Steven L. Davis

From Bill Minutaglio and Steven L. Davis, authors of the PEN Center USA award-winning Dallas 1963, comes a madcap narrative about Timothy Leary's daring prison escape and run from the law. On the moonlit evening of September 12, 1970, an ex-Harvard professor with a genius I.Q. studies a twelve-foot high fence topped with barbed wire. A few months earlier, Dr. Timothy Leary, the High Priest of LSD, had been running a gleeful campaign for California governor against Ronald Reagan. Now, Leary is six months into a ten-year prison sentence for the crime of possessing two marijuana cigarettes. Aided by the radical Weather Underground, Leary's escape from prison is the counterculture's union of "dope and dynamite," aimed at sparking a revolution and overthrowing the government. Inside the Oval Office, President Richard Nixon drinks his way through sleepless nights as he expands the war in Vietnam and plots to unleash the United States government against his ever-expanding list of domestic enemies. Antiwar demonstrators are massing by the tens of thousands; homemade bombs are exploding everywhere; Black Panther leaders are threatening to burn down the White House; and all the while Nixon obsesses over tracking down Timothy Leary, whom he has branded "the most dangerous man in America." Based on freshly uncovered primary sources and new firsthand interviews, The Most Dangerous Man in America is an American thriller that takes readers along for the gonzo ride of a lifetime. Spanning twenty-eight months, President Nixon's careening, global manhunt for Dr. Timothy Leary winds its way among homegrown radicals, European aristocrats, a Black Panther outpost in Algeria, an international arms dealer, hash-smuggling hippies from the Brotherhood of Eternal Love, and secret agents on four continents, culminating in one of the trippiest journeys through the American counterculture.

In the months and weeks before the fateful November 22nd, 1963, Dallas was brewing with political passions, a city crammed with larger-than-life characters dead-set against the Kennedy presidency. These included rabid warriors like defrocked military general Edwin A. Walker; the world's richest oil baron, H. L. Hunt; the leader of the largest Baptist congregation in the world, W.A. Criswell; and the media mogul Ted Dealey, who raucously confronted JFK and whose family name adorns the plaza where the president was murdered. On the same stage was a compelling cast of marauding gangsters, swashbuckling politicos, unsung civil rights heroes, and a stylish millionaire anxious to save his doomed city. Bill Minutaglio and Steven L. Davis ingeniously explore the swirling forces that led many people to warn President Kennedy to avoid Dallas on his fateful trip to Texas. Breathtakingly paced, Dallas 1963 presents a clear, cinematic, and revelatory look at the shocking tragedy that transformed America. Countless authors have attempted to explain the assassination, but no one has ever bothered to explain Dallas-until now. With spellbinding storytelling, Minutaglio and Davis lead us through intimate glimpses of the Kennedy family and the machinations of the Kennedy White House, to the obsessed men in Dallas who concocted the climate of hatred that led many to blame the city for the president's death. Here at long last is an accurate understanding of what happened in the weeks and months leading to John F. Kennedy's assassination. Dallas 1963 is not only a fresh look at a momentous national tragedy but a sobering reminder of how radical, polarizing ideologies can poison a city-and a nation. Winner of the PEN Center USA Literary Award for Research Nonfiction Named one of the Top 3 JFK Books by Parade Magazine. Named 1 of The 5 Essential Kennedy assassination books ever written by The Daily Beast. Named one of the Top Nonfiction Books of 2013 by Kirkus Reviews.

The fascinating true story of how Taos Pueblo’s Indigenous people recruited members of the famous Taos art colony to help spark a movement for Native justice that reshaped the nation. When the first white artists arrived in Taos by horse-drawn wagons, centuries of military conquest and brutal government policies had pushed Indigenous people to the brink of collapse. New Mexico’s pueblos had become some of America’s last holdouts of traditional culture, resolutely preserving their sacred lands in the face of mounting pressure. Many of the free-spirited newcomers in Taos came to admire the pueblos’ peaceful, communal societies and holy regard for the natural world. To these outsiders, pueblo civilization offered a marked contrast to America’s record of endless war, hyperindividualism, and environmental destruction. Among those attracted to Taos was the “Queen of Bohemia,” a wealthy New York heiress who dabbled in peyote and personified radical chic. Mabel Dodge Luhan fell in love with Taos Pueblo leader Tony Lujan and hoped to inspire an American spiritual renaissance based on pueblo values. She brought world-famous luminaries to Taos, including D. H. Lawrence, Georgia O’Keeffe, and Carl Jung, along with the fiery social reformer John Collier. As the art colony gained international fame, the US government targeted the pueblos for extinction, moving to seize their lands and destroy their cultures. This same grim scenario had played out countless times before in US history. It seemed that nothing could stop the brutal crush of conquest. But the puebloans, who had once unleashed a fierce revolt against Spain in 1680, found a new way to fight back in the modern era. As master diplomats, they began recruiting the prominent creatives converging on Taos, shrewdly enlisting them as political allies. And these artists and writers, at a crucial moment in history, rose to join the pueblos and challenged their own culture’s prevailing genocidal policies. Beating Heart of the World is the fascinating, fast-paced chronicle of a long-shot resistance movement that grew into a powerful national campaign for Indigenous justice. While a work of history, Beating Heart of the World speaks urgently to our own era as new resistance movements percolate—and as new generations increasingly look to ancient Indigenous wisdom to help guide sustainable pathways forward.

