Thomas Bewick

A Memoir of Thomas Bewick is an unchanged, high-quality reprint of the original edition of 1862. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

History of British Birds - Vol. 2 is an unchanged, high-quality reprint of the original edition of 1797. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Synonymous with finely crafted wood engravings of the natural world, Thomas Bewick (1753–1828) perfected an instantly recognisable style which was to influence book illustration well into the nineteenth century. Begun in November 1822, at the behest of his daughter Jane, and completed in 1828, Bewick's autobiography was first published in 1862. The opening chapters recall vividly his early life on Tyneside, his interest in the natural world, his passion for drawing, and his apprenticeship with engraver Ralph Beilby in Newcastle, where he would learn his trade and then work in fruitful partnership for twenty years. Later passages in the work reveal Bewick's strongly held views on religion, politics and nature. The work also features illustrations for a proposed work on British fish. Bewick's General History of Quadrupeds (1790) and History of British Birds (1797–1804), the works which secured his high reputation, are also reissued in this series.

Thomas Bewick (1753–1828) is synonymous with finely crafted wood engravings of the natural world, and his instantly recognisable style influenced book illustration well into the nineteenth century. During his childhood in the Tyne valley, his two obsessions were art and nature. At fourteen, he was apprenticed to the engraver and businessman Ralph Beilby (1743–1817) with whom he later published A General History of Quadrupeds (also reissued in this series). The present work, with its text compiled from various sources, was the first practical field guide for the amateur ornithologist, inspiring also artists and writers. Each of the two volumes contains hundreds of illustrations of breathtaking beauty and precision: one for each species, neatly capturing its character in exquisite detail, interspersed with charming vignettes of country life. Volume 2, first published in 1804, covers water birds, including sandpipers, terns, grebes and guillemots.

Thomas Bewick (1753–1828) is synonymous with finely crafted wood engravings of the natural world, and his instantly recognisable style influenced book illustration well into the nineteenth century. During his childhood in the Tyne valley, his two obsessions were art and nature. At fourteen, he was apprenticed to the engraver and businessman Ralph Beilby (1743–1817) with whom he later published A General History of Quadrupeds (also reissued in this series). The present work, with its text compiled from various sources, was the first practical field guide for the amateur ornithologist, inspiring also artists and writers. Each of the two volumes contains hundreds of illustrations of breathtaking beauty and precision: one for each species, neatly capturing its character in exquisite detail, interspersed with charming vignettes of country life. Volume 1, first published in 1797, covers land birds, including eagles, owls, sparrows and finches.

Thomas Bewick (1753–1828) began his career as an apprentice to the engraver and businessman Ralph Beilby (1743–1817). Having entered into a partnership and illustrated more than eighty small books for children, they decided to work together on this natural history, with Beilby drafting the descriptions and Bewick providing wood engravings and textual revisions. It was first published in 1790, cementing Bewick's reputation as an engraver of the natural world. Although by the end of 1797 the partnership had foundered, the book ran to seven editions and sold some 14,000 copies. Its aim was to describe and depict the domestic animals that 'so materially contribute to the strength, the wealth, and the happiness of this kingdom', and also provide entries on more exotic species, such as monkeys and big cats. Beginning with horses and cattle, this reissue of the first edition also includes an index of animals.