Stephen Lacey

The definitive guide to hundreds of Britain’s most outstanding gardens, in the care of the National Trust The National Trust has the finest collection of gardens in the United Kingdom. In this book, Stephen Lacey paints a vivid picture of the individual gardens, and places each one in its context within British horticultural history. All the major periods and styles of garden design are represented, from the formality of early gardens such as Hanbury Hall and Ham House, magnificent 18th-century landscapes like Stowe and Croome Park and the heady Victorian creations of Biddulph Grange and Waddesdon Manor to the famous plantsmen’s gardens of the last century, such as Nymans, Hidcote Manor and Sissinghurst Castle. The text and pictures have been fully updated, with new entries including Allan Bank, High Close Arboretum and Wentworth Castle. Several gardens have undergone major redevelopment since the previous edition, while others have colourfully expanded the acreage open to visitors. Extensive tree planting, including reinstating a lost eighteenth-century avenue at Dyrham Park and recreating the pear tree arch at Rudyard Kipling’s home, Bateman’s, are just a few of the new and exciting additions to this classic guide to Britain’s most outstanding gardens.

This book explores the ways in which television has engaged directly and indirectly with the new realities of the post-9/11 world. It offers detailed analysis of a number of key programmes and series that engage with, or are haunted by, the aftermath of the events of September 11 in the USA and what is unavoidably through problematically and contentiously referred to as the resulting ‘war on terror’. The substantive part of the book is a series of independent chapters, each written on a different topic and considering different programmes. It includes series and single dramas representing the invasion of Iraq (The Mark of Cain, Occupation and Generation Kill), comedic representations (Gary, Tank Commander), documentary (the BBC Panorama’s coverage of 9/11), ‘what if’ docudramas (Dirty War), 9/11 in popular series (CSI:NY) and representations of Tony Blair in drama and docudrama. The book concludes with an extended reflection on contemporary docudrama and an interview with filmmaker and docudramatist Peter Kosminsky.

Tony Garnett is the first book-length study of one of the most respected and prolific producers working in British television. From ground-breaking dramas from the 1960s such as Up the Junction and Cathy Come Home to the 'must see' series in the 1990s and 2000s such as This Life and The Cops, Garnett has produced some of the most important and influential British television drama. This book charts Garnett's career from his early days as an actor to his position as executive producer and head of World Productions. Drawing on personal interviews, archival research, contextual analysis and selected case studies, Tony Garnett examines the ways in which Garnett has helped to define the role of the producer in British television drama. Arguing that Garnett was both a key creative and political influence on the work he produced and an enabler of the work of others, the book traces his often combative relationships with broadcasting institutions (especially the BBC). Additionally, the study discusses the films he made for the cinema and considers some of the ways in which Garnett's experiments in film technology ? 16 mm in the 1960s, digital video in the 1990s ? have shaped his creative output.Tony Garnett will be of interest to all levels of researchers and students of British television drama, media and film.

Henry Loves Jazz is a humorous account of what happens in a family when a first-born child comes home. Told from a father's perspective, this is a fly-on-the-wall look at sleepless nights, exploding eco-nappies, celebrity chef cookbooks, black jellybeans and giant Mexican tarantulas. ""Henry Loves Jazz"" is the author's journey from a childless existence to the dagdom of parenthood. Along the way, he questions everything he knows about his own upbringing and his relationship with his parents and his long-suffering wife. Throughout the journey, Lacey discovers a flair for cooking and the joys of supermarket shopping. He also discovers a love so deep he can't see the bottom.

Tony Garnett is the first book-length study of one of the most respected and prolific producers working in British television. From ground-breaking dramas from the 1960s such as Up the Junction and Cathy Come Home to the 'must see' series in the 1990s and 2000s such as This Life and The Cops, Garnett has produced some of the most important and influential British television drama. This book charts his career from his early days as an actor to his position as executive producer and head of World Productions, focusing on the ways in which he has helped to define the role of the creative producer, shaping the distinctive politics and aesthetics of the drama he has produced, and enabling and facilitating the contributions of others. Garnett's distinctive contribution to the development of a social realist aesthetic is also examined, through the documentary-inspired early single plays to the subversion of genre within popular drama series.

When the National Trust decided to take on the care of gardens, the aim was that these would be the very best of their kind in England, Wales and Northern Ireland. The Trust now has the finest collection of gardens ever assembled under one ownership - the greatest in number, diversity, historic importance and quality. Taken together they contain the world's most important collection of cultivated plants, distinguished for their beauty, rarity, historical interest and scientific value. First published in 1996, this new edition has been substantially revised to showcase superb new photography, and to introduce recently acquired properties such as Greenway in Devon and the gardens of houses such as Red House in Kent and Tyntesfield in Somerset. Stephen Lacey paints a vivid picture of individual Trust gardens through historical and horticultural perspectives. He gives his personal take, describing the present state of each and placing it firmly within the context of gardening history in Britain. All the major periods are represented: a knot garden from a 1640 design at Moseley Old Hall in Staffordshire; magnificent eighteenth-century landscapes such as 'Capability' Brown's at Petworth in Sussex; Victorian Gardens like Biddulph Grange in Staffordshire, with its wealth of new plants introduced from all over the world; and the famous plantsmen's gardens of the last century, such as Nymans in Sussex, Sissinghurst Castle in Kent, and Hidcote in Gloucestershire.

A collection of essays which debates the past, present and future of British television drama. Writers, producers and television executives reflect on the changing face of TV drama, and academics present case studies on critical approaches, general topics and specific programmes.

The British `New Wave' of dramatists, actors and directors in the late 1950s and 1960s created a defining moment in post-war theatre. British Realist Theatre is an accessible introduction to the New Wave, providing the historical and cultural background which is essential for a true understanding of this influential and dynamic era. Drawing upon contemporary sources as well as the plays themselves, Stephen Lacey considers the plays' influences, their impact and their critical receptions. The playwrights discussed include: * Edward Bond * John Osborne * Shelagh Delaney * Harold Pinter

The British `New Wave' of dramatists, actors and directors in the late 1950s and 1960s created a defining moment in post-war theatre. British Realist Theatre is an accessible introduction to the New Wave, providing the historical and cultural background which is essential for a true understanding of this influential and dynamic era. Drawing upon contemporary sources as well as the plays themselves, Stephen Lacey considers the plays' influences, their impact and their critical receptions. The playwrights discussed include: * Edward Bond * John Osborne * Shelagh Delaney * Harold Pinter