Sophie Woodward

This book explores the interrelationship between gender and multidisciplinarity, and the different ways in which gender informs the work of diverse subject areas. Using facet methodology, chapters examine disciplines in conversation with each other to produce new ideas and ways of thinking about contemporary theories and politics of gender. The book moves through five core aspects of gender: routine everyday practices, critiquing power and politics, gendered histories and herstories, bodies and embodiment, and laws which operate at meta and micro levels. Chapters draw on a wide range of examples from the climate crisis and medical science to social sciences and culture, engaging with the varied meanings of gender and questioning dominant assumptions. The authors argue that focusing on multidisciplinarity allows us to consider how disciplines have become gendered in terms of who participates in the discipline and analyse implicitly gendered assumptions about what counts as knowledge or even as data. Written in an engaging and accessible style, this book is an invigorating read for gender studies scholars from undergraduate to post-graduate level, particularly those focusing on interdisciplinarity in the field. With an exploration of gender across a vast array of disciplines, it is also of interest to scholars across sociology, anthropology, philosophy, politics, media studies, psychology and economics.

This book assumes an “everyday life” perspective towards masking in public spaces in the UK during the Covid-19 pandemic. Facemasks are perhaps one of the most tangible ways in which the changes wrought by the Covid-19 pandemic were made visible. In the space of a few months in 2020, masking in the UK went from being almost non-existent in public to becoming widespread, both before and after the UK government mandated masking in most enclosed public spaces in July 2020. In this context, the speed and scale of the introduction of masking in public settings offers sociologists a rare chance to document the (contested) emergence of a new social practice. The authors argue that the nature of masking during the pandemic means that masking practices need to be understood through the entwinement of material, interactional, and moral dimensions. By developing a relational perspective to explore the relationship between the materiality and moral significance of masking, and how this translated into the development of masking practices in public spaces, the authors argue further that the specific context of masking during the pandemic provides sociologists with a unique lens to think through the nature of material, interactional, and moral practices in general.

Usually conceived in opposition to each other – birth as a hopeful beginning, death as an ending – this book brings them into dialogue with each other to argue that both are central to our experiences of being in the world and part of living.Written by two authors, this book takes an intergenerational approach to highlight the connections and disconnections between birth and death; adopting a relational approach allows the book to explore birth and death through the key relationships that constitute them: personal and social, private and public, the affective and social norms, the actual and the virtual and the ordinary and profound.Of interest to academics and students in the fields of feminism, phenomenology and the life course, the book will also be of relevance to policy makers in the areas of birth activism and end of life care. Drawing from personal stories, everyday life and publicly contested examples, the book will also be of interest to a more general readership as it engages with questions we all at some point will grapple with.

Usually conceived in opposition to each other – birth as a hopeful beginning, death as an ending – this book brings them into dialogue with each other to argue that both are central to our experiences of being in the world and part of living.Written by two authors, this book takes an intergenerational approach to highlight the connections and disconnections between birth and death; adopting a relational approach allows the book to explore birth and death through the key relationships that constitute them: personal and social, private and public, the affective and social norms, the actual and the virtual and the ordinary and profound.Of interest to academics and students in the fields of feminism, phenomenology and the life course, the book will also be of relevance to policy makers in the areas of birth activism and end of life care. Drawing from personal stories, everyday life and publicly contested examples, the book will also be of interest to a more general readership as it engages with questions we all at some point will grapple with.

Material Methods brings together resources for researchers investigating both the material, as well as the social world through material objects we design, buy, make, exchange and collect. It covers the whole research process, from theoretical underpinnings, selection of methods and their possible uses, as well as representing and analysing data. It introduces students and researchers to the wide range of cross-disciplinary methods which help us to approach and interpret material culture and materials. The book also provides students and researchers with the tools to critically reflect upon pre-existing methods to see their limitations as well as possibilities, and apply them to their own research practice.

Material Methods brings together resources for researchers investigating both the material, as well as the social world through material objects we design, buy, make, exchange and collect. It covers the whole research process, from theoretical underpinnings, selection of methods and their possible uses, as well as representing and analysing data. It introduces students and researchers to the wide range of cross-disciplinary methods which help us to approach and interpret material culture and materials. The book also provides students and researchers with the tools to critically reflect upon pre-existing methods to see their limitations as well as possibilities, and apply them to their own research practice.

This fresh and accessible ethnography offers a new vision of how society might cohere, in the face of on-going global displacement, dislocation, and migration. Drawing from intensive fieldwork in a highly diverse North London neighborhood, Daniel Miller and Sophie Woodward focus on an everyday item--blue jeans--to learn what one simple article of clothing can tell us about our individual and social lives and challenging, by extension, the foundational anthropological presumption of "the normative." Miller and Woodward argue that blue jeans do not always represent social and cultural difference, from gender and wealth, to style and circumstance. Instead they find that jeans allow individuals to inhabit what the authors term "the ordinary." Miller and Woodward demonstrate that the emphasis on becoming ordinary is important for immigrants and the population of North London more generally, and they call into question foundational principles behind anthropology, sociology and philosophy.

Each morning we establish an image and an identity for ourselves through the simple act of getting dressed. Why Women Wear What They Wear presents an intimate ethnography of clothing choice. The book uses real women's lives and clothing decisions - observed and discussed at the moment of getting dressed - to illustrate theories of clothing, the body and identity. Woodward pieces together what women actually think about clothing, dress and the body in a world where popular media and culture presents an increasingly extreme and distorted view of femininity and the ideal body. Immediately accessible to all those who have stood in front of a mirror and wondered 'does this make me look fat?', 'is this skirt really me?' or 'does this jacket match?', Why Women Wear What They Wear provides students of anthropology and fashion with a fresh perspective on the social issues and constraints we are all consciously or unconsciously negotiating when we get dressed.

Each morning we establish an image and an identity for ourselves through the simple act of getting dressed. Why Women Wear What They Wear presents an intimate ethnography of clothing choice. The book uses real women's lives and clothing decisions - observed and discussed at the moment of getting dressed - to illustrate theories of clothing, the body and identity. Woodward pieces together what women actually think about clothing, dress and the body in a world where popular media and culture presents an increasingly extreme and distorted view of femininity and the ideal body. Immediately accessible to all those who have stood in front of a mirror and wondered 'does this make me look fat?', 'is this skirt really me?' or 'does this jacket match?', Why Women Wear What They Wear provides students of anthropology and fashion with a fresh perspective on the social issues and constraints we are all consciously or unconsciously negotiating when we get dressed.