Sarah Grochala

The Doctor has been travelling with his friends Harry and Naomi for some time. But all journeys come to an end. A troubling encounter in their own history and harrowing events on a distant world may prove too much for even these three. The Face in the Storm by Sarah Grochala.1916 and the TARDIS has landed in the cargo hold of the SS Maycrest, a ship transportng soldiers across the Atlantic. Except that’s not all that’s being transported across the ocean. Because the Doctor and his friends find a strange crate in the hold, a crate that’s unnaturally cold. But the contents of the crate are not the ship’s biggest secret. Nor it’s deadliest threat… Dominant Species by John Dorney.It has been a long time since the invasion of Taleeria. The population is enslaved and subject entirely to the will of the conquerors - the Dominators and their deadly robot servants, the Quarks. The Doctor, Harry and Naomi stumble into this perilous scenario and are soon separated… but freeing the people of Taleeria should be business as usual, shouldn’t it? Where the Dominators are concerned, things may not be so simple… CAST: Tom Baker (The Doctor), Eleanor Crooks (Naomi Cross), Christopher Naylor (Harry Sullivan), Helen Goldwyn (The Yukionna), Clive Hayward (Overseer Valtor / Trell), Polly Kemp (Calo / Quarks), Joseph Kloska (Corg), Rosalyn Landor (Morin / Quarks), Indra Ové (Bryarly / Quarks), Reece Pantry (Arnold Dacres), Kayi Ushe (Samuel Clemetson), Christopher Weeks (Captain Edward Sackville-Smythe), Clive Wood (Director Draaga), Emily Woodward (Nala / Quarks). Other parts played by members of the cast.

This release features the Fifth Doctor, as played by Peter Davison, with companions Tegan (Janet Fielding) and Nyssa (Sarah Sutton) and contains two brand new adventures; 1. Pursuit of the Nightjar by Tim Foley (4 parts). The story of the Nightjar has been told for many years. A spaceship helmed by the legendary Captain Goben on a vital mission of mercy, delivering medical supplies to a distant colony in the middle of devastating war, an act of bravery that triggers the end of the conflict. At her heels throughout the journey, her pursuer, the spaceship Nemesis, helmed by the dogged Captain Eslo, never quite able to catch her target. The Doctor’s always wanted to witness these historic events. And now, alongside Nyssa and Tegan, he’s got his chance. But history might just have other ideas. 2. Resistor by Sarah Grochala (2 parts). The TARDIS lands in a basement beneath a club in Warsaw in 1982 - which is a bit of a surprise as the Doctor was hoping to take Nyssa and Tegan to Yugoslavia. But a bigger surprise is yet to come - the band on stage are missing one of their musicians. And getting them through the gig is only the start of the TARDIS crew's troubles. Something strange is happening on the streets. Black cars glide through the city, picking off the unwary. Some are driven by the Secret Police... but others... by something very much not of this world. Cast: Peter Davison (The Doctor), Janet Fielding (Tegan Jovanka), Sarah Sutton (Nyssa), Niky Wardley (Iza), Daniel Easton (Roman), Chris Lew Kum Hoi (Hao), Ben Porter (Zastri), Paul Thornley (Captain Goben), Fenella Woolgar (Captain Eslo). Other parts played by members of the cast.

As if the alien Vulpreen weren’t enough, what remains of UNIT faces another formidable adversary. The mercurial Time Lord Missy is on the side of the Vulpreen, helping and encouraging them in their ambition to become the rulers not just of Earth, but of all Space and Time. Contains four new adventures: One Way or Another by John Dorney. Kate leads an attack on a Vulpreen prison camp, unaware that UNIT friends are being held there. As paths converge, Kate and Osgood have different perspectives on the attack, and specific dangers to overcome. Traitors’ Gate by Sarah Grochala. Osgood is a prisoner in the Tower of London, which is now a Vulpreen base. To rescue her friend, Kate must devise a plan to raid her former headquarters. Inside the Tower, the Vulpreen are determined to access the Black Archive and the hugely dangerous alien technology it contains. How long can Osgood keep them out? The Destiny Labyrinth by Alison Winter. The UNIT team find themselves traveling through various epochs in Earth’s history. The only guide they have is working for the enemy, and the Vulpreen are hot on their heels. Help comes from a new friend, a young healer who already has a curious relationship with time. True Nemesis by Andrew Smith. Under Missy’s guiding hand, the Vulpreen are ready to strike out, to establish themselves as the new Masters of Time. UNIT’s confrontation with Missy in the depths of Portugal’s Douro Valley will decide the fate of not just the Earth but the whole Universe. CAST: Jemma Redgrave (Kate Stewart), Ingrid Oliver (Osgood), Michelle Gomez (Missy), Eleanor Crooks (Naomi Cross), Chris Lew Kum Hoi (Lieutenant Jimmy Tan), James Joyce (Josh Carter), Christopher Naylor (Harry Sullivan), Alisdair Simpson (Lord Varliss), Glen McCready (Bert Hockley / Jesden / Vulpreen Commander), Harriet Kershaw (Sorgan), Stewart Scudamore (Ashley Bassett), Donna Berlin (Lorraine Forrester), Oscar Batterham (Michel), Fiona Hampton (Kini), Harry Myers (Hugo da Costa / Crastor). Other parts played by members of the cast.

