Stephen Jones

In 1987, writer/director Clive Barker unleashed Hellraiser, an instant classic which changed the face of horror cinema forever. The Cenobites soon returned, and their leader, the chilling Pinhead (played by Doug Bradley), rapidly became a worldwide icon. The Hellraiser Chronicles is a beautifully produced, full colour photographic companion to Hellraiser, Hellbound: Hellraiser II and Hellraiser III: Hell on Earth - featuring stunning, specially shot portrait photography unavailable elsewhere, and also script extracts, design sketches, behind-the-scenes stills and interviews. It is the only official Hellraiser book, and is a must for all fans of the series.

Imagine a world where the American government signed a conservation act to ""restore all indigenous flora and fauna to the Great Plains,"" which means suddenly the Great Plains are Indian again. Now fast-forward fourteen years to a bowling alley deep in the Indian Territories. People that bowling alley with characters named LP Deal, Cat Stand, Mary Boy, Courtney Peltdowne, Back Iron, Denim Horse, Naitche, and give them a chance to find a treaty signed under duress by General Sherman, which effectively gives all of the Americas back to the Indians, only hide that treaty in a stolen pipe, put it in a locker, and flush the key down the toilet. Ask LP Deal and the rest what they will trade to get that key back--maybe, everything.

In Others Unknown , Stephen Jones, Timothy McVeigh's lawyer in his trial for the 1995 bombing of the Murrah Office Building in Oklahoma City, provides the fullest possible account of the worst act of terrorism in American history. In a complete revision of his 1998 hardcover, Jones tells for the first time the whole story of his investigation of the case, including what he was told by McVeigh and what he learned about others involved in the conspiracy. His account differs significantly from the tale McVeigh is telling as he faces execution for his crimes. In interviews with Buffalo News journalists, reported in their recently released book American Terrorist (ReganBooks, April 2000), McVeigh claims total responsibility for the bombing, saying "It was my choice and my control to hit that building when it was full." In Others Unknown Jones sets the record straight, saying what he could not say when he first wrote this book, before McVeigh effectively waived attorney-client privilege: that based on what he learned as McVeigh's counsel, Jones knows that the bombing was a conspiracy, and that McVeigh was not its mastermind. "I'm not trying to say he was innocent. He has exaggerated his guilt to protect others. He played a role, but he was a foot soldier, a mule, not the general," says Jones. "I know it did not happen the way he tells it in his book." Jones reports in detail what McVeigh told him as the case progressed explains why McVeigh did not plead guilty and shows McVeigh's real role in the conspiracy and how he obstructed his own defence. This is the definitive historical record of a heinous act of murderous rage an account indispensable to understanding what happened. And, says PublicAffairs CEO and publisher Peter Osnos: "We think it's important that Tim McVeigh not be given the final word."

The Fast Red Road - A Plainsong is a novel which plunders, in a gleeful, two-fisted fashion, the myth and pop-culture surrounding the American Indian. It is a story fueled on pot fumes and blues, borrowing and distorting the rigid conventions of the traditional western. Indians, cowboys, and outlaws are as interchangeable as their outfits; men strike poses from Gunsmoke, and horses are traded for Trans-Ams. Pidgin, the half-blood protagonist, inhabits a world of illusion - of aliens, ghosts, telekinesis, and water-pistol violence - where television offers redemption, and 'the Indian always gets it up the ass.' Having escaped the porn factories of Utah, Pidgin heads for Clovis, NM to bury his father, Cline. But the body is stolen at the funeral, and Pidgin must recover it. With the aid of car thief Charlie Ward, he criscrosses a wasted New Mexico, straying through bars, junkyards, and rodeos, evading the cops, and tearing through barriers 'Dukestyle.' 'Charlie Ward slid his thin leather belt from his jeans and held it out the window, whipping the cutlass faster, faster, his dyed black hair unbraiding in the fifty mile per hour wind, and they never stopped for gas.' Along the way, Pidgin escapes a giant coyote, survives a showdown with Custer, and encounters the remnants of the Goliard Tribe - a group of radicals to which Cline belonged. Pidgin's search allows him to reconcile the death of his father with five hundred years of colonial myth-making, and will eventually place him in a position to rewrite history. Jones tells his tale in lean, poetic prose. He paints a bleak, fever-burnt west - a land of strip-joints, strip-malls, and all you can eat beef-fed-beef stalls, where the inhabitants speak a raw, disposable lingo. His vision is dark yet frighteningly recognizable. In the tradition of Gerald Vizenor's Griever, The Fast Red Road - A Plainsong blazes a trail through the puppets and mirrors of myth, meeting the unexpected at every turn, and proving that the past - the texture of the road - can and must be changed.

This book is part of the Images of Wales series, which uses old photographs and archived images to show the history of various local areas in Wales, through their streets, shops, pubs, and people.