Stephen N. Fliegel

The Cleveland table fountain, dated c. 1320?40, is the only version of its kind to have survived in its complete form from the Middle Ages. A superb example of French Gothic goldsmithing, it is an exquisite structure and a unique example of courtly taste and princely fashion. In its full working glory, it was designed not for any religious purpose, but purely as an indulgence; the delicate bells would have created a gentle tinkling sound as the perfumed water trickled down into the basin beneath. Acquired by the Cleveland Museum of Art in 1924, the uncertain history of the fountain has added to its charm, and many questions remain worthy of re-examination. Stephen N. Fliegel assesses the fountain in the context of similar luxury objects, discussing its history, use, materials and style. Elina Gertsman elucidates the significance of fountains in the medieval imagination. Once one of many, the Cleveland table fountain is the last of its kind; a fantastic piece of craftsmanship designed to appeal to all the senses. AUTHOR: Stephen N. Fliegel is curator of medieval art at the Cleveland Museum of Art. Elina Gertsman is associate professor, Department of Art History and Art, Case Western Reserve University. SELLING POINTS: . Focuses on one of the most remarkable examples of gothic art to have survived, a unique functioning table decoration. . Will appeal to academics, students, and museum professionals interested in medieval decorative arts, especially goldsmith works and enamels, and automata

Understanding Christian art of the Middle Ages During the Middle Ages, religious art had a variety of functions and was prevalent in churches, public spaces, and private homes. Sculptures and paintings were used as altarpieces, movable images, choir screens, piers or niches, and reliquaries. They were placed behind, above, or near altars as well as on pulpits, lecterns, building exteriors, holy water fonts, tombs, and roadside shrines. They were also used for private devotion in the home. In addition to the obvious didactic function of religious images in medieval art, they filled other needs of both the beholder and the church: veneration. Candles were lit and censed before the sacred images; offerings were made in the name of the figures who were honored and cherished in a very direct way. Sacred images, served to remind Christians of the pious and virtuous lives of the saints and of their sacrifices and were an aid to meditation,. They embellished sacred spaces, giving them an otherworldly luster. Sacred art was an important ingredient in the formative power and energy of medieval piety.Some of the most profound and enduring works of art in Western civilization were produced for private devotion and public worship. Indeed, many of the most significant artists of the Middle Ages and Renaissance earned their livelihoods producing religious art in the service of the church. To access and understand this art today, we must be aware of its context, its intended audience, and its functions in the public or private space. In A Higher Contemplation, author Stephen N. Fliegel introduces medieval Christian iconography and its forms, meaning, function, context, and symbolism to twenty-first-century audiences. Serving as a guide to the subtleties, complexities, richness, range, and antiquity of medieval Christian artistic traditions and the multiple levels in which they can be understood, this book will aid the reader in a journey of discovery and understanding of those sacred images. Beautifully designed will full-color illustrations, A Higher Contemplation will appeal to students, teachers, travelers, art lovers, and those with an aspiring interest in the culture of the Middle Ages and the history of religion."Works of this quality and breadth are a diminishing resource. Stephen Fliegel effortlessly conveys the complexity of medieval visual culture with a fluency that reflects his consummate command of the subject. He combines an understanding of the medieval past with a flair for modern communication that will establish this publication as a standard text for students, scholars and the general public alike." – James Robinson, Senior Curator of Late Medieval Collections, The British Museum"In A Higher Contemplation, Stephen Fliegel reads the contemplative soul of the Middle Ages as if anticipating the contemporary turn in present day America to contemplative living. This rich, beautiful book reveals the hidden meanings of medieval sacred art to a postmodern age hungry for a sense of the sacred and a path to contemplative living." – Rev. Donald Cozzens, Writer in Residence, John Carroll University and author of The Changing Face of the Priesthood

A beautifully illustrated collection of some of the finest examples of liturgical artNo work of art can be fully appreciated if divorced from the culture that produced it. This examination of liturgical objects found in the medieval church treasury assesses their artistic technique and method, placing the objects in the context of medieval liturgical practice and piety. Author Stephen N. Fliegel explores the origins of religious treasuries in late antiquity and their ultimate disappearance as a result of the Reformation, French Revolution, and political upheavals of the early modern period.Resplendent Faith is a richly illustrated compendium of the typical objects found within medieval church treasuries and includes a discussion of their form and function and their significance in the medieval religious service.Fliegel places this survey of the medieval liturgical treasury within its broad historical framework and considers the art representative of the most significant sacral objects produced during the Middle Ages. Supported by exquisite illustrations as well as a glossary and bibliography, Resplendent Faith will appeal to art historians, those interested in the history of religion and liturgical practices, and nonspecialists who appreciate medieval art or religious icons and reliquaries.