It's the near future, and mankind has expanded its presence in space. Maintaining law and order beyond Earth is the responsibility of the International Space Police Force, known colloquially as the Star Cops. Their leader is Commander Nathan Spring. 1.1 Dead Air by Roland Moore. When Sonia Garrett dies during a routine moonwalk, the Star Cops suspect that her suit was sabotaged. As part of the investigation, Devis and Paul travel to an ancient space station to interview Xander O'Brien. But the reclusive meteorologist has a surprise in store. He knows exactly who killed Sonia Garrett. Aliens! 1.2 Hostile Takeover by Rossa McPhillips. A crashed shuttle with no passengers or crew on board. The murder of a gangster. The kidnapping of a space station union leader. What connects all three cases? As Nathan's team investigate, they encounter Alice Okoro, a corporate investigator for Wolfe International. What is her agenda? Is she there to hinder or help the Star Cops? 1.3 Death in the Desert by Sarah Grochala. When the sister of Lee Jones, his deceased former lover, is kidnapped from a research lab in Chad, Nathan travels to Earth to investigate in person. At the same time, Paul and Devis discover evidence that someone may have found a way to smuggle narcotics onto the Moon, bypassing drugs testing. As both investigations progress, an enemy of the Star Cops sees an opportunity to close a trap. Please note: Star Cops features some mild swearing and content which may not be suitable for younger listeners. CAST: David Calder (Nathan Spring), Trevor Cooper (Inspector Colin Devis), Linda Newton (Acting Chief Superintendent Pal Kenzy), Philip Olivier (Inspector Paul Bailey), Becky Wright (Sonia Garrett / Chef), Sean Connolly (Xander O’Brien / Soldier One), Lynsey Murrell (Alice Okoro), Graham Vick (James Winfield / Torsten Arthurton), Jason Nwoga (Professor Sani Habib / Sergeant Hamza), Billie Fulford-Brown (Kathy Marshall / Clare Jones), Sarah Lawrie (Dr Kay Jones). Other parts played by members of the cast. PLEASE NOTE: Star Cops features some mild swearing and content which may not be suitable for younger listeners.

A second series of adventures from Big Finish begins, featuring Christopher Eccleston as the Ninth Doctor. Time and again, the Doctor finds himself returning to his favourite planet. Dropping in on history or the present-day, whether it's kings, commuters or ordinary people, he's never met anyone who wasn't important...

Jetsetter, adventurer, and owner of a very unusual London bus, Lady Christina de Souza is travelling the globe and catching up with the relatives. But Sam Bishop and Jacqui McGee of UNIT are on her trail...

This release features a recreation of the first ever cast of Doctor Who, as seen on BBC TV in 2013's celebratory 'An Adventure in Space and Time' with David Bradbury then appearing as the Doctor in 2017's Peter Capaldi finale. Contains two stories; 5.1 For the Glory of Urth by Guy Adams. The TARDIS has barely landed in an alien sewer when a distant scream sends Susan racing to give aid, and the crew split up. Trying to reunite, the travellers find themselves in something resembling a monastery led by a man half-way between an Abbot and a warlord. They discover that they are in 'Urth', a barbaric place clinging on to its former glory. It's somewhere its populace are never allowed to leave, somewhere keeping many secrets from its people. And today those secrets will be revealed...5.2 The Hollow Crown by Sarah Grochala. When the TARDIS lands in Shoreditch, 1601, the Doctor suggests going to see a play at the Globe Theatre and his friends readily agree. But this is a turbulent time. There is violence in the streets, plots against the Queen, and rebellion is in the air. At the centre of it all stands the most famous playwright in British history - William Shakespeare - who is having troubles of his own. As tensions mount and wheels turn within wheels, the travellers are about to discover if the play really is the thing... Cast: David Bradley (The Doctor), Claudia Grant (Susan), Jemma Powell (Barbara Wright), Jamie Glover (Ian Chesterton), Nicholas Asbury (William Shakespeare), Wendy Craig (Queen Elizabeth I), Liane-Rose Bunce (Lady Penelope Rich/Hawker), Ian Conningham (Robert Devereaux, Earl of Essex/Lord Cecil), Lauren Cornelius (Judith Shakespeare), Susie Emmett (Sissy Cruciatu), Amanda Hurwitz (Mummy Martial/Computer Voice), Phil Mulryne (Bruddle Medicus/Guard 2), Phyllida Nash (Brooskin), Clive Wood (Daddy Dominus/Clubwell/Guard 1). Other parts played by members of the cast

