Thomas Chatterton

Reprint of the original, first published in 1875.

Reprint of the original, first published in 1875.

In 1763, an 11-year-old boy named Thomas Chatterton began publishing mature works of poetry. Before long, he was fooling the literary world by passing his work off as that of a non-existent 15th-century poet named Thomas Rowley-which he did until unmasked by Horace Walpole. Brought up in poverty and without a father, he studied furiously and went on to try and earn a living from his writing. After impressing the likes of the Lord Mayor, William Beckford and the radical leader John Wilkes, he eagerly looked for an outlet in London for his political works, but was unable to make a decent living and, despairing, poisoned himself at the age of seventeen. Chatterton had a significant impact on Romantic artists including Coleridge, Wordsworth, Shelley, and Keats; with numerous notable poems, plays, and paintings having been dedicated to him since his untimely death. This book contains volumes I and II of "The Complete Poetical Works of Thomas Chatterton", first published in 1906. Contents include: "African Eclogues", "The Revenge: A Burletta", "Songs in 'The Revenge'", "The Woman of Spirit: A Burletta", "Poems Addressed to Certain Persons", "Satires", "Satres-continued", "Elegies", "Miscellaneous Poems", and "Miscellaneous Poems-continued". As part of our poetry imprint, "Ragged Hand", Read & Co. is republishing this classic collection of poetry now in a new edition complete with John Keats' "Sonnet to Chatterton" (1848).

In 1763, an 11-year-old boy named Thomas Chatterton began publishing mature works of poetry. Before long, he was fooling the literary world by passing his work off as that of a non-existent 15th-century poet named Thomas Rowley-which he did until unmasked by Horace Walpole. Brought up in poverty and without a father, he studied furiously and went on to try and earn a living from his writing. After impressing the likes of the Lord Mayor, William Beckford and the radical leader John Wilkes, he eagerly looked for an outlet in London for his political works, but was unable to make a decent living and, despairing, poisoned himself at the age of seventeen. Chatterton had a significant impact on Romantic artists including Coleridge, Wordsworth, Shelley, and Keats; with numerous notable poems, plays, and paintings having been dedicated to him since his untimely death. This volume contains Chatterton's controversial collection of poetry by the invented Thomas Rowley, which was not discovered to be a fake until after he died. Contents include: "Preface", "Introductory Account of the Several Pieces Contained in this Volume", "Eclogue the First", "Eclogue the Second", "Eclogue the Third", "Elinoure and Juga", "To Johne Ladgate", "Songe to lla, Lorde of the Castel of Brystowe Ynne Daies of Yore", "Lydgate's Answer", "The Tournament. An Interlude", "Bristowe Tragedie Or, the Dethe of Syr Charles Bawdin", etc. As part of our poetry imprint, "Ragged Hand", Read & Co. is republishing this classic collection of poetry now in a new edition complete with John Keats' "Sonnet to Chatterton" (1848).

In 1763, an 11-year-old boy named Thomas Chatterton began publishing mature works of poetry. Before long, he was fooling the literary world by passing his work off as that of a non-existent 15th-century poet named Thomas Rowley-which he did until unmasked by Horace Walpole. Brought up in poverty and without a father, he studied furiously and went on to try and earn a living from his writing. After impressing the likes of the Lord Mayor, William Beckford and the radical leader John Wilkes, he eagerly looked for an outlet in London for his political works, but was unable to make a decent living and, despairing, poisoned himself himself at the age of seventeen. Chatterton had a significant impact on Romantic artists including Coleridge, Wordsworth, Shelley, and Keats; with numerous notable poems, plays, and paintings having been dedicated to him since his untimely death. This volume contains Chatterton's controversial collection of poetry by the invented Thomas Rowley, which was not discovered to be a fake until after he died. Contents include: "Editor's Introduction" and "Poems, Supposed to Have Been Written in Bristol". As part of our poetry imprint, Ragged Hand, Read & Co. is republishing this classic collection of poetry now in a new edition complete with John Keats' "Sonnet to Chatterton" (1848).

Reproduction of the original: The Rowley Poems by Thomas Chatterton

Reproduction of the original: The Rowley Poems by Thomas Chatterton

Poems, Supposed to Have Been Written at Bristol - Vol.1 is an unchanged, high-quality reprint of the original edition of 1794. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Poems - Supposed to have been written at Bristol, in the fifteenth Century is an unchanged, high-quality reprint of the original edition of 1782. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Thomas Chatterton (1752–70) was only seventeen when he died of arsenic poisoning. Among his family and friends he was known as a versifier with a fascination for medieval manuscripts, but none suspected the true scope of his work. At eleven, he was already writing poetry, and by the end of his life his love poems, eclogues and forged medieval pieces numbered in the hundreds. Chatterton is best known for the Rowley poems, which he claimed were transcribed from the work of a fifteenth-century monk. Although the precocious skill of his forgeries, once exposed, often went unrecognised by critics, Chatterton's legacy influenced the Romantics for decades after his death. This three-volume collection of his work, edited by Joseph Cottle and Robert Southey, first appeared in 1803. Volume 3 includes Chatterton's prose works, selected letters, some contemporary discussion of his work, and Cottle's account of the Rowley manuscripts.

Thomas Chatterton (1752–70) was only seventeen when he died of arsenic poisoning. Among his family and friends he was known as a versifier with a fascination for medieval manuscripts, but none suspected the true scope of his work. At eleven, he was already writing poetry, and by the end of his life his love poems, eclogues and forged medieval pieces numbered in the hundreds. Chatterton is best known for the Rowley poems, which he claimed were transcribed from the work of a fifteenth-century monk. Although the precocious skill of his forgeries, once exposed, often went unrecognised by critics, Chatterton's legacy influenced the Romantics for decades after his death. This three-volume collection of his work, edited by Joseph Cottle and Robert Southey, first appeared in 1803. Volume 1 includes his earliest poetry, and a biography by George Gregory (also reissued separately in this series).

Thomas Chatterton (1752–70) was only seventeen when he died of arsenic poisoning. Among his family and friends he was known as a versifier with a fascination for medieval manuscripts, but none suspected the true scope of his work. At eleven, he was already writing poetry, and by the end of his life his love poems, eclogues and forged medieval pieces numbered in the hundreds. They were to influence the Romantics for decades after his death. This three-volume collection of his work, edited by Joseph Cottle and Robert Southey, first appeared in 1803. Volume 2 contains the Rowley poems, for which Chatterton is best known. Ironically, they were never published under his own name in his lifetime: he claimed that the poems were transcripts he had taken from the work of Thomas Rowley, a fifteenth-century monk. The value of these ambitious forgeries is still underappreciated.