Simon Armitage

The newly drawn Stanza Stones Trail runs through forty-seven miles of the Pennine region, some of the most strikingly varied landscape in the world. The terrain bears the deep scars of industrial exploitation, as well as those less obvious: the signs left by a hundred local generations are carved into the region's abounding rocks. Simon Armitage was born and raised here, in the village of Marsden, and in 2012 he was commissioned through the Ilkley Literature Festival to write site-specific poetry. Armitage composed six new poems on his Pennine walks and, with the help of local expert Tom Lonsdale and letter-carver Pip Hall, found extraordinary, secluded sites and saw his words carved into stone. This book is a record of that journey, containing the poems and the accounts of Lonsdale and Hall. The many layers of stone and sediment found beneath the surface of the rock reflect the drama of the landscape itself. Covered in decades of industrial soot and grime, the colours released by the carver's tools will likely never return to shades of black and grey, but become a small reminder of the changes that our natural environment undergoes, and the marks, small and large, of humankind.

One summer, Simon Armitage decided to walk the Pennine Way - a challenging 256-mile route usually approached from south to north, with the sun, wind and rain at your back. However, he resolved to tackle it back to front, walking home towards the Yorkshire village where he was born, travelling as a 'modern troubadour', without a penny in his pockets and singing for his supper with poetry readings in village halls, churches, pubs and living rooms. Walking Home describes his extraordinary, yet ordinary, journey of human endeavour, unexpected kindnesses and terrible blisters.The companion volume, Walking Away, is published in June 2015.

Now in paperback, the powerful selected work of Simon Armitage, the most distinctive poetic voice of contemporary Britain. Simon Armitage is arguably the leading British poet of the past twenty years. His knowledge of the English just as they are ("a gentleman farmer / living on reduced means, a cricketer's widow, / sowing a kitchen garden with sweet peas"), his colloquial Yorkshire wit and eye for situational ironies, his ability to steal up on us with the surreal while capturing the ordinary speech of everyday life: these qualities place him at the forefront of British poetry today. This slim volume is the perfect introduction to his work for newcomers, or the ideal selection for longtime readers to keep on the bedside table.

Short and Sweet is an inspiring anthology arranged to show how the short poem, defined here as no longer than thirteen lines - and sometimes a lot shorter than that - can tell a story, present a complex argument, and be packed with as much passion, wisdom and music as any more extended piece of writing. In his witty and instructive introduction, Simon Armitage, pace-setting poet of his generation, encourages us to consider how poets over five centuries have used brevity.

Simon Armitage's new collection is by turns a voice and a chorus: a hyper-vivid array of dramatic monologues, allegories, parables and tall tales. Here comes everybody: Snoobie and Carla, Lippincott, Wittmann, Yoshioka, Bambuck, Dr Amsterdam, Preminger. The man whose wife drapes a border-curtain across the middle of the marital home; the English astronaut with a terrestrial outlook on life; an orgiastic cast of unreconstructed pie-worshipers at a Northern sculpture farm; the soap-opera supremacists at their zoo-wedding; the driver who picks up hitchhikers as he hurtles towards a head-on collision with Thatcherism; a Christian cheese-shop proprietor in the wrong part of town; the black bear with a dark secret, the woman who curates giant snowballs in the chest freezer. Celebrities and nobodies, all come to the ball.The storyteller who steps in and out of this human tapestry changes, trickster-style, from poem to poem, but retains some identifying traits: the melancholy of the less deceived, crossed with an undercover idealism. And he shares with many of his characters a star-gazing capacity for belief, or for being 'genuine in his disbelief'.Language is on the loose in these poems, which cut and run across the parterre of poetic decorum with their cartoon-strip energies and air of misrule. Armitage creates world after world, peculiar yet always particular, where the only certainty is the unexpected.

A STUNNING COLLECTION OF POEMS CURATED BY THE NEW POET LAUREATE AND THE BESTSELLING AUTHOR OF FOUR FIELDS___________________________'Some of the most ethereal verse ever written' Sunday Telegraph 'A glorious collection of works old and new' Independent on Sunday 'Truly inexhaustible . . . to be read again and again' Daily Mail 'A rich and sustaining larder, a marvellously realized sourcebook of flights of feathered fancy' Guardian 'A life-affirming celebration of the commonplace yet enduringly mysterious creatures we share this world with and the poetry they have inspired' Daily Telegraph

'Extremely funny' Sunday Telegraph_____________________________A poet is a rock star without the sex'n'drugs, or the rock'n'roll. But that never stopped Simon Armitage dreaming, and in Gig, he explores how music and the muse intertwine in work and in life. Crammed with stories, anecdotes, jokes, absurdities, the odd informal homily, pitfalls and pratfalls (not all the author's own), Yorkshire life and death, Gig is about the dream and reality of what you are, and what you might have been._____________________________'One of our most entertaining authors' Independent'Very, very funny' GQ'Witty, terrific, stupendously funny' Daily Telegraph Simon Armitage, Sunday Times bestseller, April 2024

