Sonja Thomas

Kuka sabotoi kilpa-ajaja Victoria Dearingin höyryauton? Voiko ratassydämisen linnun avulla saada takaisin kuolleen rakastettunsa? Kumpi on nopeampi: atomimiilulla varustettu juna vai ilmalaiva? Mitä sodassa olevan valtion ilmalaiva kuljettaa salaperäisessä kontissa?Rataskärmes ja muita steampunk-tarinoita sisältää 13 kertomusta, jotka tarjoavat lukijalle yllättäviä lukuelämyksiä. Antologian kertomuksissa steampunkiin yhdistyy niin kauhun, dekkarin, sadun kuin länkkärin piirteitä, mutta hiukan perinteisempikin tarinoita löytyy. Hyppää mukaan höyrykoneiden, rataslaitteiden ja vanhan ajan hengen maailmoihin!Sisällys:- Matti Järvinen: Esipuhe- Sini Helminen: Rataskärmes- Mervi Hämäläinen: Unelmia- Eero Korpinen: Satakielen laulu- Juha Askola: Paluumatka- Sonja Thomas: Aamuhan on kaikkialla- Jussi Katajala: Tulipyörä- Jasu Rinneoja: Yleishyödylliset apulaiseni- Elina Loisa: Tuonelan ratas- Venla Lintunen: Tuhkis ja ilkeä isäpuoli- Janina Kaho: Kuparilintu- Kari Välimäki: Hampparin käyrä- Pihla Tammisto: Lintukoto- Shimo Suntila: Peltirumpu

Anthropologically explores the entanglement of theology and politics among contemporary Orthodox Christians. Much of the anthropological literature on Christianity tends to concentrate on Protestants and Catholics in the Global South. The contemporary scholarly interest in such communities descends from histories of missionization and colonization of these regions, as well as a sense of their theological kinship with the secularized visions of Western political and social life. Orthodox Christianity, however, has largely been rendered marginal in mainstream anthropological engagement because of its theological and social alterity from such Western anthropological traditions of knowledge production. Because of this, Orthodox Christian lifeworlds in and beyond the academy are created, contested, and transformed in relation to various "others," whether they be religious, political, secular, or historical, with an eye toward a discursive opposition between modernity and Orthodoxy. Each of the essays in Anthropologies of Orthodox Christianity texture a new trajectory in the study of this religious tradition that take seriously the theopolitical aspects of Orthodox life through anthropological inquiry. The volume engages and moves beyond the tension between populist and institutional framings of religion, and critically addresses the ontological gap in both anthropology and theology as social, cultural, and geopolitical interest in Orthodox Christianity continues to expand and grow.

Anthropologically explores the entanglement of theology and politics among contemporary Orthodox Christians. Much of the anthropological literature on Christianity tends to concentrate on Protestants and Catholics in the Global South. The contemporary scholarly interest in such communities descends from histories of missionization and colonization of these regions, as well as a sense of their theological kinship with the secularized visions of Western political and social life. Orthodox Christianity, however, has largely been rendered marginal in mainstream anthropological engagement because of its theological and social alterity from such Western anthropological traditions of knowledge production. Because of this, Orthodox Christian lifeworlds in and beyond the academy are created, contested, and transformed in relation to various “others,” whether they be religious, political, secular, or historical, with an eye toward a discursive opposition between modernity and Orthodoxy. Each of the essays in Anthropologies of Orthodox Christianity texture a new trajectory in the study of this religious tradition that take seriously the theopolitical aspects of Orthodox life through anthropological inquiry. The volume engages and moves beyond the tension between populist and institutional framings of religion, and critically addresses the ontological gap in both anthropology and theology as social, cultural, and geopolitical interest in Orthodox Christianity continues to expand and grow.

An anxious aspiring filmmaker bands together with an unlikely friend group to protect their beloved state animal in this “stirring” (Booklist) contemporary middle grade novel perfect for fans of Jamie Sumner and Erin Entrada Kelly.Twelve-year-old Olive Blackwood’s dream is to direct blockbuster fantasy movies, just like her dad wanted to before he died. She decides to apply to the highly competitive Rose City Summer Film Camp with the help of her best friend, Kayla. But Olive isn’t sure how she can cast the movie when the mere thought of talking to a stranger makes her nervous. Then a surprise project in Olive’s film class presents her best chance at going to Rose City: the group who makes the best documentary trailer will receive a recommendation to the elite program! But Olive’s hopes are quickly dashed when she’s paired with the two worst students in class: loud Jo Willems has a flashy style of dressing just as intimidating as their outspoken opinions and David Moore is even quieter than Olive, fading into the background. It seems impossible for the three of them to find enough common ground to produce something noteworthy. When Olive stumbles across an old lady chasing a beaver with a frying pan, she’s disturbed to discover it’s legal to kill beavers in Oregon—which has the animal on the state flag! Olive posts the video she took of the incident, and it goes viral. She wants to raise more awareness, and if she uses her documentary to do it, she could even get the coveted Rose City recommendation at the same time. With the help of unexpected friendship, counseling, and a little everyday magic, can Olive make her voice be heard?

