Thomas Malory

Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. Sir Thomas Malory (c. 1405 - 14 March 1471) was an English writer, the author or compiler of Le Morte d'Arthur. Most modern scholars, beginning with G.L. Kittredge in 1894, assume that he was Sir Thomas Malory of Newbold Revel in Warwickshire, who was a knight, land-owner and Member of Parliament. The name comes from the Old French adjective male r meaning ill-omened or unfortunate. As the prayers referring to the author relate, he lived in ill health and died in prison. If the Morte D'Arthur was really written in prison and by a prisoner distressed by ill health as well as by lack of liberty, surely no task was ever better devised to while away weary hours. Leaving abundant scope for originality in selection, modification, and arrangement, as a compilation and translation it had in it that mechanical element which adds the touch of restfulness to literary work. "Then all these things aforesaid alleged, I could not well deny but that there was such a noble king named Arthur, and reputed one of the nine worthy, and first and chief of the Christian men. And many noble volumes be made of him and of his noble knights in French, which I have seen and read beyond the sea, which be not had in our maternal tongue. But in Welsh be many and also in French, and some in English but nowhere nigh all. Wherefore, such as have late been drawn out briefly into English I have after the simple conning that God hath sent to me, under the favour and correction of all noble lords and gentlemen, enprised to imprint a book of the noble histories of the said King Arthur, and of certain of his knights, after a copy unto me delivered, which copy Sir Thomas Malorye did take out of certain books of French, and reduced it into English. And I, according to my copy, have done set it in imprint, to the intent that noble men may see and learn the noble acts of chivalry, the gentle and virtuous deeds that some knights used in those days, by which they came to honour, and how they that were vicious were punished and oft put to shame and rebuke; humbly beseeching all noble lords and ladies, with all other estates of what estate or degree they been of, that shall see and read in this said book and work, that they take the good and honest acts in their remembrance, and to follow the same. Wherein they shall find many joyous and pleasant histories, and noble and renowned acts of humanity, gentleness, and chivalry. For herein may be seen noble chivalry, courtesy, humanity, friendliness, hardiness, love, friendship, cowardice, murder, hate, virtue, and sin. Do after the good and leave the evil, and it shall bring you to good fame and renown."

Sir Thomas Malory's classic telling of the Legend of King Arthur and his Knights of the Round Table is a cornerstone of English Literature, and has captured the imagination of generations. Mike Poulton's adaptation brings the familiar and not-so-familiar tales of Britain's first great epic to spectacular theatrical life. The adventure begins with the pulling of the magic sword from the stone, moves on to the establishment of the Round Table and the Quest for the Holy Grail, and ends with the death of the 'once and future king'. Woven through the narrative is the great love story of Launcelot and Guenever. This stage adaptation of Morte D'Arthur was first performed by the Royal Shakespeare Company at the Courtyard Theatre, Stratford-upon-Avon, in June 2010.

Fiction. Folk Tales. Medieval Studies. Dorsey Armstrong provides a new, Modern English translation of the MORTE DARTHUR that portrays the holistic and comprehensive unity of the text as a whole, as suggested by the structure of Caxton's print, but that is based primarily on the Winchester Manuscript, which offers the most complete and accurate version of Malory's narrative. This translation makes one of the most compelling and important texts in the Arthurian tradition easily accessible to everyone--from high school students to Arthurian scholars. In addition to the complete text, Armstrong includes an introduction that discusses Malory's sources and the long-running debate surrounding the manuscript and print versions of the narrative. For ease of use, the text is keyed to both William Caxton's print version and the manuscript version edited by Eugene Vinaver. A detailed index is also included.

An annotated edition of the most dramatic part of the most famous story of the Arthurian legend, edited and in the original spelling to bring it as close as possible to the medieval original.

P. J. C. Field, the world's preeminent Malory specialist, has wisely chosen to offer here Malory's seventh and eighth tales, recounting the decline and end of Camelot. The authoritative text is accompanied by indispensable notes and preceded by a remarkably thorough and learned--but never obscure--Introduction sufficient to prepare students and other readers to profit fully from the texts. This book is ideal for those coming to Malory for the first time and a distinct pleasure for those who already know him well. --Norris J. Lacy, E. E. Sparks Professor of French and Medieval Studies, Penn State University

The definitive English version of the stories of King Arthur, Le Morte Darthur was completed in 1469-70 by Sir Thomas Malory, `knight-prisoner'. In a resonant prose style, Malory charts the tragic disintegration of the fellowship of the Round Table, destroyed from within by warring factions. Recounting the life of King Arthur, the knightly exploits of Sir Lancelot du Lake, Sir Tristram, Sir Gawain, and the quest for the Holy Grail, Le Morte Darthur depicts the contradictions that underscore the Fellowship's chivalric ideals. A pervading tension cumulates in the revelation of Lancelot and Guenivere's illicit passion, and in Arthur's powerlessness to prevent a related outbreak of violence and revenge. This generously annotated edition is based on the authoritative Winchester manuscript and represents what Malory wrote more closely than the first version printed by William Caxton. Intelligently abridged from the original to make a single substantial volume, the translation is supplemented by a fine Introduction, a Glossary, and extensive Notes ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.