Steven Matthews

This Element discusses the association between Samuel Beckett, and the Romanian-born philosopher, E. M. Cioran. It draws upon the known biographical detail, but, more substantially, upon the terms of Beckett's engagement with Cioran's writings, from the 1950s to the 1970s. Certain of Cioran's key conceptualisations, such as that of the 'meteque', and his version of philosophical scepticism, resonate with aspects of Beckett's writing as it evolved beyond the 'siege in the room'. More particularly, aspects of Cioran's conclusion about the formal nature that philosophy must assume chime with some of the formal decisions taken by Beckett in the mid-late prose. Through close reading of some of Beckett's key works such as Texts for Nothing and How It Is, and through consideration of Beckett's choices when translating between English and French, the issues of identity and understanding shared by these two settlers in Paris are mutually illuminated.

This Element discusses the association between Samuel Beckett, and the Romanian-born philosopher, E. M. Cioran. It draws upon the known biographical detail, but, more substantially, upon the terms of Beckett's engagement with Cioran's writings, from the 1950s to the 1970s. Certain of Cioran's key conceptualisations, such as that of the 'meteque', and his version of philosophical scepticism, resonate with aspects of Beckett's writing as it evolved beyond the 'siege in the room'. More particularly, aspects of Cioran's conclusion about the formal nature that philosophy must assume chime with some of the formal decisions taken by Beckett in the mid-late prose. Through close reading of some of Beckett's key works such as Texts for Nothing and How It Is, and through consideration of Beckett's choices when translating between English and French, the issues of identity and understanding shared by these two settlers in Paris are mutually illuminated.

'Some Other Where' is about steps and missteps, disconnection, and connection, both in relationships and between ourselves and the world. Matthewsâ??s poems embody those sudden jolts when we see our lives differently.

This study re-evaluates the religious beliefs of Francis Bacon and the role which his theology played in the development of his program for the reform of learning and the natural sciences, the Great Instauration. Bacon's Instauration writings are saturated with theological statements and Biblical references which inform and explain his program, yet this aspect of his writings has received little attention. Previous considerations of Bacon's religion have been drawn from a fairly short list of his published writings. Consequently, Bacon has been portrayed as everything from an atheist to a Puritan; scholarly consensus is lacking. This book argues that by considering the historical context of Bacon's society, and his conversion from Puritanism to anti-Calvinism as a young man, his own theology can be brought into clearer focus, and his philosophy more properly understood. After leaving his mother's household, Bacon underwent a transformation of belief which led him away from his mother's Calvinism and toward the writings of the ancient Church Fathers, particularly Irenaeus of Lyon. Bacon's theology increasingly came to reflect the theological interests of his friend and editor Lancelot Andrewes. The patristic turn of Bacon's belief in the last two decades of the reign of Elizabeth significantly affected the development of his philosophical program which was produced in the first two decades of the Stuart era. This study then examines the theology present in the Instauration writings themselves and concludes with a consideration of the effect which Bacon's theology had on the subsequent direction of empirical science and natural theology in the English context. In so doing it not only offers a new perspective on Bacon, but will serve as a contribution toward a better understanding of the religious context of, and motivations behind, empirical science in early modern England.

For better or for worse, no one alive can rival the real-life adventures of John McAfee.John McAfee was many things to many people. Depending on who you asked, he would be portrayed as either a hero or supervillain.Here are just a handful of strange-but-true McAfee facts included in this book: Was kicked out of college for having sex in public.As a college dropout, McAfee's first job was with NASA.Used psychedelics on a daily basis while working at prestigious companies for over a decade.Wrote the first anti-virus software in one day.Encouraged "sex, drugs, and all-around hijinks" at his namesake software company.Invented "Relaxation Yoga", which involves watching other people stretch.Bought an island where he built 5 houses for his prostitutes.Faked a heart attack to escape police custody.There is no question that McAfee lived a full life with no regrets. The world-renowned computer scientist, activist, business leader, and cryptocurrency evangelist made himself a career that spans nearly the entire history of computing, all the while keeping his finger on the pulse of emerging technology.McAfee was a master of writing his own press release and was unrivaled when it came to appearing in the media. Throughout his entire adult life, not a month would go by that McAfee didn't appear in the headlines. This caused a myriad of stories and myths to engulf McAfee and those he surrounded himself with - even more than he intended.His foray into the business world earn him friends in high places, but the misadventures in his personal life created numerous, powerful enemies, causing him to spend his last few years on the run and always looking over his shoulder.In this biography, we will separate fact from fiction to discover who the true John McAfee really was while telling his story with no bias.This is the real John McAfee.

