T. J. Clark

‘Thames & Hudson’s new, affordable, covetable ‘Pocket Perspectives’: beautifully illustrated essays by canonical writers’ Financial Times A Financial Times Book of the Year: T.J. Clark offers profound insights on Bruegel’s art, where we encounter a reality formed from wholly worldly materials, yet suspended between belief and disbelief. Renowned art historian T. J. Clark unveils the hidden depths of Bruegel the Elder’s work in this captivating analysis of some of the artist's most famous masterpieces. Taking the medieval concept of Schlaraffenland, a whimsical dreamland of milk and honey, as his starting point, Clark reveals the satire behind Bruegel’s depictions of paradise and damnation. In an age marked by enforced orthodoxy, religious wars and threats of burning hellfire, Bruegel the Elder reflected on the powers as well as limitations of religion, deriding the sanctimonious and ridiculing the righteous. At the heart of this book stands Bruegel’s ironic yet highly tender picture of The Land of Cockaigne, where we encounter a vision not of heaven above, but on earth. A parody of paradise, Bruegel’s heaven is consumptive, empty, idle and irresponsible; made of wholly worldly materials, just on the precipice of possibility.

This is the first intellectual biography of Guy Debord, prime mover of the Situationist International (1957-1972) and author of The Society of the Spectacle, the seminal book of the May 1968 uprising in France. Anselm Jappe offers a powerful corrective to the continual attempts to incorporate Debord's theoretical work into "French theory." Jappe focuses, to the contrary, on Debord's debt to the Hegelian-Marxist tradition, to Karl Korsch and Georg Luk cs, and more generally to left-Marxist currents of council communism. His close reading of Debord's magnum opus is unique among the great flood of writing on the Situationists in recent decades. This PM reprint edition benefits from a new author's preface and a bibliographical update.