'It's a rollicking tale that brings to life the antic atmosphere of America in the 'Me' Decade' Wall Street Journal'A madcap chase... this is a well-written chronicle of 28 months when the world went slightly mad' Sunday Times'A suitably head-spinning account of LSD High Priest Dr Timothy Leary' Mail on SundayOn the moonlit evening of September 12, 1970, an ex-Harvard professor with a genius IQ studies a twelve-foot high fence topped with barbed wire. A few months earlier, Dr. Timothy Leary, the High Priest of LSD, had been running a gleeful campaign for California governor against Ronald Reagan. Now, Leary is six months into a ten-year prison sentence for the crime of possessing two marijuana cigarettes.Aided by the radical Weather Underground, Leary's escape from prison is the counterculture's union of "dope and dynamite," aimed at sparking a revolution and overthrowing the government. Inside the Oval Office, President Richard Nixon drinks his way through sleepless nights as he expands the war in Vietnam and plots to unleash the United States government against his ever-expanding list of domestic enemies. Antiwar demonstrators are massing by the tens of thousands; homemade bombs are exploding everywhere; Black Panther leaders are threatening to burn down the White House; and all the while Nixon obsesses over tracking down Timothy Leary, whom he has branded "the most dangerous man in America."Based on freshly uncovered primary sources and new firsthand interviews, THE MOST DANGEROUS MAN IN AMERICA is an American thriller that takes readers along for the gonzo ride of a lifetime. Spanning twenty-eight months, President Nixon's careening, global manhunt for Dr. Timothy Leary winds its way among homegrown radicals, European aristocrats, a Black Panther outpost in Algeria, an international arms dealer, hash-smuggling hippies from the Brotherhood of Eternal Love, and secret agents on four continents, culminating in one of the trippiest journeys through the American counterculture.

The first Texas-based writer to gain national attention, J. Frank Dobie proved that authentic writing springs easily from the native soil of Texas and the Southwest. In best-selling books such as Tales of Old-Time Texas, Coronado's Children, and The Longhorns, Dobie captured the Southwest's folk history, which was quickly disappearing as the United States became ever more urbanized and industrial. Renowned as "Mr. Texas," Dobie paradoxically has almost disappeared from view-a casualty of changing tastes in literature and shifts in social and political attitudes since the 1960s.In this lively biography, Steven L. Davis takes a fresh look at a J. Frank Dobie whose "liberated mind" set him on an intellectual journey that culminated in Dobie becoming a political liberal who fought for labor, free speech, and civil rights well before these causes became acceptable to most Anglo Texans. Tracing the full arc of Dobie's life (1888–1964), Davis shows how Dobie's insistence on "free-range thinking" led him to such radical actions as calling for the complete integration of the University of Texas during the 1940s, as well as taking on governors, senators, and the FBI (which secretly investigated him) as Texas's leading dissenter during the McCarthy era.

'It's a rollicking tale that brings to life the antic atmosphere of America in the 'Me' Decade' Wall Street Journal'A madcap chase... this is a well-written chronicle of 28 months when the world went slightly mad' Sunday Times'A suitably head-spinning account of LSD High Priest Dr Timothy Leary' Mail on SundayOn the moonlit evening of September 12, 1970, an ex-Harvard professor with a genius IQ studies a twelve-foot high fence topped with barbed wire. A few months earlier, Dr. Timothy Leary, the High Priest of LSD, had been running a gleeful campaign for California governor against Ronald Reagan. Now, Leary is six months into a ten-year prison sentence for the crime of possessing two marijuana cigarettes.Aided by the radical Weather Underground, Leary's escape from prison is the counterculture's union of "dope and dynamite," aimed at sparking a revolution and overthrowing the government. Inside the Oval Office, President Richard Nixon drinks his way through sleepless nights as he expands the war in Vietnam and plots to unleash the United States government against his ever-expanding list of domestic enemies. Antiwar demonstrators are massing by the tens of thousands; homemade bombs are exploding everywhere; Black Panther leaders are threatening to burn down the White House; and all the while Nixon obsesses over tracking down Timothy Leary, whom he has branded "the most dangerous man in America."Based on freshly uncovered primary sources and new firsthand interviews, THE MOST DANGEROUS MAN IN AMERICA is an American thriller that takes readers along for the gonzo ride of a lifetime. Spanning twenty-eight months, President Nixon's careening, global manhunt for Dr. Timothy Leary winds its way among homegrown radicals, European aristocrats, a Black Panther outpost in Algeria, an international arms dealer, hash-smuggling hippies from the Brotherhood of Eternal Love, and secret agents on four continents, culminating in one of the trippiest journeys through the American counterculture.

