Taylor Mac

A joyfully queer fantasia that draws on jazz music and operatic form to reimagine the last hours of Socrates as an ecstatic celebration.The latest work from playwright Taylor Mac and composer Matt Ray takes us to ancient Athens on the eve of the death of famous philosopher Socrates. Sentenced to die for corrupting the youth (by having sex with them), Socrates decides to spend his remaining hours doing what he loves: engaging in philosophical debate about the true meaning of virtue. And singing songs. And dancing. And just, you know, hanging out. What follows is a musical-theatrical riff on philosophical history, complete with a Plato who assiduously but inaccurately writes it all down, implying that what's most essential in life, as in theater, are the unwritable moments of joyous communion. In other words, "the hang."

In Gary, Taylor Mac's singular worldview intersects with William Shakespeare's first tragedy, Titus Andronicus. Set during the fall of the Roman Empire just after the blood-soaked conclusion of Shakespeare's play, the years of bloody battles are over, the country has been stolen by madmen, and there are casualties everywhere. And two very lowly servants--Gary and Janice--are charged with cleaning up the bodies. It's the year 400--but it feels like the end of the world.

Discharged from the Marines under suspicious circumstances, Isaac comes home from the wars, only to find the life he remembers upended. Isaac’s father, who once ruled the family with an iron fist, has had a debilitating stroke; his younger sister, Maxine, is now his brother, Max; and their mother, Paige, is committed to revolution at any cost. Determined to be free of any responsibility toward her formerly abusive husband—or the home he created—Paige fervently believes she can lead the way to a ""new world order."" Hir, Taylor Mac’s subversive comedy, leaves many of our so-called normative and progressive ideas about gender, families, the middle class—and cleaning—in hilarious and ultimately tragic disarray.