Sinan Antoon

Abdelrahman Munif was a towering, transformative figure in Arabic literature. The author of more than 25 books, he was a public intellectual and an icon of principled opposition to authoritarian regimes. Today, he is one of the most-read novellists in the Arab world. Though he died in 2004, much of his oeuvre feels like it could have been written yesterday. Born and raised in Jordan, Munif spent much of his adulthood in Iraq, Egypt and Syria—a lifetime of experience that sharpened his unique perspective on the social, political and economic realities of the region. Outside the Prison Walls is the first English language collection bringing together some of Munif's most enduring nonfiction writings with a series of interviews conducted in late 2003, shortly before his death. The essays and interviews take the reader on a journey, intertwining historical and current events in Iraq and the wider region, as well as politics and literature, with the personal story of one of the most important Arab novelists and intellectuals of our times.

Sami, a retired doctor, lives with his son and grandchildren in Brooklyn. But Sami keeps losing his way. Every day he sinks deeper into dementia and old memories of life in Iraq before the war. Omar arrives in the US with a fake identity and no friends or family. Having run away from the Iraqi army, he has been branded a deserter and his ear brutally cut off. Omar carries this mark of shame with him and refuses to talk about the past. He dreams of getting his ear, and his dignity, back. When their paths cross at least one of them knows that they have met before – if only he could remember where. Exploring the aftermath of war and how the past haunts new beginnings, Notes from a Lost Country creates a moving portrait of life in exile.

A chilling poetic reflection on the world we have inherited and the destructions that made it. To confront time, pre-modern Arabic poems often began with the poet standing before the ruins, real and imagined, of a beloved’s home. In Postcards from the Underworld, Sinan Antoon works in that tradition, observing the detritus of his home city, Baghdad, where he survived two wars—the Iran-Iraq War of 1980 and the First Gulf War of 1991—and which, after he left, he watched from afar being attacked during the US invasion in 2003. Antoon’s poems confront violence and force us not to look away as he traces death’s haunting presence in the world. Nature offers consolation, and flowers and butterflies are the poet’s interlocutors, but they too cannot escape ruin. Composed in Arabic and translated into English by the poet himself, Postcards from the Underworld is a searing meditation on the destruction of humans, habitats, and homes.

Sinan Antoon returns to the Iraq war in a poetic and provocative tribute to reclaiming memory “Formally daring, stylistically inventive, this is Antoon’s most complex work to date.” —Malcolm Forbes, The National The celebrated author Sinan Antoon’s fourth and most sophisticated novel follows Nameer, a young Iraqi scholar earning his doctorate at Harvard, who is hired by filmmakers to help document the devastation of the 2003 invasion of Iraq. During the excursion, Nameer ventures to al-Mutanabbi street in Baghdad, famed for its bookshops, and encounters Wadood, an eccentric bookseller who is trying to catalogue everything destroyed by war, from objects, buildings, books and manuscripts, flora and fauna, to humans. Entrusted with the catalogue and obsessed with Wadood’s project, Nameer finds life in New York movingly intertwined with fragments from his homeland’s past and its present—destroyed letters, verses, epigraphs, and anecdotes—in this stylistically ambitious panorama of the wreckage of war and the power of memory.

Young Jawad, born to a traditional Shi’ite family of corpse washers and shrouders in Baghdad, decides to abandon the family tradition, choosing instead to become a sculptor—to celebrate life rather than tend to death. He enters Baghdad’s Academy of Fine Arts in the late 1980s, in defiance of his father’s wishes and determined to forge his own path. But the circumstances of history dictate otherwise. Saddam Hussein’s dictatorship and the economic sanctions of the 1990s destroy the socioeconomic fabric of society. The 2003 invasion and military occupation unleash sectarian violence. Corpses pile up, and Jawad returns to the inevitable washing and shrouding. Trained as an artist to shape materials to represent life aesthetically, he now must contemplate how death shapes daily life and the bodies of Baghdad’s inhabitants. Through the struggles of a single desperate family, Sinan Antoon’s novel shows us the heart of Iraq’s complex and violent recent history. Descending into the underworld where the borders between life and death are blurred and where there is no refuge from unending nightmares, Antoon limns a world of great sorrows, a world where the winds wail.

One of the Arab world's greatest poets uses the 1982 Israeli invasion of Lebanon and the shelling of Beirut as the setting for this sequence of prose poems. Mahmoud Darwish vividly recreates the sights and sounds of a city under terrible siege. As fighter jets scream overhead, he explores the war-ravaged streets of Beirut on August 6th (Hiroshima Day). "Memory for Forgetfulness" is an extended reflection on the invasion and its political and historical dimensions. It is also a journey into personal and collective memory. What is the meaning of exile? What is the role of the writer in time of war? What is the relationship of writing (memory) to history (forgetfulness)? In raising these questions, Darwish implicitly connects writing, homeland, meaning, and resistance in an ironic, condensed work that combines wit with rage. Ibrahim Muhawi's translation beautifully renders Darwish's testament to the heroism of a people under siege, and to Palestinian creativity and continuity. Sinan Antoon's foreword, written expressly for this edition, sets Darwish's work in the context of changes in the Middle East in the past thirty years.

An inventory of the General Security headquarters in central Baghdad reveals an obscure manuscript. Written by a young man in detention, the prose moves from prison life, to adolescent memories, to frightening hallucinations, and what emerges is a portrait of life in Saddam Hussein's Iraq. In the tradition of Kafka's The Trial or Orwell's 1984, I'jaam offers insight into life under an oppressive political regime and how that oppression works. This is a stunning debut by a major young Iraqi writer-in-exile. Sinan Antoon has been published in leading international journals and has co-directed About Baghdad, an acclaimed documentary about Iraq under US occupation.