'A joy. Celebrates the real world and revels in its mad glory' Sue Townsend, Sunday Times_____________________________________All Points North is part-memoir and part-excursion. Charting the rugged and uneven terrain of a writer's formative years - from tax problems to probation to American tours, football to family to running away to Iceland - Simon Armitage explores growing up and being Northern. It's about humour, language, writing, film, houses, homes, time wasters, one loose tyre, you, me and all points in-between._____________________________________'Laugh-out-loud funny' Independent'A delight' Jonathan Raban, Times Literary Supplement 'A perfect holiday dipper' Scotsman'An Alan Bennett-style diary' Daily Telegraph

Preserved on a single surviving manuscript dating from around 1400, composed by an anonymous master, Sir Gawain and the Green Knight was rediscovered only 200 years ago, and published for the first time in 1839. One of the earliest great stories of English literature, after Beowulf, the poem narrates the strange tale of a green knight on a green horse, who rudely interrupts the Round Table festivities one Yuletide, casting a pall of unease over the company and challenging one of their number to a wager. The virtuous Gawain accepts, and decapitates the intruder with his own axe. Gushing blood, the knight reclaims his head, orders Gawain to seek him out a year hence, and departs. Next Yuletide Gawain dutifully sets forth... His quest for the Green Knight involves a winter journey, a seduction scene in a dream-like castle, a dire challenge answered - and a drama of enigmatic reward disguised as psychic undoing.

One of the earliest great stories of English literature after ?Beowulf?, ?Sir Gawain? is the strange tale of a green knight on a green horse, who rudely interrupts King Arthur's Round Table festivities one Yuletide, challenging the knights to a wager. Simon Armitrage, one of Britain's leading poets, has produced an inventive and groundbreaking translation that "[helps] liberate ?Gawain ?from academia" (?Sunday Telegraph?).

In this new verse adaptation, originally commissioned for BBC radio, Simon Armitage has recast Homer's epic as a series of bristling dramatic dialogues: between gods and men; between no-nonsense Captain Odysseus and his unruly, lotus-eating, homesick companions; and between subtle Odysseus (wiliest hero of antiquity) and a range of shape-shifting adversaries Calypso, Circe, the Sirens, the Cyclops as he and his men are "pinballed between islands" of adversity. One of the most individual voices of his generation, Armitage revitalizes our sense of the Odyssey as oral poetry, as indeed one of the greatest of tall tales."

Originally commissioned for BBC Radio, Simon Armitage recasts Homer's epic as a series of dramatic dialogues. His version bristles with the economy, wit and guile that we have come to expect from one of the most individual voices of his generation.

Abbie Fenton wants a baby. Her husband Felix, not unaware of the thunderous ticking of Abbie's biological clock, wants to oblige but their home has still to be blessed. Cue the usual round of doctors, tests, probes and scans - all to no avail. So Abbie - adopted at birth - decides that if she can't have a child then she must at least discover whose child she is. Soon, she and Felix are caught up in a make-or-break search for family, identity and meaning. And little do they know quite where the journey will take them ...

From his home in a West Yorkshire village proverbially associated with cuckoos, Simon Armitage has been probing the night sky with the aid of a powerful Russian telescope. The sequence of eighty-eight poems at the heart of CloudCuckooLand springs from this preoccupation, each poem receiving its title from one of the constellations, while turning out to be less concerned with pure astronomy than with moments in the life of the poet's mind.

"The Universal Home Doctor" is Simon Armitage's most personal collection of poems yet. The poems journey across the globe but are ultimately set against the most intimate of landscapes - the human body.

Kid gives us one of the liveliest poetic voices to have emerged in the last ten years. Simon Armitage's inspired ear for the demotic and his ability to deal with subjects that many poets turn their backs on have marked him as a poet of originality and force.

A collection of poems in which questions of belief and trust, of identity and knowledge, mingle with more mundane considerations, such as the problems of owning a dog, and the vicissitudes of the job market. Simon Armitage was the 1993 "Sunday Times" Young Writer of the Year.

Losing none of the exuberance which has become a hallmark of Simon Armitage's poetry, these poems are more personal. The book is divided into three sections - the "Book of Matches" which are sonnets, "Becoming of Age" and "Reading the Bans", a series of poems about Armitage's marriage.

Zoom! is the book which launched Simon Armitage's meteoric rise to poetic stardom. It was shortlisted for the Whitbread Poetry Award in 1989 and was a Poetry Book Society Choice. The e-book edition of Zoom! incorporates audio files for 18 of the poems using recordings Simon Armitage made for Peter Sansom in Huddersfield in 1989. So the voice you hear is that of Simon Armitage, then aged 26, when he was still working as a probation officer and had just published his first book of poems.