Stephan Wolohojian

An exploration of a crucial turning point in Italian art, the early 1300s in the city of Siena “This is a book to be savored and treasured, much like the objects it celebrates.”—Ann Landi, Wall Street Journal In the early 1300s, the city of Siena gave rise to an extraordinary period of creativity and innovation. Painters, sculptors, and goldsmiths produced remarkable works whose impact was felt far beyond the city’s walls. From vast altarpieces to portable objects for private devotion, the art emanating from Siena left an enduring legacy. This book explores a crucial turning point in Italian art when the prestige of painting reached new heights. Siena became the centre of a rich exchange of ideas, as painters took inspiration from marble and ivory sculptures, intricate metalwork, and precious imported silks to enhance the power of their work. Travelling beyond their native city, Sienese artists made their mark across Italy and into northern Europe. Beautifully illustrated and featuring important new scholarship, chapters explore masterpieces by four of Siena’s most illustrious painters—Duccio, Simone Martini, and Ambrogio and Pietro Lorenzetti—alongside objects in other media and from other countries and cultures, encouraging fresh perspectives and dialogues between these groundbreaking works. Published by National Gallery Global/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (13 October 2024–26 January 2025) The National Gallery, London (8 March–22 June 2025)

The first publication on the personal and professional relationship between Manet and Degas, two giants of nineteenth-century French art Friends, rivals, and at times antagonists, Édouard Manet and Edgar Degas maintained a pictorial dialogue throughout their lives as they both worked to define the painting of modern urban life. Manet/Degas, the first book to consider their careers in parallel, investigates how their objectives overlapped, diverged, and shaped each other’s artistic choices. Enlivened by archival correspondence and records of firsthand accounts, essays by American and French scholars take a fresh look at the artists’ family relationships, literary friendships, and interconnected social and intellectual circles in Paris; explore their complex depictions of race and class; discuss their political views in the context of wars in France and the United States; compare their artistic practices; and examine how Degas built his personal collection of works by Manet after his friend’s premature death. An illustrated biographical chronology charts their intersecting lives and careers. This lavishly illustrated, in-depth study offers an opportunity to reevaluate some of the most canonical French artworks of the nineteenth century, including Manet’s Olympia, Degas’s The Absinthe Drinker, and other masterworks. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: Musée d’Orsay, Paris (March 27–July 23, 2023) The Metropolitan Museum of Art, New York (September 24, 2023–January 7, 2024)