Stanley Wells

The sonnets are among the most accomplished and fascinating poems in the English language. They are central to an understanding of Shakespeare's work as a poet and poetic dramatist, and while their autobiographical relevance is uncertain, no account of Shakespeare's life can afford to ignore them. So many myths and superstitions have arisen around these poems, relating for example to their possible addressees, to their coherence as a sequence, to their dates of composition, to their relation to other poetry of the period and to Shakespeare's plays, that even the most naïve reader will find it difficult to read them with an innocent mind. Shakespeare's Sonnets dispels the myths and focuses on the poems. Considering different possible ways of reading the Sonnets, Wells and Edmondson place them in a variety of literary and dramatic contexts - in relation to other poetry of the period, to Shakespeare's plays, as poems for performance, and in relation to their reception and reputation. Selected sonnets are discussed in depth, but the book avoids the jargon of theoretical criticism. Shakespeare's Sonnets is an exciting contribution to the Oxford Shakespeare Topics, ideal for students and the general reader interested in these intriguing poems.

Stanley Wells is one of the best-known and most versatile of Shakespeare scholars. His new book, written with characteristic verve and accessibility, considers how far sexual meaning in Shakespeare’s writing is a matter of interpretation by actors, directors and critics. Tracing interpretations of Shakespearean bawdy and innuendo from eighteenth-century editors to recent scholars and critics, Wells pays special attention to recent sexually orientated studies of A Midsummer Night's Dream, once regarded as the most innocent of its author's plays. He considers the Sonnets, some of which are addressed to a man, and asks whether they imply same-sex desire in the author, or are quasi-dramatic projections of the writer’s imagination. Finally, he looks at how male-to-male relationships in the plays have been interpreted as sexual in both criticism and performance. Stanley Wells's lively, provocative, and open-minded new book will appeal to a broad readership of students, theatregoers and Shakespeare lovers.

Stanley Wells is one of the best-known and most versatile of Shakespeare scholars. His new book, written with characteristic verve and accessibility, considers how far sexual meaning in Shakespeare’s writing is a matter of interpretation by actors, directors and critics. Tracing interpretations of Shakespearean bawdy and innuendo from eighteenth-century editors to recent scholars and critics, Wells pays special attention to recent sexually orientated studies of A Midsummer Night's Dream, once regarded as the most innocent of its author's plays. He considers the Sonnets, some of which are addressed to a man, and asks whether they imply same-sex desire in the author, or are quasi-dramatic projections of the writer’s imagination. Finally, he looks at how male-to-male relationships in the plays have been interpreted as sexual in both criticism and performance. Stanley Wells's lively, provocative, and open-minded new book will appeal to a broad readership of students, theatregoers and Shakespeare lovers.

An entertaining, authoritative and informative account of Shakespeare's life work and legacy from our leading Shakespearean scholar.The first part of the book is an evocative biographical sketch, scotching many myths - was Shakespeare Catholic? was Anne Hathaway pregnant when they married? how could the son of a provincial glovemaker become the greatest playwright the world has known? - and fleshing out the meagre facts into a rounded portrait of the man. Wells then turns his attention to the plays themselves, their structure, their content and the language which has proved so memorable over so many centuries. Finally, he takes us through the centuries since Shakespeare's death discussing the critical legacy both here and abroad, vivid portraits of the great Shakespeareans, from Garrick to Mrs Siddons, from Kean to Irving, from Olivier to Branagh and riveting accounts of the myriad ways Shakespeare has been performed in the last four hundred years .

One of the world's leading authorities offers a lavishly illustrated, panoramic look at the life of our greatest playwright, drawing on a lifetime's experience of studying, teaching, editing, and writing about William Shakespeare.

The definitive single-volume work on Shakespeare's life and plays by the editor of the Oxford Shakespeare Why do Shakespeare's works continue to exert so strong an influence and have such lasting appeal? What do they have to offer modern readers and play-goers? Stanley Wells answers these questions in this wide-ranging and hugely readable critical survey of Shakespeare's career as a poet and playwright. The result of Wells' lifetime's work on Shakespeare's plays and poems, this original and entertaining study is both an ideal introduction to the writer and an invaluable companion for those renewing their acquaintance with his work either as readers or theatre-goers."A lively, comprehensive, eminently readable study of Shakespeare's plays ...There is an easy but sparky cross-flow between scholarly research and reference to contemporary theatre productions, and countless, fascinating dips into the tub of theatrical history ...This has diamond precision and would enlighten student, actor or general reader" Sunday Times

The volume contains Richard II, Henry IV Part One, henry IV Part Two, and Henry V. Each play possesses its own distinctive mood, tone and style, and together they inhabit the turbulent period of change from the usurpation of the throne of Richard II by Bolingbroke to the triumph of heroic kingship in Henry V.

Re-editing Shakespeare for the Modern Reader

This volume brings together nine essays on King Lear by distinguished scholars, all of which were first published in Shakespeare Survey, the leading journal devoted to Shakespeare studies. A retrospective survey of criticism from 1934 to the present is followed by studies of the play's style and discussion of its background, meaning and theatrical presentation. The volume is illustrated with photographs of post-war productions.

Aspects of Hamlet brings together authoritative articles by distinguished Shakespeare scholars. In making their selection from the entire range of Shakespeare Survey volumes, Kenneth Muir and Stanley Wells have borne the interests of the general reader in mind, as well as the needs of teachers and students. The plates, chosen from the Royal Shakespeare Company's files at the Shakespeare Centre, Stratford-upon-Avon, illustrate post-war productions of the play.