Since the late 1990s, Rupert Goold has garnered a reputation as one of the UK’s most exciting and provocative theatre directors. His exhilarating, risk-taking productions of both classic texts and new plays have travelled from regional stages to the National Theatre, the West End, Broadway and beyond. Through his artistic directorship of Northampton’s Royal & Derngate, the touring theatre company Headlong and London's Almeida Theatre, he has radically transformed, not only the companies themselves, but the landscape of British theatre. This is the first book to survey and analyse the full range of Goold's work to date and is a vital resource for students, scholars and fans of his work.Based on extensive interviews with Goold and some of the playwrights, designers, actors and other creatives who have collaborated with him, The Theatre of Rupert Goold provides an account of Goold’s work from the beginnings of his career to the present day, offering a backstage view of the creative processes behind some of his most successful productions including: Paradise Lost, Faustus (Royal & Derngate); Macbeth (Chichester Festival Theatre); The Tempest, Romeo and Juliet (RSC); Six Characters in Search of an Author, ENRON (Headlong); Time and the Conways (National Theatre); Charles III and Ink (Almeida). The Theatre of Rupert Goold is an accessible and fascinating guide to Goold’s approach to making theatre, an approach that asks provocative questions of the modern world in the most theatrical ways imaginable.

Since the late 1990s, Rupert Goold has garnered a reputation as one of the UK’s most exciting and provocative theatre directors. His exhilarating, risk-taking productions of both classic texts and new plays have travelled from regional stages to the National Theatre, the West End, Broadway and beyond. Through his artistic directorship of Northampton’s Royal & Derngate, the touring theatre company Headlong and London's Almeida Theatre, he has radically transformed, not only the companies themselves, but the landscape of British theatre. This is the first book to survey and analyse the full range of Goold's work to date and is a vital resource for students, scholars and fans of his work.Based on extensive interviews with Goold and some of the playwrights, designers, actors and other creatives who have collaborated with him, The Theatre of Rupert Goold provides an account of Goold’s work from the beginnings of his career to the present day, offering a backstage view of the creative processes behind some of his most successful productions including: Paradise Lost, Faustus (Royal & Derngate); Macbeth (Chichester Festival Theatre); The Tempest, Romeo and Juliet (RSC); Six Characters in Search of an Author, ENRON (Headlong); Time and the Conways (National Theatre); Charles III and Ink (Almeida). The Theatre of Rupert Goold is an accessible and fascinating guide to Goold’s approach to making theatre, an approach that asks provocative questions of the modern world in the most theatrical ways imaginable.

During the events of Doctor Who - Ravenous 2, Liv Chenka left the Doctor and the TARDIS behind to live on Kaldor, but Kaldor is going through a period of tumultuous change. Technology is changing at an advanced rate - the robots are evolving, artificial intelligence is adapting, and with these changes so politics is altering too. Dangerously.

What does it mean for a play to be political in the 21st century? Does it require explicit engagement with events and situations with the aim of bringing about change or highlighting social wrongs? Is it purely a matter of content or is it also a matter of structure?The Contemporary Political Play: Rethinking Dramaturgical Structure examines the politics of contemporary 'political' drama. It traces the origins of the contemporary British political play to the emergence of the idea of ‘serious drama’ in the late 19th century through the work of Bernard Shaw, and argues that a Shavian version of serious drama was inextricably linked to the social and political structures of British society at the time. While political drama is still often thought of as adhering to a Shavian model in which social issues are presented through a dialectical structure, Grochala argues that the different political structures of contemporary Britain give rise to formally inventive dramaturgies that are no less 'serious' or political than their Shavian forebears.Through analysing the experimental dramaturgies of contemporary plays by playwrights including Caryl Churchill, Simon Stephens, Anthony Neilson, debbie tucker green and Mark Ravenhill, among others, it offers a set of new principles for understanding how a play functions politically and reveals how today the dramaturgical structure of a play is as political as its content.

What does it mean for a play to be political in the 21st century? Does it require explicit engagement with events and situations with the aim of bringing about change or highlighting social wrongs? Is it purely a matter of content or is it also a matter of structure?The Contemporary Political Play: Rethinking Dramaturgical Structure examines the politics of contemporary 'political' drama. It traces the origins of the contemporary British political play to the emergence of the idea of ‘serious drama’ in the late 19th century through the work of Bernard Shaw, and argues that a Shavian version of serious drama was inextricably linked to the social and political structures of British society at the time. While political drama is still often thought of as adhering to a Shavian model in which social issues are presented through a dialectical structure, Grochala argues that the different political structures of contemporary Britain give rise to formally inventive dramaturgies that are no less 'serious' or political than their Shavian forebears.Through analysing the experimental dramaturgies of contemporary plays by playwrights including Caryl Churchill, Simon Stephens, Anthony Neilson, debbie tucker green and Mark Ravenhill, among others, it offers a set of new principles for understanding how a play functions politically and reveals how today the dramaturgical structure of a play is as political as its content.

S-27 won the first Protect The Human Playwriting Competition in 2007.