Thadious M. Davis

Hortense Spillers is one of the most important literary critics and Black feminist scholars of the last fifty years. Her 1987 scholarly article “Mama’s Baby, Papa’s Maybe: An American Grammar Book” is one of the most-cited essays in African American literary studies. Edited by Margo Natalie Crawford and C. Riley Snorton, The Flesh of the Matter: A Critical Forum on Hortense Spillers is the first collection to take up directly how Spillers’s writing on literature, culture, and theory have been signal posts to the varied and universal threads of Black thought, as well as countless other areas of the academy. Interspersed with archival fragments from Spillers’s papers kept at the Pembroke Center for Feminist Thought at Brown University, the fourteen essays in this collection demonstrate a fidelity to the ways of reading Spillers has taught us, the nomenclature of enslavement keyed into the American lexicon, and the ways that history permeates our cultural boundaries today.

Hortense Spillers is one of the most important literary critics and Black feminist scholars of the last fifty years. Her 1987 scholarly article “Mama’s Baby, Papa’s Maybe: An American Grammar Book” is one of the most-cited essays in African American literary studies. Edited by Margo Natalie Crawford and C. Riley Snorton, The Flesh of the Matter: A Critical Forum on Hortense Spillers is the first collection to take up directly how Spillers’s writing on literature, culture, and theory have been signal posts to the varied and universal threads of Black thought, as well as countless other areas of the academy. Interspersed with archival fragments from Spillers’s papers kept at the Pembroke Center for Feminist Thought at Brown University, the fourteen essays in this collection demonstrate a fidelity to the ways of reading Spillers has taught us, the nomenclature of enslavement keyed into the American lexicon, and the ways that history permeates our cultural boundaries today.

Understanding Alice Walker serves both as an introduction to the Pulitzer Prize and National Book Award winner's large body of work and as a critical analysis of her multifaceted canon. Thadious M. Davis begins with Walker's biography and her formative experiences in the South and then presents ways of accessing and reading Walker's complex, interconnected, and sociopolitically invested career in writing fiction, poetry, critical essays, and meditations.Although best known for her novel The Color Purple and her landmark essays In Search of Our Mothers's Gardens: Womanist Prose, Walker began her career with Once: Poems, The Third Life of Grange Copeland, and In Love and Trouble: Stories of Black Women. She has remained committed not merely to writing in multiple genres but also to conveying narratives of the hope and transformation possible within the human condition and as visualized through the lens of race and gender.

Understanding Alice Walker serves both as an introduction to the Pulitzer Prize and National Book Award winner's large body of work and as a critical analysis of her multifaceted canon. Thadious M. Davis begins with Walker's biography and her formative experiences in the South and then presents ways of accessing and reading Walker's complex, interconnected, and sociopolitically invested career in writing fiction, poetry, critical essays, and meditations.Although best known for her novel The Color Purple and her landmark essays In Search of Our Mothers's Gardens: Womanist Prose, Walker began her career with Once: Poems, The Third Life of Grange Copeland, and In Love and Trouble: Stories of Black Women. She has remained committed not merely to writing in multiple genres but also to conveying narratives of the hope and transformation possible within the human condition and as visualized through the lens of race and gender.

In Games of Property, distinguished critic Thadious M. Davis provides a dazzling new interpretation of William Faulkner’s Go Down, Moses. Davis argues that in its unrelenting attention to issues related to the ownership of land and people, Go Down, Moses ranks among Faulkner’s finest and most accomplished works. Bringing together law, social history, game theory, and feminist critiques, she shows that the book is unified by games-fox hunting, gambling with cards and dice, racing-and, like the law, games are rule-dependent forms of social control and commentary. She illuminates the dual focus in Go Down, Moses on property and ownership on the one hand and on masculine sport and social ritual on the other. Games of Property is a masterful contribution to understandings of Faulkner’s fiction and the power and scope of property law.

In Games of Property, distinguished critic Thadious M. Davis provides a dazzling new interpretation of William Faulkner’s Go Down, Moses. Davis argues that in its unrelenting attention to issues related to the ownership of land and people, Go Down, Moses ranks among Faulkner’s finest and most accomplished works. Bringing together law, social history, game theory, and feminist critiques, she shows that the book is unified by games-fox hunting, gambling with cards and dice, racing-and, like the law, games are rule-dependent forms of social control and commentary. She illuminates the dual focus in Go Down, Moses on property and ownership on the one hand and on masculine sport and social ritual on the other. Games of Property is a masterful contribution to understandings of Faulkner’s fiction and the power and scope of property law.

Nella Larsen (1891-1964) is recognised as one of the most influential, and certainly one of the most enigmatic, writers of the Harlem Renaissance. With the instant success of her two novels, Quicksand (1928) and Passing (1929), she became a bright light in New York's literary firmament. But her meteoric rise was followed by a surprising fall: In 1930 she was accused of plagiarizing a short story, and after 1933 she disappeared from both the literary and African-American worlds of New York. She lived the rest of her life, more than three decades, out of the public eye, working primarily as a nurse. In a remarkable achievement, Thadious Davis has penetrated the fog of mystery that has surrounded Larsen to present a detailed and fascinating account of the life and work of this gifted, determined, yet vulnerable artist. In addition to unraveling the details of Larsen's personal life, Davis deftly situates the writer within the broader politics and aesthetics of the Harlem Renaissance and analyses her life and work in terms of the current literature on race and gender. This book, with the prodigious amount of new material and insights that Davis provides, is a landmark in African-American literary history and criticism.