Sh!t Theatre

This anthology documents a decade of some of the UK’s most exciting queer performance, through a combination of retrospective scripts, development material and visual documentation.Queer performance is expected to live a brief, bright life without leaving any textual record. Indeed, it rarely begins with a complete script at all, being often developed instead by performance practices designed to fill noisy bars, clinking cabaret venues and fringe theatres, typically for short runs. This lack of textual documentation underplays the importance of writing to contemporary queer performance, while rendering it vulnerable to disappearance in the diaphanous archives of memory.Writing Queer Performance: Contemporary Texts and Documents features eight seminal works, captured through performance texts and visual documentation, that ensures their accessibility long after the event of live performance. Supported by a contextualizing introduction, the anthology provides a panoramic view of contemporary preoccupations, processes and practices.

This anthology documents a decade of some of the UK’s most exciting queer performance, through a combination of retrospective scripts, development material and visual documentation.Queer performance is expected to live a brief, bright life without leaving any textual record. Indeed, it rarely begins with a complete script at all, being often developed instead by performance practices designed to fill noisy bars, clinking cabaret venues and fringe theatres, typically for short runs. This lack of textual documentation underplays the importance of writing to contemporary queer performance, while rendering it vulnerable to disappearance in the diaphanous archives of memory.Writing Queer Performance: Contemporary Texts and Documents features eight seminal works, captured through performance texts and visual documentation, that ensures their accessibility long after the event of live performance. Supported by a contextualizing introduction, the anthology provides a panoramic view of contemporary preoccupations, processes and practices.

In 2018, island-monkeys Becca and Louise got invited to Valletta, the European Capital of Culture in Malta. They thought they were going to drink rum with Brits abroad, celebrating their final year as Europeans, and make a play. Instead they found corruption, hypocrisy, and murder in the fight to be European.Blending investigative journalism with live art, Drinking Rum is more than just another excuse for the multi-award winning Sh!t Theatre to get drunk on stage.

Oh look, 2016 Fringe First winners Sh!t Theatre again.What is it this time? Oh, is it unemployment? Is there a crisis? Did the government do something wrong again?No, it’s a show about Dolly Parton. We fucking love her.For DollyWould Sh!t Theatre researched Dolly Parton. They watched films, read about her childhood, interviewed her and visited her Tennessee theme park Dollywood. Combining text, music, video and giant boob costumes, this show celebrates all that is Dolly, including the Scottish sheep, so named because she was cloned from a mammary gland. The book also features colour photographs from the show and from the duo's trip to Dollywood. Following the award-winning sell-out Letters to Windsor House – which was named one of Time Out’s top ten theatre shows of the year – Sh!t Theatre returned with DollyWould, a bold, eccentric show which enjoyed a 100% sell-out run at the Edinburgh Festival Fringe.

A loophole in the Postal Services Act says you can open other people’s mail under certain circumstances. This is that certain circumstance… Songs, politics, dodgy landlords and detective work: Another potentially felonious show by the award-winning Sh!t Theatre for Generation Rent.