Thomas Frognall Dibdin

Reproduction of the original: Bibliomania by Thomas Frognall Dibdin

Reproduction of the original: A Bibliographical Antiquarian and Picturesque Tour in France and Germany by Thomas Frognall Dibdin

Reproduction of the original: A Bibliographical Antiquarian and Picturesque Tour in France and Germany by Thomas Frognall Dibdin

Reproduction of the original: A Bibliographical Antiquarian and Picturesque Tour in France and Germany by Thomas Frognall Dibdin

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Bibliomania, the almost obsessive collecting of rare books and early editions by the aristocracy, which peaked in 1812 with the sale of the Valdarfer Boccaccio, was fuelled in no small part by the work of the bibliographer Thomas Frognall Dibdin (1776–1847). His most famous book, Bibliomania, popularised the word's use in England. The present work was first published in three volumes in 1817 and may be considered a continuation of Bibliomania in both style and content. Using a dialogue format with extensive footnotes, it covers all aspects of bibliography from early illuminated manuscripts and printed books through to contemporary book collectors and auctions. The work is notable for the number and quality of its illustrations. Volume 3 presents accounts of book collectors and auctions since 1811, and bibliographical and general indexes to the whole work. Dibdin's Bibliomania (revised edition, 1811) and his Reminiscences of a Literary Life (1836) are also reissued in this series.

Bibliomania, the almost obsessive collecting of rare books and early editions by the aristocracy, which peaked in 1812 with the sale of the Valdarfer Boccaccio, was fuelled in no small part by the work of the bibliographer Thomas Frognall Dibdin (1776–1847). His most famous book, Bibliomania, popularised the word's use in England. The present work was first published in three volumes in 1817 and may be considered a continuation of Bibliomania in both style and content. Using a dialogue format with extensive footnotes, it covers all aspects of bibliography from early illuminated manuscripts and printed books through to contemporary book collectors and auctions. The work is notable for the number and quality of its illustrations. Volume 2 presents the rise and progress of printing, particularly on the Continent, and a survey of the history of bookbinding. Dibdin's Bibliomania (revised edition, 1811) and his Reminiscences of a Literary Life (1836) are also reissued in this series.

Bibliomania, the almost obsessive collecting of rare books and early editions by the aristocracy, which peaked in 1812 with the sale of the Valdarfer Boccaccio, was fuelled in no small part by the work of the bibliographer Thomas Frognall Dibdin (1776–1847). His most famous book, Bibliomania, popularised the word's use in England. The present work was first published in three volumes in 1817 and may be considered a continuation of Bibliomania in both style and content. Using a dialogue format with extensive footnotes, it covers all aspects of bibliography from early illuminated manuscripts and printed books through to contemporary book collectors and auctions. The work is notable for the number and quality of its illustrations. Volume 1 presents a detailed survey of illuminated manuscripts and early printed books, focusing on the continuity of illustration and decoration. Dibdin's Bibliomania (revised edition, 1811) and his Reminiscences of a Literary Life (1836) are also reissued in this series.

Lettre trentieme concernant l'imprimerie et la librairie de Paris / par le Rev. Th. Frognall Dibdin]; traduite de l'anglais, avec des notes, par G. A. Crapelet, imprimeurDate de l'edition originale: 1821Sujet de l'ouvrage: Imprimeries -- France -- Paris (France) -- 19e siecleLibrairies -- France -- Paris (France) -- 19e siecle"Titre original: A Bibliographical, antiquarian and picturesque tour in France and Germany"Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF.Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique.En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles.Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction.Pour plus d'informations, rendez-vous sur www.hachettebnf.fr

The bibliophile aristocrat George Spencer (1758–1834) employed Thomas Frognall Dibdin (1776–1847) as his librarian for life. The second earl had amassed the greatest private library in Europe, housed at Althorp, and Dibdin was tasked with cataloguing the vast collection and sourcing suitable editions to add to it. In 1814, Dibdin began publishing his four-volume catalogue, Bibliotheca Spenceriana (also reissued in this series). Aedes Althorpianae was published in two volumes in 1822, and although it is to a great extent devoted to further details of the great library and its contents, it is also illuminating for its detailed history of Althorp and the Spencers. Its descriptions of the internal decoration of Althorp, particularly its art, are accompanied by numerous illustrations. Volume 2 records over 300 additions to the fifteenth-century books in the earl's collection, and catalogues the treasures of the great Cassano library, recently acquired by the earl.

The bibliophile aristocrat George Spencer (1758–1834) employed Thomas Frognall Dibdin (1776–1847) as his librarian for life. The second earl had amassed the greatest private library in Europe, housed at Althorp, and Dibdin was tasked with cataloguing the vast collection and sourcing suitable editions to add to it. In 1814, Dibdin began publishing his four-volume catalogue, Bibliotheca Spenceriana (also reissued in this series). Aedes Althorpianae was published in two volumes in 1822, and although it is to a great extent devoted to further details of the great library and its contents, it is also illuminating for its detailed history of Althorp and the Spencers. Its descriptions of the internal decoration of Althorp, particularly its art, are accompanied by numerous illustrations. Volume 1 includes descriptions of the various illustrated works in the library, such as a volume of original drawings by Pieter Bruegel the Elder and a sumptuous illuminated Magna Carta.