Steven Suskin

In an age of ubiquitous music and countless new songs releasing every minute, the Great American Songbook endures. After all, the Songbook—that sprawling canon of popular songs, standards, and show tunes from roughly the 1920s through the 1950s—is a foundational text of American pop music. Rare indeed is the song that doesn’t in some way draw on this magnificent corpus, and rare is the person who hasn’t heard at least a few of its most enduring melodies.Nonetheless, the Songbook is broader and deeper than most listeners can imagine, and on the margins, the question of whether this or that song should be included is the source of regular arguments among scholars and buffs alike. Attempting to plumb its depths can be a daunting prospect.Enter Steven Suskin, who has been writing about music since the days that Rodgers, Arlen, and Berlin still roamed the streets of Manhattan. In this carefully curated and cheerfully opinionated guidebook, Suskin surveys 201 of the most significant selections from the Songbook, ranging from celebrated masterpieces to forgotten gems. Year by year, he puts songwriters and their contributions in their context, and explains what makes each song such a distinctive treat—whether felicitous melody, colorful harmony, compositional originality, or merely the sheer, irreducible joy of listening to it. Old and new favorites await all readers of this painstakingly compiled, enthusiastically written catalog.

Broadway, once upon a time. A place where people buy tickets at the box office, with cash; where patrons dress for theatre, with no sneakers, no water bottles, and no backpacks; and the only text messages are the ones put there by the playwright. A place where iconic legends of stage and screen can be found in plain view, smiling politely or egotistically preening. Where three dollars will get you a balcony seat at the biggest hit—or the lowliest flop—in town. And a place where an innocent teenager from the suburbs can buy a ticket, slip through the stage door, and wander o'er the threshold into the magical world backstage.Steven Suskin introduces Broadway, once upon a time, in Offstage Observations: Tales of the Not-So-Legitimate Theatre. The drama critic and noted chronicler of Broadway takes the reader through a decade's worth of adventures, working his way from a menial pencil sharpener for producer David Merrick toward a career as a full-fledged manager, producer, and drama critic. The book follows the author's progress from the wintry night after his sixteenth birthday, when he unexpectedly finds himself alone on the empty stage of a Broadway theatre, peering out at the silent, empty auditorium lit only by a solitary ghost light to the matinee eight summers later when he finds himself accidentally and uncomfortably acting in a Broadway musical, bombarded by roars of laughter from a houseful of playgoers. A keen observer of the impertinent with an ear for amusing anecdotes, whimsical curiosities, and exaggerated tales of life upon the wicked stage, Suskin draws a portrait of a not-so-long-ago theatre world that has all but vanished.

Show Tunes fully chronicles the shows, songs, and careers of the major composers of the American musical theatre, from Jerome Kern's earliest interpolations to the latest hits on Broadway. Legendary composers like Gershwin, Rodgers, Porter, Berlin, Bernstein, and Sondheim have been joined by more recent songwriters like Stephen Schwartz, Stephen Flaherty, Michael John LaChiusa, and Adam Guettel. This majestic reference book covers their work, their innovations, their successes, and their failures. Show Tunes is simply the most comprehensive volume of its kind ever produced, and this newly revised and updated edition discusses almost 1,000 shows and 9,000 show tunes. The book has been called "a concise skeleton key to the Broadway musical" (Variety) and "a ground-breaking reference work with a difference" (Show Music)-or, as the Washington Post observed, "It makes you sing and dance all over your memory." The eagerly anticipated Fourth Edition, updated through May, 2009, features the entire theatrical output of forty of Broadway's leading composers, in addition to a wide selection of work by other songwriters. The listings include essential production data and statistics, the most extensive information available on published and recorded songs, and lively commentary on the shows, songs, and diverse careers. Based on meticulous research, the book also uncovers dozens of lost musicals-including shows that either closed out of town or were never headed for Broadway-and catalogs hundreds of previously unknown songs, including a number of musical gems that have been misplaced, cut, or forgotten. Informative, insightful, and provocative, Show Tunes is an essential guide for anyone interested in the American musical.

If Broadway's triumphant musical hits are exhilarating, the backstage tales of Broadway failures are tantalizing soap operas in miniature. Second Act Trouble puts you with the creators in the rehearsal halls, at out-of-town tryouts, in late-night, hotel-room production meetings, and at after-the-fact recriminatory gripe fests. Suskin has compiled and annotated long-forgotten, first-person accounts of 25 Broadway musicals that stubbornly went awry. Contributions come from such respected writers as Patricia Bosworth, Mel Gussow, Lehman Engel, William Gibson, Lewis H. Lapham, and John Gruen. No mere vanity productions, these; you can't have a big blockbuster of failure, it seems, without the participation of Broadway's biggest talents. Caught in the stranglehold of tryout turmoil are Richard Rodgers, Jule Styne, Jerry Herman, Cy Coleman, Charles Strouse, John Kander, Mel Brooks, and even Edward Albee., The infamous shows featured include Mack & Mabel; Breakfast at Tiffany's; The Act; Dude; Golden Boy; Hellzapoppin'; Nick and Nora; Seesaw; Kelly; and How Now, Dow Jones.

Steven Suskin has compiled and annotated long-forgotten, first-person accounts of 25 Broadway musicals from the 1930s to the 1990s that stubbornly went awry. The infamous shows featured include Mack and Mabel, Breakfast at Tiffany's, The Act, and How Now, Dow Jones. And this being Broadway, there are stars: Liza Minnelli, Bernadette Peters, Richard Chamberlain, Jerry Lewis, Mary Tyler Moore, and many more.

Called the "theater equivalent of longtime New Yorker film critic Pauline Kael" by Matinee Magazine, critic and producer Steven Suskin chronicles the 2001-2002 theater season in his latest installment in the Broadway Yearbook series. Commenting with wit and erudition on each show that opened on Broadway between May 2001 and May 2002, Suskin's vivid descriptions recall Tony winners like Thoroughly Modern Millie and Urinetown and commercial smashes like Mamma Mia! and The Graduate. A great read for theater buffs, the book is also a valuable sourcebook for critics, Broadway historians, and theater professionals, providing an array of statistics on every Broadway production of the season, as well as noteworthy off-Broadway performances. The intelligent and witty Broadway Yearbook, 2001-2002 will engage theater lovers, performers, and critics alike.