine, about 100 miles north of Agnon's native Buczacz), his long-suffering wife, Frummet, and their three modest and righteous daughters, each in need of a bridegroom. The narrative is decisively double-edged: na ve, in the manner of classic folk tales, as well as sophisticated and artful, as a modern work. The Bridal Canopy parodies the Hassidic folk tale, but does so very delicately; it censures without acrimony, always maintaining an air of reverence for the Old World. Unlike other depictions of Eastern European Jewry's shtetl life, the story is sufficiently subtle to support divergent readings and that is clearly part of Agnon's accomplishmen

S.Y. Agnon was the greatest Hebrew writer of the twentieth century, and the only Hebrew writer to receive the Nobel Prize for literature. He devoted the last years of his life to writing a massive cycle of stories about Buczacz, the Galician town (now in Ukraine) in which he grew up. Yet when these stories were collected and published three years after Agnon's death, few took notice. Years passed before the brilliance and audacity of Agnon's late project could be appreciated. The Parable and Its Lesson is one of the major stories from this work. Set shortly after the massacres of hundreds of Jewish communities in the Ukraine in 1648, it tells the tale of a journey into the Netherworld taken by a rabbi and his young assistant. What the rabbi finds in his infernal journey is a series of troubling theological contradictions that bear on divine justice. Agnon's story gives us a fascinating window onto a community in the throes of mourning its losses and reconstituting its spiritual, communal, and economic life in the aftermath of catastrophe. There is no question that Agnon wrote of the 1648 massacres out of an awareness of the singular catastrophic massacre of his own time—the Holocaust. James S. Diamond has provides an extensive set of notes to make it possible for today's reader to grasp the rich cultural world of the text. The introduction and interpretive essay by Alan Mintz illuminate Agnon's grand project for recreating the life of Polish Jewry, and steer the reader through the knots and twists of the plot.

S.Y. Agnon was the greatest Hebrew writer of the twentieth century, and the only Hebrew writer to receive the Nobel Prize for literature. He devoted the last years of his life to writing a massive cycle of stories about Buczacz, the Galician town (now in Ukraine) in which he grew up. Yet when these stories were collected and published three years after Agnon's death, few took notice. Years passed before the brilliance and audacity of Agnon's late project could be appreciated. The Parable and Its Lesson is one of the major stories from this work. Set shortly after the massacres of hundreds of Jewish communities in the Ukraine in 1648, it tells the tale of a journey into the Netherworld taken by a rabbi and his young assistant. What the rabbi finds in his infernal journey is a series of troubling theological contradictions that bear on divine justice. Agnon's story gives us a fascinating window onto a community in the throes of mourning its losses and reconstituting its spiritual, communal, and economic life in the aftermath of catastrophe. There is no question that Agnon wrote of the 1648 massacres out of an awareness of the singular catastrophic massacre of his own time—the Holocaust. James S. Diamond has provides an extensive set of notes to make it possible for today's reader to grasp the rich cultural world of the text. The introduction and interpretive essay by Alan Mintz illuminate Agnon's grand project for recreating the life of Polish Jewry, and steer the reader through the knots and twists of the plot.

Two tales of love. "Betrothed" portrays a teacher, whose love for the sea and all that it holds leads him to the town of Jaffa. Though many pursue him, Rechnitz eschews romantic love for his studies until he can no longer resist. The second tale, "Edo and Enam," is set after World War II in Jerusalem and considers how love evolves throughout the course of a marriage. The Wisconsin edition is not for sale in the Republic of Ireland, South Africa, or the traditional British Commonwealth (excluding Canada.)

Hailed as one of Agnon's most significant works, A Guest for the Night depicts Jewish life in Eastern Europe after World War I. A man journeys from Israel to his hometown in Europe, saddened to find so many friends taken by war, pogrom, or disease. In this vanishing world of traditional values, he confronts the loss of faith and trust of a younger generation. This 1939 novel reveals Agnon's vision of his people's past, tragic present, and hope for the future. Cited by National Yiddish Book Center as one of "The Greatest Works of Modern Jewish Literature" The Wisconsin edition is not for sale in the Republic of Ireland, South Africa, or the traditional British Commonwealth (excluding Canada.)