An anxious aspiring filmmaker bands together with an unlikely friend group to protect their beloved state animal in this "stirring" (Booklist) contemporary middle grade novel perfect for fans of Jamie Sumner and Erin Entrada Kelly. Twelve-year-old Olive Blackwood's dream is to direct blockbuster fantasy movies, just like her dad wanted to before he died. She decides to apply to the highly competitive Rose City Summer Film Camp with the help of her best friend, Kayla. But Olive isn't sure how she can cast the movie when the mere thought of talking to a stranger makes her nervous. Then a surprise project in Olive's film class presents her best chance at going to Rose City: the group who makes the best documentary trailer will receive a recommendation to the elite program But Olive's hopes are quickly dashed when she's paired with the two worst students in class: loud Jo Willems has a flashy style of dressing just as intimidating as their outspoken opinions and David Moore is even quieter than Olive, fading into the background. It seems impossible for the three of them to find enough common ground to produce something noteworthy. When Olive stumbles across an old lady chasing a beaver with a frying pan, she's disturbed to discover it's legal to kill beavers in Oregon--which has the animal on the state flag Olive posts the video she took of the incident, and it goes viral. She wants to raise more awareness, and if she uses her documentary to do it, she could even get the coveted Rose City recommendation at the same time. With the help of unexpected friendship, counseling, and a little everyday magic, can Olive make her voice be heard?

From the Desk of Zoe Washington meets Ways to Make Sunshine in this "noteworthy" (Kirkus Reviews, starred review) middle grade novel about a determined young girl who must rely on her ingenuity and scientific know-how to save her beloved cat. Twelve-year-old Mira's summer is looking pretty bleak. Her best friend Thomas just moved a billion and one miles away from Florida to Washington, DC. Her dad is job searching and he's been super down lately. Her phone screen cracked after a home science experiment gone wrong. And of all people who could have moved into Thomas's old house down the street, Mira gets stuck with Tamika Smith, her know-it-all nemesis who's kept Mira in second place at the school science fair four years running. Mira's beloved cat, Sir Fig Newton, has been the most stable thing in her life lately, but now he seems off, too. With her phone gone and no internet over the weekend at her strict Gran's house, Mira must research Fig's symptoms the old-fashioned way: at the library. She determines that he has "the silent cat killer" diabetes. A visit to the vet confirms her diagnosis, but that one appointment stretched family funds to the limit--they'll never be able to afford cat insulin shots. When Mira's parents tell her they may have to give Fig up to people who can afford his treatment, Mira insists she can earn the $2,000 needed within a month. Armed with ingenuity, determination, and one surprising ally, can Mira save her best (four-legged) friend before it's too late?

From the Desk of Zoe Washington meets Ways to Make Sunshine in this "noteworthy" (Kirkus Reviews, starred review) middle grade novel about a determined young girl who must rely on her ingenuity and scientific know-how to save her beloved cat. Twelve-year-old Mira's summer is looking pretty bleak. Her best friend Thomas just moved a billion and one miles away from Florida to Washington, DC. Her dad is job searching and he's been super down lately. Her phone screen cracked after a home science experiment gone wrong. And of all people who could have moved into Thomas's old house down the street, Mira gets stuck with Tamika Smith, her know-it-all nemesis who's kept Mira in second place at the school science fair four years running. Mira's beloved cat, Sir Fig Newton, has been the most stable thing in her life lately, but now he seems off, too. With her phone gone and no internet over the weekend at her strict Gran's house, Mira must research Fig's symptoms the old-fashioned way: at the library. She determines that he has "the silent cat killer" diabetes. A visit to the vet confirms her diagnosis, but that one appointment stretched family funds to the limit--they'll never be able to afford cat insulin shots. When Mira's parents tell her they may have to give Fig up to people who can afford his treatment, Mira insists she can earn the $2,000 needed within a month. Armed with ingenuity, determination, and one surprising ally, can Mira save her best (four-legged) friend before it's too late?

