Sean Qitsualik-Tinsley

Tanna’s Puppy is the third installment of authors Rachel and Sean Qitsualik-Tinsley’s acclaimed series of children’s books that explore Rachel’s childhood experiences with Arctic animals. Training dogs has been a strong Inuit tradition for generations. Sled dogs in Inuit communities are valued working animals with a clear and important purpose. Tanna has always known that dogs are not pets. They are not meant to live in houses. Then one day, Tanna is given a puppy to raise. Tanna is sure her father will not let her keep Dandy as a pet. She eventually convinces her father to let Dandy into the house, just as a test. Will Dandy’s love for her owners win Father over to having a dog as a pet? A heartwarming tale of the unique realities of Northern life and the changing definitions of what it means to be a family. Praise for the Tanna's Animals series! "Based on Burt Award–winning, Inuit-Cree author Rachel Qitsualik-Tinsley’s childhood memories of growing up on Baffin Island, this outstanding picture book shares essential teachings on the importance of responsibility, patience, and respect."—? Quill & Quire, Starred Review ?"Tanna’s Owl by Rachel and Sean Qitsualik-Tinsley, illustrated by Yong Ling Kang (Inhabit Media, 5-7) perfectly captures the sense of connection between the Inuit and the Arctic environment they live in."— The Globe and Mail

“Stories have hearts, just like people. And the heart of this story is true, even if the things said or done have been switched around a bit.” In this follow-up to the critically acclaimed Tanna’s Owl, Tanna finds a small, grey lemming, far too cute to turn over to the scientist who has sent the children out to gather lemmings for his research. Instead, Tanna deems Fluffi to be a family member and attempts to raise the lemming in her home. But when the lemming strays from its cozy bed behind the stove and into Tanna’s mother’s things, Tanna is forced to consider whether she has really done what is best for Fluffi. Is it possible to treat something poorly by trying to treat it well?

Selected for CCBC Annual Best-of-the-Year Book List 2014! In the time before animals were as they are today, Raven and Loon were both white. Their feathers had no colour at all. Raven spent his days swooping through the sky trying to fight off his incessant boredom, while loon spent her days in her iglu working away on her sewing. One day, too bored to even fly, Raven visited Loon and suggested a sewing game that would give their feathers some much-needed colour. The results—not at all what the two birds expected—led to Raven and Loon acquiring their now-familiar coats. "Folklore invitingly told and presented for a young audience." - Kirkus Reviews "With its significant potential for generating discussion, this is a perfect book for school and library settings." - Quill & Quire

When Tanna’s father brings home an abandoned owl, she is not eager to take care of the needy, ugly little bird. Tanna must wake at 4:00 a.m. to catch food for the owl. She must feed it, clean up after it, all while avoiding its sharp, chomping beak and big, stomping talons. After weeks of following her father’s instructions on how to care for the owl, Tanna must leave home for school. Her owl has grown. It has lost its grey baby feathers and is beginning to sprout a beautiful adult snowy owl coat. As she says good-bye to the owl, she is relieved not to have to care for it anymore, but also a bit sad. This heartwarming story based on the author’s own life experience teaches young readers the value of hard work, helping, and caring—even when the thing you are caring for does not love you back.

This beautiful compendium of tales shares eight classic Inuit creation stories from the Baffin region. From the origins of day and night, thunder and lightning, and the sun and the moon to the creation of the first caribou and source of all the Arctic’s fearful storms, this book recounts traditional Inuit legends in the poetic and engaging style of authors Rachel and Sean Qitsualik-Tinsley.

“Taaqtumi” is an Inuktitut word that means “in the dark”—and these spine-tingling horror stories by Northern writers show just how dangerous darkness can be. A family clinging to survival out on the tundra after a vicious zombie virus. A door that beckons, waiting to unleash the terror behind it. A post-apocalyptic community in the far North where things aren’t quite what they seem. With chilling tales from award-winning authors Richard Van Camp, Rachel and Sean Qitsualik-Tinsley, Aviaq Johnston, and others, this collection will thrill and entertain even the most seasoned horror fan.

Explore the past 150 years through the eyes of Indigenous creators in this groundbreaking graphic novel anthology. Beautifully illustrated, these stories are an emotional and enlightening journey through Indigenous wonderworks, psychic battles, and time travel. See how Indigenous peoples have survived a post-apocalyptic world since Contact. Each story includes a timeline of related historical events and a personal note from the author. Find cited sources and a select bibliography for further reading in the back of the book. The accompanying teacher guide includes curriculum charts and 12 lesson plans to help educators use the book with their students. This is one of the 200 exceptional projects funded through the Canada Council for the Arts’ New Chapter initiative. With this $35M initiative, the Council supports the creation and sharing of the arts in communities across Canada.

Huuq is a young Inuit boy who has never fit in to camp life. One day, fleeing yet another attack from the camp bullies, Huuq finds himself alone and far away from camp, with only his dog Qipik as company. On a lonesome hill, they find an egg. But this is no ordinary bird's egg. It's big. And almost looks like a stone. When Huuq breaks this mysterious egg, it unleashes a series of events that turn Huuq himself into a monstrous half-human creature. As Huuq tries to figure out why he has been turned into a monster, what the egg and its contents mean, and how he can return to his natural self, he is thrust into a world of fearsome creatures, mystical powers, and an evil the likes of which Huuq has never encountered.

Raven and Loon once had pure white feathers. How did they come to look so different?

In the time before animals were as they are today, Wolf spends his days admiring all the other animals. Not content to simply be a wolf, happy and hunting with his pack, he watches the owls, wolverines, and caribou with envy, wishing that he could be like them. Wishing he could be anything other than a wolf. When the magic of the land finally grants his wish, Wolf finds out that what he admires may not be what he really wants in the end.

A historical coming-of-age story set in the arctic landscape In this adventurous novel--set in the ancient Arctic, but told by an inquisitive and entertaining contemporary narrator--a wandering Inuit hunter named Kannujaq happens upon a camp in grave peril. The inhabitants of the camp are Tuniit, a race of ancient Inuit ancestors known for their strength and shyness. The tranquility of this Tuniit camp has been shaken by a group of murderous, pale, bearded strangers who have arrived on a huge boat shaped like a loon. Unbeknownst to Kannujaq, he has stumbled upon a battle between the Tuniit and a group of Viking warriors, but as the camp prepares to defend itself against the approaching newcomers, Kannujaq discovers that the Vikings may have motivations other than murder and warfare at the heart of their quest. This lush historical fiction is steeped in Inuit traditional knowledge and concepts of ancient Inuit magic.

Award-winning science fiction writer Sean A. Tinsley and respected Inuit author Rachel A. Qitsualik lend gothic interpretation to Inuit shamanism in this original collection of dark fantasy for modern audiences. Drawing on familiar tropes of the fantasy and science-fiction genres, Ajjiit gives fans of mainstream fantasy fiction and the short stories of writer such as Tanith Lee and Charles de Lint a whole new mythological world to discover.