Sheila Blair

Rock and Brock may be twins, but they are as different as two twins can be. One day, their grandpa offers them a plan--for ten straight weeks on Saturday he will give them each one dollar. But there is a catch "Listen now, for here's the trick, each buck you save, I'll match it quick. But spend it, there's no extra dough, so save your cash, and watch it grow." Rock is excited--there are all sorts of things he can buy for one dollar So each week he spends his money on something different--an inflatable moose head, green hair goo, white peppermint wax fangs. But while Rock is spending his money, Brock is saving his. And each week when Rock gets just one dollar, Brock's savings get matched. By the end of summer, Brock has five hundred and twelve dollars, while Rock has none. When Rock sees what his brother has saved, he realizes he has made a mistake. But Brock shows him that it is never too late to start saving.

The first object created by God, according to early Muslim commentators, was the pen, which he used to chronicle events to come. The word, in its various manifestations, is central to the Islamic faith. Surely a reflection of this centrality, profuse inscriptions mark countless Islamic objects, from the humblest oil lamps and unglazed ceramics to the finest and most expensive rock crystals and jades. The inscriptions serve numerous functions: decorating, proclaiming ownership and patronage, proffering good wishes and proverbs, and spreading religious texts throughout the world. Aside from their aesthetic worth, these inscriptions provide a fascinating window onto a distant culture. In Islamic Inscriptions, Sheila S. Blair a wealth of stunning images and incisive commentary, while also providing the newcomer to Islamic civilization with a key to unlocking the mysteries of Islamic epigraphy. In addition to chapters devoted to the main types of inscription, detailing the development of their content and style, inscriptive techniques, and the motivations behind them, the book provides practical knowledge on finding, identifying, interpreting, researching, and recording inscriptions.The variety and clarity of information presented makes Islamic Inscriptions an ideal reference for historians, curators, archaeologists, and collectors.

Inscriptions on buildings are a distinctive feature of Islamic architecture, and this book studies the 79 surviving monumental inscriptions in the Iranian world from the first five centuries of the Muslim era (A.D. 622-1106), the period in which all the major trends of monumental epigraphy in the area were set. These foundation, commemorative, and funerary texts come from the region between Iraq and Soviet Central Asia. Written primarily in Arabic, they embellished architectural monuments and furnishings whose nature implies the construction of major buildings. An extended introduction discusses such general topics as titulature, patronage, and stylistic development. Each text is then presented individually with photographs, drawings, transcriptions, translations and an extensive commentary, which presents the inscription in its larger palaeographic and historical contexts.