Sam Scott

Labour exploitation is a highly topical though complex issue that has international resonance for those concerned with social justice and social welfare, but there is a lack of research available about it. This book, part of the Studies in Social Harm series, is the first to look at labour exploitation from a social harm perspective, arguing that, as a global social problem, it should be located within the broader study of work-based harm. Written by an expert in policy orientated research, he critiques existing approaches to the study of workplace exploitation, abuse and forced labour. Mapping out a new sub-discipline, this innovative book aims to shift power from employers to workers to reduce levels of labour exploitation and work-based harm. It is relevant to academics from many fields as well as legislators, policy makers, politicians, employers, union officials, activists and consumers.

Labour exploitation is a highly topical though complex issue that has international resonance for those concerned with social justice and social welfare, but there is a lack of research available about it. This book, part of the Studies in Social Harm series, is the first to look at labour exploitation from a social harm perspective, arguing that, as a global social problem, it should be located within the broader study of work-based harm. Written by an expert in policy orientated research, he critiques existing approaches to the study of workplace exploitation, abuse and forced labour. Mapping out a new sub-discipline, this innovative book aims to shift power from employers to workers to reduce levels of labour exploitation and work-based harm. It is relevant to academics from many fields as well as legislators, policy makers, politicians, employers, union officials, activists and consumers.

Tom Kirby's art interest began at a young age, first by emulating his father, a second generation Abstract Expressionist painter. Kirby draws inspiration for his work from extensive travels throughout Europe, Southeast Asia, Japan, and North Africa. His work is distinctly modern yet deeply influenced by past masters, most importantly, Caravaggio, and is a synthesis of expressionistic and minimalist influences.Since the late 1980s, Kirby has exhibited his work nationally and his art can be found in private collections worldwide. He received his B.F.A. in painting from the College of Santa Fe in New Mexico in 1989, and later taught printmaking in the college's art department.