At the height of the sixties, a group of Texas writers stood apart from Texas’s conservative establishment. Calling themselves the Mad Dogs, these six writers—Bud Shrake, Larry L. King, Billy Lee Brammer, Gary Cartwright, Dan Jenkins, and Peter Gent—closely observed the effects of the Vietnam War; the Kennedy assassination; the rapid population shift from rural to urban environments; Lyndon Johnson’s rise to national prominence; the Civil Rights Movement; Tom Landry and the Dallas Cowboys; Willie Nelson, Jerry Jeff Walker and the new Outlaw music scene; the birth of a Texas film industry; Texas Monthly magazine; the flowering of “Texas Chic”; and Ann Richards’s election as governor.In Texas Literary Outlaws, Steven L. Davis makes extensive use of untapped literary archives to weave a fascinating portrait of writers who came of age during a period of rapid social change. Despite their popular image, the Mad Dogs were deadly serious as they turned their gaze on their home state, and they chronicled Texas culture with daring, wit, and sophistication.

In November 1963 President John F. Kennedy was assassinated in Dallas, Texas. His death remains a defining moment for millions of people but few understand the unstoppable forces that were building in the city long before this dramatic event played out before the world. Dallas 1963 is a riveting account of the convergence of a group of unyielding and highly focused protagonists in a city sometimes seemingly filled with hate for JFK. Wicked stabs of fate and circumstance steered these fascinating characters together: the richest man in the world, a combative military general, a Mafia don, a strident Congressman, thundering preachers and even the elegant owner of one of America's most famous stores. This book expertly narrates how the spiralling events surrounding these characters on the ground in Dallas ultimately brewed a toxic environment before the President's assassination. Using a wealth of new information, as well as the first ever examination of key primary documents, Bill Minutaglio and Steven L. Davis, both experts in their field, provide a comprehensive and detailed portrait of the place, the time and the people of these extraordinary events in American history. They also provide cautionary and controversial lessons rendering this time increasingly relevant for the modern age.

At the height of the sixties, a group of Texas writers stood apart from Texas' conservative establishment. Calling themselves the Mad Dogs, these six writers - Bud Shrake, Larry L. King, Billy Lee Brammer, Gary Cartwright, Dan Jenkins, and Peter Gent - closely observed the effects of the Vietnam War; the Kennedy assassination; the rapid population shift from rural to urban environments; Lyndon Johnson's rise to national prominence; the Civil Rights Movement; Tom Landry and the Dallas Cowboys; Willie Nelson, Jerry Jeff Walker, the new Outlaw music scene; the birth of a Texas film industry; Texas Monthly magazine; the flowering of ""Texas Chic""; and Ann Richards' election as governor. In Texas Literary Outlaws, Steven L. Davis makes extensive use of untapped literary archives to weave a fascinating portrait of writers who came of age during a period of rapid social change. With Davis's eye for vibrant detail and a broad historical perspective, Texas Literary Outlaws moves easily between H. L. Hunt's Dallas mansion and the West Texas oil patch, from the New York literary salon of Elaine's to the Armadillo World Headquarters in Austin, from Dennis Hopper on a film set in Mexico to Jerry Jeff Walker crashing a party at Princeton University, The Mad Dogs were less interested in Texas' mythic past than in the world they knew firstand - a place of fast-growing cities and hard-edged political battles. The Mad Dogs crashed headfirst into the sixties, and their legendary excesses have often overshadowed their literary production. Davis never shies away from criticism in this no-holds-barred account, yet he also shows how the Mad Dogs' rambunctious personae have deflected a true understanding of their deeper aims. Despite their popular image, the Mad Dogs were deadly serious as they turned their gaze on their home state, and they chronicled Texas culture with daring, wit, and sophistication.