Susan M. Shaw

For most of Christian history, theology has been written primarily by men. Beginning in the early 1960s, feminists identified ways traditional theologies omitted, ignored, and vilified women’s experiences, issues, and perspectives. In the past 60 years, feminists have developed a vibrant theological tradition that is essential for a full understanding of Christian theologies. Feminist theologies engage some of the most important and controversial issues of our time, from the roles of women in society to sexuality, abortion, gender identity, and the environment. Feminist Theologies: The Basics aims to: Provide historical context for the development of feminist theology Examine feminist theological methods Share new and emerging feminist voices Focus on the feminist concept of intersectionality Using the idea of justice to understand feminist theologies. With a glossary of key terms and suggestions for further reading throughout, this book is an ideal starting point for anyone seeking a full introduction to feminist theologies, as well as broader themes in theology, gender, and sexuality.

For most of Christian history, theology has been written primarily by men. Beginning in the early 1960s, feminists identified ways traditional theologies omitted, ignored, and vilified women’s experiences, issues, and perspectives. In the past 60 years, feminists have developed a vibrant theological tradition that is essential for a full understanding of Christian theologies. Feminist theologies engage some of the most important and controversial issues of our time, from the roles of women in society to sexuality, abortion, gender identity, and the environment. Feminist Theologies: The Basics aims to: Provide historical context for the development of feminist theology Examine feminist theological methods Share new and emerging feminist voices Focus on the feminist concept of intersectionality Using the idea of justice to understand feminist theologies. With a glossary of key terms and suggestions for further reading throughout, this book is an ideal starting point for anyone seeking a full introduction to feminist theologies, as well as broader themes in theology, gender, and sexuality.

Gendered Voices, Feminist Visions: Classic and Contemporary Readings, Eighth Edition, is a balanced collection of classic, conceptual, and experiential selections. Accessible and student-friendly, the readings reflect the great diversity of women's experiences. Framework essays provide context and connections for students, while features like learning activities, ideas for activism, and questions for discussion provide a strong pedagogical structure for the readings.

Intersectional Theology: An Introductory Guide offers a pathway for reflective Christians, pastors, and theologians to apply the concepts and questions of intersectionality to theology. Intersectionality is a tool for analysis, developed primarily by black feminists, to examine the causes and consequences of converging social identities (gender, race, class, sexual identity, age, ability, nation, religion) within interlocking systems of power and privilege (sexism, racism, classism, heterosexism, ableism, ageism, nativism) and to foster engaged, activist work toward social justice. Applied to theology, intersectionality demands attention to the Christian thinker's own identities and location within systems of power and the value of deep consideration of complementary, competing, and even conflicting points of view that arise from the experiences and understandings of diverse people.This book provides an overview of theories of intersectionality and suggests questions of intersectionality for theology, challenging readers to imagine an intersectional church, a practice of welcome and inclusion rooted in an ecclesiology that embraces difference and centers social justice.Rather than providing a developed systematic theology, Intersectional Theology encourages readers to apply its method in their own theologizing to expand their own thinking and add their experiences to a larger theology that moves us all toward the kin-dom of God.

"They didn't teach me that in Sunday school "All those years in Sunday school and no one ever explained why Eve took the blame for the fall when Adam was beside her . . . or why Phoebe was a "servant" when the same word elsewhere was translated as "deacon" . . . or why only Miriam got leprosy when she and Aaron both questioned Moses . . . or who made the food for the Last Supper and then cleaned up afterward.These are the questions of reflective faith, a faith that asks hard questions and refuses easy answers, a faith that engages with the world and seeks to change it. In Reflective Faith, Susan Shaw offers a set of tools to explore difficult issues of biblical interpretation, theology, church history, and ethics- especially as they relate to women. Reflective faith invites intellectual struggle and embraces the unknown; it is a way of discipleship, a way to love God with your mind, as well as your heart, your soul, and your strength.This companion workbook provides individuals and small groups a wide variety of opportunities to put to work the tools introduced in Reflective Faith. Shaw has crafted superb exercises that will encourage dialogue, interaction, and growth toward greater discipleship.

"They didn't teach me that in Sunday school "All those years in Sunday school and no one ever explained why Eve took the blame for the fall when Adam was beside her . . . or why Phoebe was a "servant" when the same word elsewhere was translated as "deacon" . . . or why only Miriam got leprosy when she and Aaron both questioned Moses . . . or who made the food for the Last Supper and then cleaned up afterward.These are the questions of reflective faith, a faith that asks hard questions and refuses easy answers, a faith that engages with the world and seeks to change it. In Reflective Faith, Susan Shaw offers a set of tools to explore difficult issues of biblical interpretation, theology, church history, and ethics- especially as they relate to women. Reflective faith invites intellectual struggle and embraces the unknown; it is a way of discipleship, a way to love God with your mind, as well as your heart, your soul, and your strength.

How can women find strength, courage, and motivation in a religious denomination that believes in the necessity of a wife's submission to her husband? In God Speaks to Us, Too, Susan M. Shaw shows that Southern Baptist women are surprisingly more complex and rebellious than outside observers might think they are. She presents the views of more than 150 women, often using their own words, and finds in them an unshakable belief that God speaks as directly to them as to any pastor or denominational leader. Although these women respect their leaders and are influenced by them, ultimately they recognize that their beliefs and practices are determined by their own choices, and with God's guidance.

With a foreword by Jennifer Baumgardner and Amy Richards Girls Rock! explores the many ways women have defined themselves as rock musicians in an industry once dominated and controlled by men. Integrating history, feminist analysis, and developmental theory, the authors describe how and why women have become rock musicians -- what inspires them to play and perform, how they write, what their music means to them, and what they hope their music means to listeners. As these musicians tell their stories, topics emerge that illuminate broader trends in rock's history. From Wanda Jackson's revolutionary act of picking up a guitar to the current success of independent artists such as Ani DiFranco, Girls Rock! examines the shared threads of these performers' lives and the evolution of women's roles in rock music since its beginnings in the 1950s. This provocative investigation of women in rock is based on numerous interviews with a broad spectrum of women performers -- those who have achieved fame and those just starting bands, those playing at local coffeehouses and those selling out huge arenas. Girls Rock! celebrates what female musicians have to teach about their experiences as women, artists, and rock musicians.