Nattafortellinger for rebelske jenter: 100 sanne fortellinger om black girl magic feirer livene og bragdene til 100 mørkhudete jenter og kvinner som har brutt barrierer og utvist mot og stort talent. Samlingen er redigert av den prisvinnende journalisten Lilly Workneh og har et forord som er skrevet av CaShawn Thompson, som er en av hjernene bak hashtagen #blackgirlmagic.Samlingen forteller historiene til virkelige kvinner som ved hjelp av mot, talent og ekstraordinære handlinger har banet vei for andre fargede jenter og kvinner. Som de tidligere bøkene i Nattafortellinger-serien, er også disse historiene utformet som små eventyr.Boken er illustrert med unike portretter av de omtalte kvinnene og jentene, som presenteres i alfabetisk rekkefølge. Noen av de vi blir kjent med er tennisspilleren Naomi Osaka, forfatter Tony Morison og filmskaper Ava DuVernay. Vi presenteres også for historiske kvinner som flygeren Bessie Coleman, keiserinne Taytu Betul og journalist Ida B. Wells. Leserne kan glede seg til å møte sjakk-mesteren Phiona Mutesi, videospill-designeren Muriel Tramis, punk-rockeren Poly Styrene, kokken Leah Chase og den norske gruppa Queendom.

A PARENTS' FAVORITE PRODUCTS TILLYWIG AWARD WINNER 2022The fourth installment in the New York Times bestselling Good Night Stories for Rebel Girls series, featuring 100 barrier-breaking Black women and girls who showcase the spirit of Black Girl Magic.Good Night Stories for Rebel Girls: 100 Real-Life Tales of Black Girl Magic, edited by award-winning journalist Lilly Workneh with a foreword by #BlackGirlMagic originator CaShawn Thompson, is dedicated to amplifying and celebrating the stories of Black women and girls from around the world; features the work of over 60 Black female and non-binary authors, illustrators, and editors; is designed to acknowledge, applaud, and amplify the incredible stories of Black women and girls from the past and present; and celebrates Black Girl Magic around the world.Amongst the women featured from over 30 countries are tennis player Naomi Osaka, astronaut Jeanette Epps, author Toni Morrison, filmmaker Ava DuVernay; aviator Bessie Coleman, Empress Taytu Betul, journalist Ida B. Wells, and many other inspiring leaders, champions, innovators, and creators.Good Night Stories for Rebel Girls: 100 Real-Life Tales of Black Girl Magic is published by Rebel Girls, a global, multi-platform empowerment brand dedicated to helping raise the most inspired and confident global generation of girls through content, experiences, products, and community.About Black Girl MagicCaShawn Thompson, a proud third-generation native of Washington, DC, came up with the concept "Black Girls Are Magic" when she was a little girl growing up with her mother, grandmother, and aunts. It sprang forth fully formed from the mind of a poor little Black girl who didn't yet have the words to describe the brilliance she saw in the women in her family, but had heard countless tales of fairies, witches, and magicians. It was just magic to her. And it still is.Black Girls Are Magic became wildly popular in 2013 after CaShawn began using the phrase online (it was later shortened to the hashtag #BlackGirlMagic) to uplift and praise the accomplishments, beauty, and other amazing qualities of Black women.

Although demographically a minority in Kerala, India, Syrian Christians are not a subordinated community. They are caste-, race-, and class-privileged, and have long benefitted, both economically and socially, from their privileged position. Focusing on Syrian Christian women, Sonja Thomas explores how this community illuminates larger questions of multiple oppressions, privilege and subordination, racialization, and religion and secularism in India.In Privileged Minorities, Thomas examines a wide range of sources, including oral histories, ethnographic interviews, and legislative assembly debates, to interrogate the relationships between religious rights and women's rights in Kerala. Using an intersectional approach, and US women of color feminist theory, she demonstrates the ways that race, caste, gender, religion, and politics are inextricably intertwined, with power and privilege working in complex and nuanced ways. By attending to the ways in which inequalities within groups shape very different experiences of religious and political movements in feminist and rights-based activism, Thomas lays the groundwork for imagining new feminist solidarities across religions, castes, races, and classes.

Although demographically a minority in Kerala, India, Syrian Christians are not a subordinated community. They are caste-, race-, and class-privileged, and have long benefitted, both economically and socially, from their privileged position. Focusing on Syrian Christian women, Sonja Thomas explores how this community illuminates larger questions of multiple oppressions, privilege and subordination, racialization, and religion and secularism in India.In Privileged Minorities, Thomas examines a wide range of sources, including oral histories, ethnographic interviews, and legislative assembly debates, to interrogate the relationships between religious rights and women's rights in Kerala. Using an intersectional approach, and US women of color feminist theory, she demonstrates the ways that race, caste, gender, religion, and politics are inextricably intertwined, with power and privilege working in complex and nuanced ways. By attending to the ways in which inequalities within groups shape very different experiences of religious and political movements in feminist and rights-based activism, Thomas lays the groundwork for imagining new feminist solidarities across religions, castes, races, and classes.