This study re-evaluates the religious beliefs of Francis Bacon and the role which his theology played in the development of his program for the reform of learning and the natural sciences, the Great Instauration. Bacon's Instauration writings are saturated with theological statements and Biblical references which inform and explain his program, yet this aspect of his writings has received little attention. Previous considerations of Bacon's religion have been drawn from a fairly short list of his published writings. Consequently, Bacon has been portrayed as everything from an atheist to a Puritan; scholarly consensus is lacking. This book argues that by considering the historical context of Bacon's society, and his conversion from Puritanism to anti-Calvinism as a young man, his own theology can be brought into clearer focus, and his philosophy more properly understood. After leaving his mother's household, Bacon underwent a transformation of belief which led him away from his mother's Calvinism and toward the writings of the ancient Church Fathers, particularly Irenaeus of Lyon. Bacon's theology increasingly came to reflect the theological interests of his friend and editor Lancelot Andrewes. The patristic turn of Bacon's belief in the last two decades of the reign of Elizabeth significantly affected the development of his philosophical program which was produced in the first two decades of the Stuart era. This study then examines the theology present in the Instauration writings themselves and concludes with a consideration of the effect which Bacon's theology had on the subsequent direction of empirical science and natural theology in the English context. In so doing it not only offers a new perspective on Bacon, but will serve as a contribution toward a better understanding of the religious context of, and motivations behind, empirical science in early modern England.

On Magnetism contains poems about loss and remembrance, about the relation of the Renaissance and the Classical worlds to our own, about locales within lives. They are about sounding the world, and about measuring our responses to it through its various musics. The poems in the book resonate out from the title sonnet sequence, a capricious tribute to Elizabethan ‘magnetism man’ William Gilbert. Their themes and language echo compellingly back and forth across its different occasions and inspirations.‘These are poems that are deeply informed by the music of the classical lyrical tradition, but which speak to readers everywhere in clear and compelling ways. Moving, delicate on the surface but packing punch after punch, some of these poems will move you to tears.’ – Naomi Wolf‘On Magnetism is a sustained meditation on magnetism in all its senses. This is a life-enhancing book, a compellingly eloquent compilation of elegies, and of love-poems addressed to people and to the world.’ – Bernard O’Donoghue‘This collection, as Steven Matthews puts it, is a long walk in his “dad’s boots” around familiar landmarks: family, flowers, artistic and scientific artefacts. The poems are illuminated by the changing light of the seasons, by the poet’s tender, steady, considering gaze, and by an intellectual patience that allows us to see things as they were, as they are, and, slowly, anew.’ – Kate Clanchy

T.S. Eliot and Early Modern Literature, for the first time, considers the full imaginative and moral engagement of one of the most influential poets of the twentieth century, T.S. Eliot, with the Early Modern period of literature in English (1580-1630). This engagement haunted Eliot's poetry and critical writing across his career, and would have a profound impact on subsequent poetry across the world, as well as upon academic literary criticism, and wider cultural perceptions. To this end, the book elucidates and contextualizes several facets of Eliot's thinking and its impact: through establishment of his original and eclectic understanding of the Early Modern period in relation to the literary and critical source materials available to him; through consideration of uncollected and archival materials, which suggest a need to reassess established readings of the poet's career; and through attention to Eliot's resonant formulations about the period in consequent literary, critical and artistic arenas. To the end of his life, Eliot had to fend off the presumption that he had, in some way, 'invented' the Early Modern period for the modern age. Yet the presumption holds some force - it is famously and influentially an implication running through Eliot's essays on that earlier period, and through his many references to its writings in his poetry, that the Early Modern period formed the most exact historical analogy for the apocalyptic events (and consequent social, cultural and literary turmoil) of the first half of the twentieth-century. T.S. Eliot and Early Modern Literature gives a comprehensive sense of the vital engagement of this self-consciously modern poet with the earlier period he always declared to be his favourite.

The early twentieth century saw modernist writers challenge literary conventions to express their perspectives on a dynamic but unsettling world. This book provides a lucid overview of the period, mapping the literary alongside historical, social and literary issues, and offering informed readings of works by Woolf, Eliot, Lawrence, Pound and Joyce amongst others.

Les Murray is amongst the most gifted poets writing today, his multi-faceted talents have received high praise both in his native Australia and beyond. But he has also proved a controversial figure, whose poetry strays across the boundaries of political and cultural debate. The only full critical study of Murray's work available, Steven Matthews provides a complete picture of his career to date, from its early parables of national emergence to the working man's epic encounter with the major events of the twentieth century, Fredy Neptune. Provides detailed readings of key poems, as well as literary and cultural contexts for the rapid shifts in style and subject matter Murray has made from collection to collection. Gives an overview of Murray's place within Australian literature and national thought.